The Art of Sculpture in Fifteenth-Century Italy
The Art of Sculpture in Fifteenth-Century Italy

Author: Amy R. Bloch

Publisher: Cambridge University Press

Published: 2020-01-31

Total Pages:

ISBN-13: 1108634990

DOWNLOAD EBOOK

Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.

The Art of Sculpture in Fifteenth-Century Italy
The Art of Sculpture in Fifteenth-Century Italy

Author: Amy R. Bloch

Publisher: Cambridge University Press

Published: 2020-01-31

Total Pages: 350

ISBN-13: 9781108428842

DOWNLOAD EBOOK

Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.

The Renaissance Portrait
The Renaissance Portrait

Author: Patricia Lee Rubin

Publisher: Metropolitan Museum of Art

Published: 2011

Total Pages: 434

ISBN-13: 1588394255

DOWNLOAD EBOOK

Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters
Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 370

ISBN-13: 1588393968

DOWNLOAD EBOOK

"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.

Touching Objects
Touching Objects

Author: Adrian W. B. Randolph

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9780300204780

DOWNLOAD EBOOK

This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.

Tuscan Sculpture of the Fifteenth Century
Tuscan Sculpture of the Fifteenth Century

Author: Estelle M. Hurll

Publisher: CreateSpace

Published: 2015-08-26

Total Pages: 54

ISBN-13: 9781517071257

DOWNLOAD EBOOK

"The Italian sculptors of the earlier half of the fifteenth century are more than mere forerunners of the great masters of its close, and often reach perfection within the narrow limits which they chose to impose on their work. Their sculpture shares with the paintings of Botticelli and the churches of Brunelleschi that profound expressiveness, that intimate impress of an indwelling soul, which is the peculiar fascination of the art of Italy in that century."

Tuscan Sculpture of the Fifteenth Century
Tuscan Sculpture of the Fifteenth Century

Author: Estelle M. Hurll

Publisher: CreateSpace

Published: 2013-08

Total Pages: 50

ISBN-13: 9781492261582

DOWNLOAD EBOOK

"The Italian sculptors of the earlier half of the fifteenth century are more than mere forerunners of the great masters of its close, and often reach perfection within the narrow limits which they chose to impose on their work. Their sculpture shares with the paintings of Botticelli and the churches of Brunelleschi that profound expressiveness, that intimate impress of an indwelling soul, which is the peculiar fascination of the art of Italy in that century." These words of Walter Pater define admirably the quality which, in varying degree, runs through the work of men of such differing methods as Donatello, the della Robbia, Mino da Fiesole, and Rossellino. It is the quality of expressiveness as distinguished from that abstract or generalized character which belongs to Greek sculpture. Greek sculpture, it is true, taught some of these artists how to study nature, but it did not satisfy Christian ideals. The subjects demanded of the Tuscans were entirely foreign to Greek experience. The saints and martyrs of the Christian era were at the opposite pole from the gods and heroes of antiquity. Hence the aim of the new sculpture was the manifestation of the soul, as that of the classic art had been the glorification of the body.

Depth of Field
Depth of Field

Author: Donal Cooper

Publisher: Peter Lang

Published: 2007

Total Pages: 424

ISBN-13: 9783039111114

DOWNLOAD EBOOK

This volume has its origins in 'Depth of Field: Relief in the Time of Donatello', a unique collaboration between the Victoria and Albert Museum and the Henry Moore Institute in Leeds, and the first exhibition to focus specifically on relief sculpture.