When two elderly bachelors were poisoned with cyanide, a strange woman was on the scene each time - but now she has disappeared, leaving no trace. Tracking her down in a town of twenty-eight thousand people is a job to tax even Detective Inspector Bonaparte's powers. He will need the unorthodox assistance of burglar Jimmy the Screwsman and a lightning-sketch artist, as well as all the deductive and tracking skills at his command, as he trails a killer no-one has seen...
In the world of crime fiction, Arthur W. Upfield stands among the giants. His detective-inspector Napoleon Bonaparte, is one of the most memorable of all crime fighters. Upfield was an independent, fiercely self-assertive ex-Britisher, who loved Australia, especially the Outback. In many ways Upfield became Outback Australia—the “Spirit of Australia.”
Autobiographical account of the inter-world-war years spent by novelist Cusack (author of TCome in Spinner') teaching in country New South Wales. The editor, compiler of the TBibliography of Australian Women's Literature', includes an extensive commentary on and bibliography of Cusack.
Using facts and clues gleaned from the Bony stories by Arthur Upfield, Kees de Hoog has compiled a chronology of the personal life events and professional assignments of Detective Inspector Napoleon Bonaparte. This booklet uncovers the evidence and explains how it was pieced together to reveal the dates and other details. The conclusions are presented with the findings of similar research by others into the location of each Bony novel. Woven together they sketch the outline of the life, career and travels of the internationally acclaimed fictional detective.
Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.
This book, which was inspired by a conference on plural conjugations of Frenchness (La France au pluriel) held in 2007 at the Universities of Technology, Sydney and Newcastle, focuses on the concept of national belonging as it pertains to detective fiction, with particular emphasis on French and Australian detective fictions and the encounter and crossing over between them. The objective is not only to use the concepts of 'French' and 'Australian' detective fiction productively, via the analysis of French and Australian detective-fiction novels, but also to challenge and undermine the very notion of national detective fictions, which are so often assumed to be transparently meaningful. The contributors to this volume focus variously on the following areas: comparative analysis of the genesis of French and Australian detective fiction; translation of Australian (and other) novels into French; translation as a genre; Frenchness as a stereotype, its role in individual novels and its spectre in all detective fiction; and readings of individual French and Australian detective novels. Overall, this book aims to challenge assumptions about French detective fiction, its influence on other national fictions and its explicit and implicit presence in all detective fiction.
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
The first full-length study of its type highlighting over 400 British literary detectives, many famous through their film and TV adaptations. Using essays to highlight different types of detectives and focusing on some of the more famous such as Sherlock Holmes and Inspector Morse, popular crime fiction writer and former President of Britain's Crime Writers Association, Russell James celebrates the role of the detective in British fiction. Illustrations include original film posters and first edition covers from classic detective fiction. Future books by Russell James in this series will include Great British Fictional Villains and US Fictional Detectives and Villains.
