The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
The Bible is the foundational text for the Byzantine Empire. The papers of this volume explore its reception through appropriation, adaptation and interpretation as articulated in all aspects of Byzantine society. Several sessions at the ISBL held in Vienna, 6 to 10 July 2014 on 'The Reception of the Bible in Greco-Roman Tradition,' 'The Bible between Jews and Christians in Byzantium,' 'Biblical Scholarship in Byzantium,' and 'Biblical Foundations of Byzantine Identity and Culture' built the basis of this volume. Various angles shed light on the Byzantine experience of the Bible. The wide range of source materials that inform the contributions to this volume—from manuscripts and military handbooks to lead seals and pilgrim guides— allows insights into a vivid liturgical tradition, which shapes Orthodox Christianity up today. As a thoroughly Christianized society, the Bible had sunk deep into the cultural DNA of Byzantium. The volume shows the multitude of strategies for the engagement with the Biblical text and the manifold ways in which the Bible message was experienced, articulated and brought to life on a daily basis.
The Bible is the foundational text for the Byzantine Empire. The papers of this volume explore its reception through appropriation, adaptation and interpretation as articulated in all aspects of Byzantine society. Several sessions at the ISBL held in Vienna, 6 to 10 July 2014 on 'The Reception of the Bible in Greco-Roman Tradition, ' 'The Bible between Jews and Christians in Byzantium, ' 'Biblical Scholarship in Byzantium, ' and 'Biblical Foundations of Byzantine Identity and Culture' built the basis of this volume. Various angles shed light on the Byzantine experience of the Bible. The wide range of source materials that inform the contributions to this volume-from manuscripts and military handbooks to lead seals and pilgrim guides- allows insights into a vivid liturgical tradition, which shapes Orthodox Christianity up today. As a thoroughly Christianized society, the Bible had sunk deep into the cultural DNA of Byzantium. The volume shows the multitude of strategies for the engagement with the Biblical text and the manifold ways in which the Bible message was experienced, articulated and brought to life on a daily basi
Klaus Wachtel has pioneered the creation of major editions of the Greek New Testament through a blend of traditional philological approaches and innovative digital tools. In this volume, an international range of New Testament scholars and editors honour his achievements with thirty-one original studies. Many of the themes mirror Wachtel's own publications on the history of the Byzantine text, the identification of manuscript families and groups, detailed analysis of individual witnesses and the development of software and databases to support the editorial process. Other contributions draw on the production of the Editio Critica Maior, with reference to the Gospels of Mark and John, the Acts of the Apostles, the Pauline Epistles and the Apocalypse. Several chapters consider the application of the Coherence-Based Genealogical Method. A wide selection of material is considered, from papyri to printed editions. The Greek text is analysed from multiple perspectives, including exegesis, grammar and orthography, alongside evidence from versions in Latin, Syriac, Coptic and Gothic. This collection provides new insights into the history of the biblical text and the creation, development, analysis and application of modern editions.
This third volume in the pioneering A People's History of Christianity series focuses on the religious lives of ordinary people and introduces the religion of the Byzantine Christian laity by asking the questions: What did ordinary Christians do in church, in their homes and their workshops? How were icons used? How did the people celebrate, marry, and mourn? Where did they go on pilgrimage?
This revised and expanded edition of the widely-praised A History of Byzantium covers the time of Constantine the Great in AD 306 to the fall of Constantinople in 1453. Expands treatment of the middle and later Byzantine periods, incorporating new archaeological evidence Includes additional maps and photographs, and a newly annotated, updated bibliography Incorporates a new section on web resources for Byzantium studies Demonstrates that Byzantium was important in its own right but also served as a bridge between East and West and ancient and modern society Situates Byzantium in its broader historical context with a new comparative timeline and textboxes
In The Concept of the Elect Nation in Byzantium, Shay Eshel shows how the Old Testament model of the ancient Israelites was a prominent factor in the evolution of Roman-Byzantine national awareness between the 7th and 13th centuries. The Byzantines' interpretation of the 7th century epic events as manifestations of God's wrath enabled them to incorporate the events into a paradigm which they now embraced: the Old Testament paradigm of the Israelite Elect Nation's complex relationship with God, a cyclic relation of sin, wrath, punishment, repentance and salvation. The Elect Nation concept enabled the Byzantines to express the shift in their collective identity toward a shrunken, yet more clearly defined, national awareness.
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
