Crime and Thriller Writing: A Writers' & Artists' Companion is an essential guide to writing in these exciting genres. PART 1 explores the nature and history of the genre and helpsyou get started with ideas, planning and research. PART 2 includes tips by bestselling crime writers: Mark Billingham, S.J. Bolton, Alafair Burke, Lee Child, N. J. Cooper, Meg Gardiner, Tess Gerritsen, Sophie Hannah, Jim Kelly, Laura Lippman, Gayle Lynds, Alex McBride, Val McDermid, Dreda Say Mitchell, Sara Paretsky, Jill Paton Walsh, George Pelecanos, Ian Rankin, Peter Robinson, S. J. Rozan, Guy Saville, Yrsa Sigurðardóttir, Dana Stabenow, Andrew Taylor, Charles Todd and Laura Wilson. PART 3 contains practical advice--from shaping plots and exploring your characters to the meaning of writer's block, the power of the rewrite, and how to find an agent when your novel is complete.
Field notes from the experience of self-publishing 25 books Are you thinking about writing a book but you’re not sure how to go about it? Not sure if you have the time? Maybe you’ve written one. Now you want to know what to do next. Field Notes for Writers will help you take that next step or decide to write that book. Table of contents Writing A Book With A Day Job The secret to becoming a great writer. Project management for self-published authors Writing a series as a marketing strategy Self-Promotion for Indie Authors. Productivity – a question of awareness A look at self-editing Self-Publishing: It’s a profession, not a hobby. 13 useful resources for writers Writing a non-fiction book My writer’s toolkit Setting up Microsoft Word Beware the vultures Repurposing content
This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposure to verbal and physical abuse, illness, war, captivity, incarceration, and chemical exposure, amongst others, leads to a new understanding of the transformed self and empowering post-traumatic developments. Contributors are Peter Bray, Francesca Brencio, Mark Callaghan, M. Candace Christensen, Diedra L. Clay, Leanne Dodd, Marie France Forcier, Gen’ichiro Itakura, Jacqueline Linder, Elwin Susan John, Kori D. Novak, Cassie Pedersen, Danielle Schaub, Nicholas Quin Serenati, Aslı Tekinay, Tony M. Vinci and Claudio Zanini.
Edgar Award-winning author Dana Stabenow is best known for her Kate Shugak series of crime novels, but the unifying protagonist of almost all her writing, be it crime, fantasy, horror, or science fiction, is Alaska. This genre-spanning collection of sixteen short stories features familiar characters like Kate and Jim, Liam and Wy, and Bill and Moses, but also ranges farther afield than many readers will expect, leaping from modern-day Anchorage to twenty-second-century Mars to the fantasy kingdom of Mnemosynea. Remarkably disparate, but indisputably Stabenow, a writer whose fertile imagination is anything but predictable. Titles in this collection are 'Nooses Give', 'Conspiracy', 'Under the Influence', 'Wreck Rights', 'Cherchez la Femme', 'Siren Song', 'The Eyak Interpreter', 'Any Taint of Vice', 'On the Evidence', 'Missing, Presumed...', 'The Perfect Gift', 'Gold Fever', 'Cheechako', 'No Place Like Home', 'Justice is a Two-Edged Sword', and 'A Woman's Work'. Newly added in this edition, find 'Collected Essays' and 'Dana on Writing' as well.
Literatur, die sich in gesellschaftlichen und politischen Prozessen kritisch zu Wort meldet, ist seit 1989 auch in Deutschland wieder deutlicher zu vernehmen. Sie nimmt Stellung zu den dringend anstehenden Problemen wie (Im)Migration, Re-Nationalisierung, Rassismus, Globalisierung, Überwachungsstaat, Neoliberalismus. Die Formen und Weisen der literarischen Stellungnahmen sind Gegenstand der in diesem Band versammelten Untersuchungen. AutorInnen wie Ulrich Peltzer, Juli Zeh, Kerstin Hensel, Navid Kermani, Uwe Tellkamp, Antje Rávic-Strubel, Ilija Trojanow, aber auch neue und neu inszenierte Erzählgenres wie Dorfgeschichte, Reisebericht oder Kriminalroman werden in eingehenden Analysen auf ihr kritisches Potential hin untersucht.
Fascinating, wide-ranging, hugely knowledgeable - an indispensable guide and a beguiling education William Boyd Packed with insights and advice - just the inspiration to start writing! Jenny Uglow Everyone has a story This book shows how the best writers tell them, and offers advice on how to tell them yourself. Biographers Sally Cline and Carole Angier teach life writing - an area of creative writing that is exploding in popularity - at the world-famous Arvon Foundation. They have distilled the essence of their popular course on memoir, autobiography and biography into this wide-ranging book. The Arvon Book of Life Writing offers three fascinating ways into the genre. First, reflections on their trade by the authors, exploring its special challenges: truth, memory, ethics, evidence and interpretation. Second, personal tips and tales from 32 top British and American life writers - autobiographers and memoirists, literary, sports and celebrity biographers; plus a critic, an agent, a literary editor, two novelists, and a ghost writer. Third, a practical guide, complete with exercises, designed for use in creative writing courses or by individual writers at home. No other book contains such detailed, witty and professional advice on the genre.
Her mother's will states that Summer's legal guardian is her uncle Tristan: a man Summer has never even heard of before. Forced to leave her life in London, Summer moves to Tristan's creepy, ancient house in Cornwall. There she is met with indifference from him, open hostility from her cousin, and an aunt who has chosen to leave rather than to tolerate her presence. Soon Summer comes to believe that the house may be haunted. But is it haunted by ghosts, or by the shadows of her family's past? Scared and lonely, Summer begins to spend more and more time in the beautiful sheltered cove she discovers nearby. But she's not alone. A local boy frequents it too. Can Summer find first love and the answers to the mysteries of her new home with this good-looking boy who appears to be too perfect to be true?
Jason Robbins and Helen Jenkins arrive at eerie Heron House in Carmarthenshire. Together they discover what dangers lurk behind the walls; how the post-war past bleeds into the present when the tormented soul of the young woman haunting them will stop at nothing to have her story told. But is the ghost's version of events to be trusted?