Introduction -- 1. The Letter -- 2. The Word -- 3. The Romance -- 4. A Reward -- 5. The Promise -- 6. The Question -- Conclusion -- Acknowledgements -- List of Illustrations -- Notes -- Bibliography -- Index.
A captivating look at the history of the pure females of Islamic paradise known as the houri The fascination with the houri, the pure female of Islamic paradise, began long before September 11, 2001. Beauty of the Houri: Heavenly Virgins, Feminine Ideals demonstrates how the ambiguous reward of the houri, mentioned in the Qur?an and developed in Islamic theological writings, has gained a distinctive place in the cultural eye from the seventeenth to the twenty-first century. The houri had multiple functions in Islamic texts that ranged from caretaker, to pure companion, to personal entertainment. French, English, and American writers used the houri to critique Islam and Muslim societies, while also adopting the houri as a model of feminine beauty. Unlike earlier texts that presented different forms of the houri or universalized the houri for all women, writings about the houri after September 11th offer contradictory messages about Islam. In the twenty-first century, the image of the houri has come to symbolize a reward for violence and the possibility of gender parity. As a cosmic figure that inspires enduring questions about the promise of paradise and the idealized feminine form, the houri has a singular past and broad potential for future interpretation. The Beauty of the Houri narrates an intellectual history of the houri and offers a contemporary account of how theological ambiguity has led to different interpretations of this powerfully enduring Islamic concept.
The fascination with the houri, the pure female of Islamic paradise, began long before September 11, 2001. 'The Beauty of the Houri' demonstrates how the ambiguous reward of the houri, mentioned in the Quran and developed in Islamic theological writings, has gained a distinctive place in English and French literature from the sixteenth to the twenty-first century and in digital material in the twenty-first century.
Concubines and Courtesans contains sixteen essays on enslaved and freed women across medieval and pre-modern Islamic social history. The essays consider questions of slavery, gender, social networking, cultural production, sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time.
Concubines and Courtesans contains sixteen essays that consider, from a variety of viewpoints, enslaved and freed women across medieval and pre-modern Islamic social history. The essays bring together arguments regarding slavery, gender, social networking, cultural production (songs, poetry and instrumental music), sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time. They range over nearly 1000 years of Islamic history - from the early, formative period (seventh to tenth century C.E.) to the late Ottoman, Safavid and Mughal eras (sixteenth to eighteenth century C.E.) - and regions from al-Andalus (Islamic Spain) to Central Asia (Timurid Iran). The close, common thread joining the essays is an effort to account for the lives, careers and representations of female slaves and freed women participating in, and contributing to, elite urban society of the Islamic realm. Interest in a gendered approach to Islamic history, society and religion has by now deep roots in Middle Eastern and Islamic studies. The shared aim of the essays collected here is to get at the wealth of these topics, and to underscore their centrality to a firm grasp on Islamic and Middle Eastern history.
Islamic conceptions of heaven and hell began in the seventh century as an early doctrinal innovation, but by the twelfth century, these notions had evolved into a highly formalized ideal of perfection. In tracking this transformation, Nerina Rustomji reveals the distinct material culture and aesthetic vocabulary Muslims developed to understand heaven and hell and identifies the communities and strategies of defense that took shape around the promise of a future world. Ideas of the afterworld profoundly influenced daily behaviors in Islamic society and gave rise to a code of ethics that encouraged abstinence from sumptuous objects, such as silver vessels and silk, so they could be appreciated later in heaven. Rustomji conducts a meticulous study of texts and images and carefully connects the landscape and social dynamics of the afterworld with earthly models and expectations. Male servants and female companions become otherworldly objects in the afterlife, and stories of rewards and punishment helped preachers promote religious reform. By employing material culture as a method of historical inquiry, Rustomji points to the reflections, discussions, and constructions that actively influenced Muslims' picture of the afterworld, culminating in a distinct religious aesthetic.
This expansive four-volume encyclopedia presents a broad introduction to Islam that enables learning about the fundamental role of Islam in world history and promotes greater respect for cultural diversity. One of the most popular and widespread religions in the world, Islam has attracted a great deal of attention in recent times, particularly in the Western world. With the ongoing tensions in the Middle East and a pervasive sense of hostility toward Arab Americans, there is ever increasing need to examine and understand Islam as a religion and historical force. Islam: A Worldwide Encyclopedia provides some 700 entries on Islam written by expert contributors that cover the religion from the birth of Islam to the present time. The set also includes 16 pages of color images per volume that serve to illustrate the diverse expressions of this important religious tradition. Each entry begins with a basic introduction, followed by a general discussion of the subject and a conclusion. Each entry also features a further readings list for readers. In addition to supplying a comprehensive, authoritative overview of Islam, this work also specifically addresses many controversial related issues, including jihad, violence in Islam, polygamy, and apostasy.
In the course of his twenty-five years of exile, Badī’uzzaman suffered three terms of imprisonment together with varying numbers of his students, and the treatises he wrote during each of these he later included in the Risāla-i Nūr. In The Rays Collection are “fruits” from all three of his sojourns in the Madrasa-i Yûsufiya, as he called prison, recalling the unjust imprisonment of Joseph (UWP) and that prison is essentially a place of education and training. The Second Ray was the final fruit of Eskişehir Prison (1935-’36), while The Eleventh Ray has as its name Meyve Risalesi, The Fruits of Belief, and was written for his fellow prisoners in Denizli Prison (1943-’44). It consists of eleven Topics, which offer irrefutable proofs of the six main pillars of faith. The last two of the Topics, however, were written in Emirdağ, Badī’uzzaman’s place of compulsory resi dence after Emirdağ.
The essays in Islamic Ecumene address the ways in which Muslims from Morocco to Indonesia and from sub-Saharan Africa to the steppes of Uzbekistan are members of a broad cultural unit. Although the Muslim inhabitants of these lands speak dozens of languages, represent numerous ethnic groups, and practice diverse forms of Islam, they are united by shared practices and worldviews shaped by religious identity. To highlight these commonalities, the co-editors invited a team of scholars from a wide range of disciplines to examine Muslim societies in comparative and interconnected ways. The result is a book that showcases ethics, education, architecture, the arts, modernization, political resistance, marriage, divorce, and death rituals. Using the insights and methods of historians, anthropologists, literary critics, art historians, political scientists, and sociologists, Islamic Ecumene seeks to understand Islamic identity as a dynamic phenomenon that is reflected in the multivalent practices of the more than one billion people across the planet who identify as Muslims.
A comprehensive exploration of Melville’s formative years, providing a new biographical foundation for today’s generations of Melville readers Herman Melville: A Half Known Life, Volumes 1 and 2, follows Herman Melville’s life from early childhood to his astonishing emergence as a bestselling novelist with the publication of Typee in 1846. These volumes comprise the first half of a comprehensive biography on Melville, grounded in archival research, new scholarship, and incisive critical readings. Author John Bryant, a distinguished Melville scholar, editor, critic, and educator, traces the events and experiences that shaped the many-stranded consciousness of one of literature’s greatest writers. This in-depth and innovative biography covers Melville’s family history and literary friendships, his father-longing, god-hunger, and search for the hidden nature of Being, the genesis of his liberal politics, his empathy for African Americans, Native Americans, Polynesians, South Americans, and immigrants. Original perspectives on Melville’s earliest identities—orphaned son, sibling, farmer, teacher, debater, lover, actor, sailor—provide the context for Melville’s evolution as a writer. The biography presents new information regarding Melville’s reading, his early orations and acting experience, his life at sea and on the road, and the unsettling death of his older, rival brother from mercury poisoning. It provides insights on experiences such as Melville’s trauma at the loss of his father, his learning to write amidst a coterie siblings, his struggles to find work during economic depression, his journey West, his life in whaling and in the navy, and his vagabondage in the South Pacific during the moment of American and European imperial incursions. A significant addition to Melville scholarship, this important biographical work: Explores the nature and development of Melville’s creative consciousness, through the lens of his revisions in manuscript and print Assesses Melville’s sexual growth and exploration of the spectrum of his masculinities Highlights Melville’s relevance in contemporary democratic society Discusses Melville’s blending of dark humor and tragedy in his unique version of the picturesque Examines the ‘replaying’ of Melville’s life traumas throughout his entire works, from Typee, Omoo, Redburn, White-Jacket, Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to his shorter works, including “Bartleby,” his epic Clarel, his poetry, and his last novella Billy Budd Covers such cultural and historical events as the American revolution of his grandparents, the whaling industry, New York slavery, street life and theater in Manhattan, the transatlantic slave trade, the Jacksonian economy, Indian removal, Pacific colonialism, and westward expansion Written in an engaging style for scholars and general readers alike, Herman Melville: A Half Known Life, Volumes 1 and 2 is an indispensable new source of information and insights for those interested in Melville, 19th-century and modern literature and culture, and readers of general American history and literary culture.