Mills & Boon are excited to present The Anne Mather Collection – the complete works by this classic author made available to download for the very first time! These books span six decades of a phenomenal writing career, and every story is available to read unedited and untouched from their original release.
The invention of mass marketing led to cigarettes being emblazoned in advertising and film, deeply tied to modern notions of glamour and sex appeal. It is hard to find a photo of Humphrey Bogart or Lauren Bacall without a cigarette. No product has been so heavily promoted or has become so deeply entrenched in American consciousness. And no product has received such sustained scientific scrutiny. The development of new medical knowledge demonstrating the dire harms of smoking ultimately shaped the evolution of evidence-based medicine. In response, the tobacco industry engineered a campaign of scientific disinformation seeking to delay, disrupt, and suppress these studies. Using a massive archive of previously secret documents, historian Allan Brandt shows how the industry pioneered these campaigns, particularly using special interest lobbying and largesse to elude regulation. But even as the cultural dominance of the cigarette has waned and consumption has fallen dramatically in the U.S., Big Tobacco remains securely positioned to expand into new global markets. The implications for the future are vast: 100 million people died of smoking-related diseases in the 20th century; in the next 100 years, we expect 1 billion deaths worldwide.
Social class remains a fundamental presence in British life in the twenty-first century. It is woven into the very fabric of social and political discourse, undiminished by the end of mass industry; unaugmented despite the ascendancy of 'ordinary working people' and other substitute phrases. Absent from this landscape, however, is any compelling Marxist expression or analysis of class.In Class Matters, Charles Umney brings Marxist analysis out of the 19th century textiles mill, and into the call centres, office blocks and fast food chains of modern Britain. He shows how core Marxist concepts are vital to understanding increasing pay inequality, decreasing job security, increasing routinisation and managerial control of the labour process.Providing a critical analysis of competing perspectives, Umney argues that class must be understood as a dynamic and exploitative process integral to capitalism - rather than a descriptive categorisation - in order for us to better understand the gains capital has made at the expense of labour over the last four decades.
Tocqueville and Democracy in the Internet Age is an introduction to Alexis de Tocqueville (1805-1859) and his monumental two-volume study Democracy in America (1835, 1840) that pays particular attention to the critical conversation around Tocqueville and contemporary democracy. It attempts to help us think better about democracy, and also perhaps to live better, in the Internet Age. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
The fourth volume of The Cambridge History of America and the World examines the heights of American global power in the mid-twentieth century and how challenges from at home and abroad altered the United States and its role in the world. The second half of the twentieth century marked the pinnacle of American global power in economic, political, and cultural terms, but even as it reached such heights, the United States quickly faced new challenges to its power, originating both domestically and internationally. Highlighting cutting-edge ideas from scholars from all over the world, this volume anatomizes American power as well as the counters and alternatives to 'the American empire.' Topics include US economic and military power, American culture overseas, human rights and humanitarianism, third-world internationalism, immigration, communications technology, and the Anthropocene.
Columbus is the first blazing star in a constellation of European adventurers whose right to claim and conquer each land mass they encountered was absolutely unquestioned by their countrymen. How a system of religious beliefs made the taking of the New World possible and laudable is the focus of Kadir's timely review of the founding doctrines of empire. The language of prophecy and divine predestination fills the pronouncements of those who ventured across the Atlantic. The effects of such language and their implications for current theoretical debates about colonialism and decolonization are legion. Kadir suggests that in this supposedly postcolonial era, richer nations and the privileged still manipulate the rhetoric of conquest to justify and serve their own worldly ends. For colonized peoples who live today at the "ends of the earth," the age of exploitation may be no different from the age of exploration. Columbus is the first blazing star in a constellation of European adventurers whose right to claim and conquer each land mass they encountered was absolutely unquestioned by their countrymen. How a system of religious beliefs made the taking of the New World possible and laudable is the focus of Kadir's timely review of the founding doctrines of empire. The language of prophecy and divine predestination fills the pronouncements of those who ventured across the Atlantic. The effects of such language and their implications for current theoretical debates about colonialism and decolonization are legion. Kadir suggests that in this supposedly postcolonial era, richer nations and the privileged still manipulate the rhetoric of conquest to justify and serve their own worldly ends. For colonized peoples who live today at the "ends of the earth," the age of exploitation may be no different from the age of exploration.
Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture.
Based on never–before used letters, diaries, and photographs from the Rockefeller Archive, The Rockefeller Women reveals the life of four generations of an extraordinary family: Eliza Davison Rockefeller, the Mother of John D., who instilled in her sons drive for success in business and Christian service; Laura Spelman Rockefeller, the wife of John D., the daughter of an Underground Railway operator and early supporter of racial freedom; Edith Rockefeller McCormick, the daughter of John D. and Laura, who became the queen of Chicago society, studied under Carl Jung and became a lay analyst; Abby Aldrich Rockefeller, the wife of John Jr. and mother of six children — Winthrop, Laurence, Nelson, John III, David and Babs — who helped found the Museum of Modern Art; Margaretta "Happy" Rockefeller whom married Nelson.
An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
CITY OF DREDD is an unofficial guide to all the official Mega-City One locations to have ever featured in the vast JUDGE DREDD mythology and will overload the 'thrill-receptors' of even the most hard-core 'Dreddhead'! In the year 2133AD, in the tumultuous decades after the GREAT ATOMIC WAR, the Earth's nations have been left devastated, falling into living nightmares where only the most brutal and phantasmagoric survive. The old world governments, fearful and corrupted, have been replaced by the JUDGES, an elite organisation part law-enforcer, part army, who rule with an iron fist. The Judges are more dangerous than the toughest criminal, alien invader or rampaging mutant horde, because only they have the LAW on their side! Among their number, one man with a resolve tougher than rockcrete has through the years of slaughter exemplified the very best and the worst that Mankind can offer. He is the ultimate law enforcer, the living legend that is JUDGE DREDD!
