A ten-minute play is a streak of theatrical lightning. It doesn't last long, but its power can stand your hair on end. This splendid anthology contains enough wattage to light up a small city. For in its pages, thirty-two of our finest playwrights hone their skills on a form that has been called the haiku of the American stage. The plays that Nina Shengold and Eric Lane have collected in this volume range from monologues to an eight-character farce. Eminently producible, ideally suited for the classroom and audition, Take Ten is a marvelous resource for teachers and students of drama, as well as a stimulating read for lovers of the theatre. Contributors include: John Augustine, Cathy Celesia, Laura Cunningham, Joe Pintauro, Mary Sue Price, Megan Terry, Jose Rivera, Romulus Linney, David Mamet, Jane Martin, David Ives, and many others.
The Best New Ten-Minute Plays, 2019 presents approximately thirty of the most original and fresh ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theater enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: -Wild Birds by Nicole Pandolfo -The Pole at the Center by C. S. Hanson -Persephone by Jennifer O'Grady -Hercules Didn't Wade in the Water by Michael A. Jones -Avalanche by Rita Anderson -Brickwork by K. L. Snodgrass -Death Defying by Stephen Kaplan -Moths by Don Nigro
(Applause Books). For over 70 years, The Best American Short Plays has been the standard of excellence for one-act plays in America. From its inception, it has identified cutting-edge playwrights who have gone on to establish award-winning careers, including Tennessee Williams, Edward Albee, and more. In this volume, the plays capture the struggle between "hot tempers and cold decrees." Humans love to think of themselves as rational beings well in control of their lives and surroundings from sunup to sundown, sundown to sunrise. We learn to follow rules of proper behavior and more than happily issue out advice to our friends who just can't get a handle on themselves. Restraint and order, after all, are the cornerstones of human society and civilization. The problem is that human nature bucks and bridles at every attempt to socialize and civilize. Shakespeare got it right when he penned the observation, "The brain may devise laws for the blood, but a hot temper leaps o'er a cold decree." In those few words he has managed to capture precisely why it is so difficult to be human; if it were okay simply to let our hot tempers prevail, life would be so much easier. But cold decrees are what prevent us from self-destruction, and so we endure the struggle.
The Best New Ten-Minute Plays, 2020 presents thirty new ten-minute plays, selected by renowned editor Lawrence Harbison. This volume is ideal for theater enthusiasts looking for new and compelling short pieces from some of the finest playwrights of our time. Selections include: Beta Testing by Jenny Lyn Bader The Fourteenth Annual Foot Puppet Festival by Holly Hepp-Galvan Glasstown by Don Nigro Incident on the Golden Gate Bridge by David MacGregor Oxycontin Follies by Steve Gold Two Artists Trying to Pay Their Bill by Lucy Wang The Scottish Loo by J. Thalia Cunningham
In 25 10-Minute Plays for Teens, young thespians in high school and middle school will find terrific plays by some of our most prominent playwrights, such as Don Nigro, Wendy MacLeod, Jeff Goode, Bekah Brunstetter, and Constance Congdon; and equally terrific plays by such exciting up-and-comers as Chad Beckim, C. S. Hanson, Merridith Allen, Sharyn Rothstein, and Kayla Cagan. The characters are teens, and the subject matter will be of interest to aspiring young actors, making it easy for them to connect with the characters and situations. Ideal for theater students, youth groups, and acting classes.
THE STORIES: CAMBERWELL HOUSE by Amelia Roper. Elderly neighbors Annie and Olive have been friends since they were children. At twenty, they agreed to "knock each other off" if they were still alive at seventy-five. Now they are seventy-five and one of them has changed her mind. A tale of old age, murder, and ginger nut biscuits. (1 woman.) THE CLOSET by Aoise Stratford. Kevin's dad has thrown his favorite toy, Bart Sponge, into the back of a closet. There, Bart meets a toy dinosaur and another toy he can't even begin to identify. Does a supposedly gay toy have a chance of making it out of the closet? (2 men, 1 woman or man.) CLOSING COSTS by Arlene Hutton. After viewing four hundred apartments, has Harris finally found the right co-op, or simply the right real estate agent—Alice? Harris must decide if it's time to trade in his artificial fish—and finally grow up. (1 man, 1 woman.) FREEFALLING by Aurin Squire. Two passengers and a stewardess on a falling plane give their moment-by-moment account of what happens when tomorrow is no longer certain. (2 men, 1 woman.) POISON by John Patrick Shanley. Kenny has seen the depths of Kelly's self-hatred, and he'll never date her again—unless he drinks a fortune-teller's mysterious potion, which will kill his soul as dead as Kelly's. Can Kelly convince him to drink the potion? Can she convince herself? (1 man, 2 women.) SELF-TORTURE AND STRENUOUS EXERCISE by Harry Kondoleon. Carl tells Alvin that he's in love with another woman. "Good for you," says Alvin, who refuses to accept that Carl's, Adel, wife only attempted suicide—she's still alive. The woman Carl loves is Alvin's wife, Beth. But right now, Beth is so drunk she can't get up off the floor, much less run off with Carl, and Adel comes in with bandaged wrists saying Carl has been trying to kill her. These four have some issues to work out. (2 men, 2 women.) A SINGULAR KINDA GUY by David Ives. Mitch is a young guy talking to a girl in a bar. She's nice, but he's got this sort of confession, see. There's something she ought to know—on the inside, he isn't really a guy at all. He's an Olivetti electric self-correcting typewriter. (1 man.) SOMETHING FROM NOTHING by David Riedy. A stranger's intimate gesture on a New York subway causes a couple to reexamine their relationship, and it causes one person to get punched in the face. Told from all three characters' wildly different perspectives. (2 men, 1 woman.) THERE'S NO HERE HERE by Craig Pospisil. Lance moves to Paris to follow his dream of becoming a writer, but his work goes badly. As does his relationship with Juliette, a beautiful Parisian. But a strangely familiar woman at their local bistro forces Lance to dig deeper into himself. (2 men, 2 women.) YOU HAVE ARRIVED by Rob Ackerman. Dan and Kristin are navigating their first date, and fortunately, the other woman with them knows the way through the confusion into Brooklyn. That would be Cyndi, the GPS system in Dan's car. (1 man, 2 women.)
In this volume you will find fifty terrific new ten-minute plays all successfully produced during the 2014-2015 theatrical season. They are written in a variety of styles. Some realistic plays, some are not, some comic, some are dramatic. -- Amazon.com.
(Applause Acting Series). In 10-Minute Plays for Kids , young thespians will find terrific plays by some of our most prominent playwrights such as Sharyn Rothstein, Alex Broun, Jenny Lyn Bader, Claudia I. Haas, and Mark Harvey Levine, and by others less well known but equally terrific such as Sharai Bohannon, Suzanne Bailie, and Shirley King. The characters and situations portrayed are perfect for the kid actor. Some of the plays explore relatable tales of friendship and family, while others allow the actors to take on the personas of nonhuman characters, such as fish and chess pieces! 10-Minute Plays for Kids is ideal for theater students, youth groups, and acting classes.
