May 1809. Napoleon’s Grande Armée has taken Vienna and is preparing to cross the Danube, but the Austrians are waiting for him in Essling. The carnage can begin ... Louis-François Lejeune, young colonel attached to the emperor’s staff, meets his old friend Henri Beyne in occupied Vienna. He also meets the beautiful Anna Krauss, with whom he is madly in love with. Nearby, though, Napoleon is attempting to crush the Austrian army, and organising the crossing of the Danube for his troops on a single pontoon bridge hurriedly erected near Essling. Louis-François is forced to abandon his love and return to the front – and the coming firestorm ...
May 1809. Napoleon's Grande Armée has taken Vienna and is preparing to cross the Danube, but the Austrians are waiting for him in Essling. The carnage can begin ... Second part of a trilogy full of sound and fury.
This first volume of Shelby Foote's classic narrative of the Civil War opens with Jefferson Davis’s farewell to the United Senate and ends on the bloody battlefields of Antietam and Perryville, as the full, horrible scope of America’s great war becomes clear. Exhaustively researched and masterfully written, Foote’s epic account of the Civil War unfolds like a classic novel. Includes maps throughout. "Here, for a certainty, is one of the great historical narratives…a unique and brilliant achievement, one that must be firmly placed in the ranks of the masters."—Van Allen Bradley, Chicago Daily News "A stunning book full of color, life, character and a new atmosphere of the Civil War, and at the same time a narrative of unflagging power. Eloquent proof that an historian should be a writer above all else." —Burke Davis "To read this great narrative is to love the nation—to love it through the living knowledge of its mortal division. Whitman, who ultimately knew and loved the bravery and frailty of the soldiers, observed that the real Civil War would never be written and perhaps should not be. For me, Shelby Foote has written it.... This work was done to last forever." —James M. Cox, Southern Review
Spanning a variety of approaches, styles, and subject matter, this book includes media from pen and ink, to miniature photography, to cutting-edge digital painting.
This book presents the statistics, tactics, purpose and outcome of over 500 major land battles over 3000 years of warfare. Each entry follows a standard tabular lay out for easy usage. There are appendices on key commanders a nd first use of weapons. '
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
There are numerous Order of Battle books on the market. So what makes this one so special? Why should one decide on this particular book? Most Order of Battle books usually deal only with the division and corps level of a country’s army. Most higher commands are not covered. This book deals with all the branches of a country’s military, giving a breakdown of all the major echelons of command, from theater down to brigade, under each component (army group, armies, corps, division, and brigade), and the equivalent command structure for the other military branches are included. Second, it attempts to give an overall command structure of the country’s military, showing the central headquarters command structure as well as the major components (army groups, armies, corps, etc.) Third, most Order of Battle books list the commanders and their dates of tenure. This book includes those but also lists their next duty assignments or where they went after leaving the post. One can literally trace a general officer’s career through the upper echelons of command, making this completely different from all the other Order of Battle books on the market.
What history records as the Hundred Years War was in fact a succession of destructive conflicts, separated by tense intervals of truce and dishonest and impermanent peace treaties, and one of the central events in the history of England and France. It laid the foundations of France's national consciousness, even while destroying the prosperity and political preeminence which France had once enjoyed. It formed the nation's institutions, creating the germ of the absolute state of the seventeenth and eighteenth centuries. In England, it brought intense effort and suffering, a powerful tide of patriotism, great fortune succeeded by bankruptcy, disintegration, and utter defeat. The war also brought turmoil and ruin to neighboring Scotland, Germany, Italy, and Spain.
