The Art of War in Italy [Didactic Press Paperbacks]
The Art of War in Italy [Didactic Press Paperbacks]

Author: F. L. Taylor

Publisher: Createspace Independent Publishing Platform

Published: 2017-04-24

Total Pages: 184

ISBN-13: 9781545592915

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THE change from mediaeval to modern methods in the art of war is closely related to the general transformation of European civilization which goes by the name of the Renaissance. The revival of interest in ancient history and literature had a distinct effect on military theory and practice. The new spirit of inquiry and experiment applied itself vigorously to military problems. Moreover the avowed national separatism which replaced the sham imperialism of the Middle Ages accentuated the rivalry between states and produced wars which were more frequent, more prolonged, more general, and more intense than those of the preceding centuries. The history of these wars, waged in an age of eager intellectual activity, reveals, as we should expect it to reveal, rapid progress, amounting almost to revolution, in the use of arms, but what makes an examination of the subject singularly instructive is the fact that the most important of these campaigns were fought in Italy during the culminating years of the Italian Renaissance. The finest minds of the day had the opportunity of witnessing, of recording, and of commenting on the exploits of the leading captains and the most famous troops of Europe. They assisted in the interplay of ideas and the comparison of experiences. The fruit of this period of intensive cultivation of the art of war was the military science of the modern world. When, in the autumn of 1494, Charles VIII of France set out for the conquest of Naples he did so in a spirit of adventure, at the head of an army raised for the occasion, and with the declared desire to proceed ultimately to the Holy Land. When, in 1529, the treaty of Cambrai brought the Italian wars to a close there had already appeared in Europe such modern phenomena as the principle of the balance of power, trained standing armies, and competitive armaments. In the following chapters an attempt will be made to trace the stages of the process by which this change from mediaeval to modern Europe manifested itself in the development of the art of war. The inquiry will be restricted to the campaigns which were fought in Italy between the years mentioned above, but since during that period Italy was the battlefield of Europe it will be well to begin with a brief consideration of the military condition of the countries which took part in the wars...

Castle to Fortress
Castle to Fortress

Author: J. E. Kaufmann

Publisher: Pen and Sword

Published: 2019-07-30

Total Pages: 391

ISBN-13: 1526736888

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The authors of Castrum to Castle trace the “evolution of defensive architecture at the turn of the late Middle Ages and the beginning of the Renaissance.” —Old Barbed Wire Blog Across western Europe, the long tradition of castle-building took on its most sophisticated form in the later Medieval period and then, in response to the development of gunpowder weapons, it underwent a fundamental change—from castle to fortress. This, the second volume of a highly illustrated new study of medieval fortification, gives a fascinating insight into the last great age of castles and the centuries of violence and conflict they were part of. It traces the advances made between the twelfth and the fifteenth centuries, looking in particular at the form these fortifications took in contexts as different as Italy, Wales, France and the Iberian Peninsula. Many would regard this period in the history of castles as the classic age. It was followed by a phase of relative decline as the conditions of warfare changed and castles had to be adapted to cope with cannon. The conventional castle gave way to new styles of fortification. But, as the authors demonstrate, they were still essential factors in military calculations and campaigns—they were of direct strategic and tactical importance wherever there was an attempt to take or hold territory. “A fascinating treatise on the way such buildings were modified to provide protection from growing threats.” —Books Monthly

The Italians
The Italians

Author: John Hooper

Publisher: Penguin

Published: 2015

Total Pages: 338

ISBN-13: 0525428070

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John Hooper presents the ideal companion for anyone seeking to understand contemporary Italy and the unique character of the Italians. Digging deep into their history, culture and religion, he offers keys to assessing everything from their bewildering politics to their love of life and beauty.

Castrum to Castle
Castrum to Castle

Author: J. E. Kaufmann

Publisher: Pen and Sword

Published: 2018-10-30

Total Pages: 434

ISBN-13: 1473895820

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A richly illustrated history of military fortifications in ancient and medieval times. For over a thousand years, from the time of the Roman Empire to the classic period of castle-building in the twelfth and thirteenth centuries, fortified sites played a key role in European warfare. This highly illustrated history gives a fascinating insight into their design and development and into the centuries of violence and conflict they were part of. The study traces the evolution of fortifications starting with those of the Romans and their successors. Included are the defenses erected to resist Islamic invasions and Viking raids and the castles built during outbreaks of warfare. As the authors demonstrate, castles and other fortifications were essential factors in military calculations and campaigns. They were of direct strategic and tactical importance wherever there was an attempt to take or hold territory. The factors that influenced their location, layout, and construction are analyzed in this fascinating book, as is the way in which they were adapted to meet the challenges of new tactics and weapons.

Pleasure in Profit
Pleasure in Profit

Author: Laura Moretti

Publisher: Columbia University Press

Published: 2020-12-22

Total Pages: 323

ISBN-13: 023155205X

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In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers’ hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose. In the first comprehensive study of the birth of Japanese commercial publishing, Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world. Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality.

The Nature of the Book
The Nature of the Book

Author: Adrian Johns

Publisher: University of Chicago Press

Published: 2000-05-15

Total Pages: 780

ISBN-13: 9780226401225

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In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement

Italian Film in the Light of Neorealism
Italian Film in the Light of Neorealism

Author: Millicent Marcus

Publisher: Princeton University Press

Published: 2020-03-31

Total Pages: 464

ISBN-13: 0691209472

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The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.

The Bears' Famous Invasion of Sicily
The Bears' Famous Invasion of Sicily

Author:

Publisher: New York Review of Books

Published: 2003

Total Pages: 152

ISBN-13: 9781590170762

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Dino Buzzati's classic tale chronicles the terrible winter that sent the starving bears down into the valley in search of food, as well as their struggles with an army of wild boars, a wily professor who may or may not be a magician, snarling Marmoset the Cat, and, worse still, treachery within their own ranks. Over all this, the bears triumph with bravery, ingenuity, humility, and high spirits.