"When Margo's niece becomes a runaway bride --taking with her a family heirloom--her mother offers Margo fifty grand to retrieve her spoiled daughter and the invaluable property she stole. Together with the jilted and justifiably crabby fiancé, Margo sets out in a borrowed 1955 red MG on a cross-country chase and finds herself along the way"--
Bette Davis, whose career spanned almost 50 years and covered theatre, radio, TV and motion pictures, was at one time the first lady of the big screen. Working with such storied performers as Henry Fonda, Humphrey Bogart, and Joan Crawford, and directors Edmund Goulding, William Wyler and Robert Aldrich, Bette Davis provided some of the most memorable performances in movie history. This volume contains detailed analyses of Bette Davis' top twelve films spanning 1938 to 1987 and including The Letter, All About Eve, The Little Foxes, Jezebel, What Ever Happened to Baby Jane? and The Whales of August. Each film is discussed in depth, with an examination of its script, direction, camerawork and performances, particularly as they relate to Davis's work. A second group of films, memorable largely for Davis's performance rather than the overall success of the work, are also examined. Special emphasis is placed on the way Davis viewed her own work as well as the detrimental effect her devotion to her career had on her personal life. Appendices contain a list of her marriages and children; her Oscar nominations; a discussion of Davis's missed opportunities; and a partial chronology of her films.
Award-winning "Vanity Fair" reporter Rose has written a gripping, revealing drama that is also a compelling, accessible, and timely exploration of race and criminal justice as it addresses the corruption of due process as a tool of racial oppression.
"The early history of the formation of the Academy of Motion Picture Arts and Sciences and its most famous award-the Oscar-as told by its former executive director who reveals many previously unknown stories"--
NEW YORK TIMES BEST SELLER • An inspiring and intimate self-portrait of the champion of equality that encompasses her brilliant tennis career, unwavering activism, and an ongoing commitment to fairness and social justice. “A story about the personal strength, immense growth, and undeniable greatness of one woman who fearlessly stood up to a culture trying to break her down.”—Serena Williams In this spirited account, Billie Jean King details her life's journey to find her true self. She recounts her groundbreaking tennis career—six years as the top-ranked woman in the world, twenty Wimbledon championships, thirty-nine grand-slam titles, and her watershed defeat of Bobby Riggs in the famous "Battle of the Sexes." She poignantly recalls the cultural backdrop of those years and the profound impact on her worldview from the women's movement, the assassinations and anti-war protests of the 1960s, the civil rights movement, and, eventually, the LGBTQ+ rights movement. She describes the myriad challenges she's hurdled—entrenched sexism, an eating disorder, near financial peril after being outed—on her path to publicly and unequivocally acknowledging her sexual identity at the age of fifty-one. She talks about how her life today remains one of indefatigable service. She offers insights and advice on leadership, business, activism, sports, politics, marriage equality, parenting, sexuality, and love. And she shows how living honestly and openly has had a transformative effect on her relationships and happiness. Hers is the story of a pathbreaking feminist, a world-class athlete, and an indomitable spirit whose impact has transcended even her spectacular achievements in sports.
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment as we know it. In The Warner Brothers, Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat—and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.
While the impact that legendary actors and actresses have had on the development of the Hollywood film industry is well known, few have recognised the power of movie fans on shaping the industry. This books redresses that balance, and is the first study of Hollywood's golden era to examine the period from the viewpoint of the fans. Using fan club journals, fan letters, studio production records, and other previously unpublished archival sources, Samantha Barbas reveals how the passion, enthusiasm, and ongoing activism of film fans in Hollywood's golden era transformed early cinema, the modern mass media and American popular culture.
While it is true that there have been forms of drag, both private and public, since earliest times, as a form of modern entertainment drag in recent years has developed into a phenomenon which is now a world-wide multi-million pound entertainment industry in itself. This penetrating study, giving a depth background of the world drag scene is, however, primarily a book about one drag artist - the hugely-successful Danny La Rue, himself a veritable Industry of Drag and unquestionably the highest-paid performer of his type in the world. Strangely, no one has previously written a book about Danny la Rue, probably because he is a very private person despite his huge public persona. To write this work, Peter Underwood, the well-established author of the highly-successful Boris Karloff biography and other books, researched widely and interviewed nearly seventy people close to the drag star - people who have worked with Danny la Rue both on and off stage over many years. The result is this absorbing story of a unique star which intimately surveys the life and work of the Irish Danny la Rue. He started on the stage in a village hall, later joined the Navy at 17 and became in turn a window dresser, chorus boy and then left the stage to work in a shop, returning to the theatre and the chorus to become a dancer and drag artist in an all-male show (which he left because he couldn't stand it). He was eventually spotted in a small revue at London's Irving Theatre and offered his big chance in cabaret at Bond Street's Churchill Club. So began the real success story of the fabulous Danny la Rue - a succession of successes: His own exclusive night club, recordings, countless pantomime hit shows, two Royal Command Performances, his first film, his three homes, three cars, greyhounds and racehorses, his hugely successful summer seasons, television appearances and the acclamation by the Variety Club of Great Britain as 'Show Business Personality of The Year'. Surrounding the story of the inimitable Danny la Rue is a vivid examination of the Drag Scene which has projected Danny's success - how it has become a major entertainment phenomenon in top theatres, on TV, films and in pubs and clubs throughout the world. Author Underwood relevantly appraises the lure of drag, the pleasures and the pain, the hard work, the dangers and the impact of what is daily becoming an ever-growing phenomenon of the twentieth century's Permissive Age.
The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity—from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. The writings collected in this volume exhibit not only a strong sense of personal engagement but als a persistent awareness of the social importance of the cinema in our culture. Movies and Methods, Volume II, will prove as invaluable to the serious student of cinema as its predecessor; it will be an essential reference work for years to come.