Masquerade and Money in Urban Nigeria
Masquerade and Money in Urban Nigeria

Author: Jordan Fenton

Publisher: Boydell & Brewer

Published: 2022

Total Pages: 397

ISBN-13: 1648250262

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Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".

Art and Oracle
Art and Oracle

Author: Alisa LaGamma

Publisher: Metropolitan Museum of Art

Published: 2000

Total Pages: 82

ISBN-13: 0870999338

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Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR

Historical Dictionary of Gabon
Historical Dictionary of Gabon

Author: Douglas A. Yates

Publisher: Rowman & Littlefield

Published: 2017-12-28

Total Pages: 641

ISBN-13: 1538110121

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This new fourth edition of the Historical Dictionary of Gabon brings up to date the political affairs of the country, since the accession to power of Ali Bongo, eldest son of Omar Bongo, the former president-for-life, who died in 2009 after the publication of the third edition. Themes of “continuity” and “change” are present throughout the entries, not only as the Bongo family continues its half century of dynastic rule (there are a dozen Bongos in this new edition), but as the rare primeval tropical rainforests continue to dominate the landscape yet are menaced by destructive logging and palm oil plantations, and as this former French colony after independence continues to collaborate with the French African sphere of influence yet seeks new partners from America and Asia (China, Singapore), and as the country’s numerous ethnic groups perpetuate a multicultural mosaic that is nevertheless threatened by globalization of communications and cultural convergence. This fourth edition of Historical Dictionary of Gabon contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Gabon.

Colonial Rule and Crisis in Equatorial Africa
Colonial Rule and Crisis in Equatorial Africa

Author: Christopher John Gray

Publisher: University Rochester Press

Published: 2002

Total Pages: 316

ISBN-13: 9781580460484

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A look at the encounter between the French and the peoples of Southern Gabon in terms of their differing conceptions of boundaries. In the second half of the nineteenth century, two very different practices of territoriality confronted each other in Southern Gabon. Clan and lineage relationships were most important in the local practice, while the French practice was informed by a territorial definition of society that had emerged with the rise of the modern nation-state and industrial capitalism. This modern territoriality used an array of bureaucratic instruments -- such as maps andcensuses -- previously unknown in equatorial Africa. Such instruments denied the existence of locally created territories and were fundamental to the exercise of colonial power. Thus modern territoriality imposed categories and institutions foreign to the peoples to whom they were applied. As colonial power became more effective from the 1920s on, those institutions started to be appropriated by Gabonese cultural elites who negotiated their meanings in reference to their own traditions. The result was a strongly ambiguous condition that left its imprint on the new colonial territories and subsequently the postcolonial Gabonese state. Christopher Gray was Assistant Professor of History, Florida International University.

African Religions
African Religions

Author: Benjamin C. Ray

Publisher: Pearson

Published: 2000

Total Pages: 238

ISBN-13:

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This book presents a portrait of African religious history framed in the religious themes common to the rest of the world. It looks at the traditional religions that provided the philosophical, religious, and ethical basis of African culture. Focusing primarily on traditional African religions and their related myths, rituals, authorities, ethics, and artwork, the book also includes substantial treatment on nationalism, African Islam and Christianity. For anyone who wants to gain an understanding of the relationship between African religion and culture.

Art of the Senses
Art of the Senses

Author: Christraud M. Geary

Publisher:

Published: 2004

Total Pages: 212

ISBN-13:

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How the "unique" look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the "ethnographic," "primitive," or "modern" labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.

African Vision
African Vision

Author: Christine Mullen Kreamer

Publisher:

Published: 2007

Total Pages: 264

ISBN-13:

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"Asked why he decided to collect African art, Paul Tishman replied, "How does one fall in love?" Such was the passion Paul and Ruth Tishman brought to collecting. The Tishmans acquired their first works of African art - an ivory figure and a bronze mask from the Benin kingdom - in the late 1950s. Over the next 20 plus years, the Tishmans built one of the great private collections of African art that included the major art traditions found throughout the continent. The Tishmans' desire to share the art with as many people as possible led to the 1984 sale of the collection to the Walt Disney Company, who proved to be generous stewards, making the collection available for exhibition and publication. In the autumn of 2005, the Walt Disney World Co., a subsidiary of the Walt Disney Company, donated the Walt Disney-Tishman African Art Collection to the National Museum of African Art, Smithsonian Institution, continuing the tradition of sharing the rich history of African art and culture with current and future generations." --