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Rachel Whiteread

Author: Ann Gallagher

Publisher: Prestel Publishing

Published: 2018-05-22

Total Pages: 0

ISBN-13: 9783791357355

Rachel Whiteread (British, born 1963) creates uncanny, quietly powerful works that have redefined the possibilities for sculpture in the late twentieth and early twenty-first centuries. Using industrial materials (plaster, concrete, resin, rubber and metal), she has cast the interiors and undersides of objects and architectural spaces for over three decades. Exploring every scale, Whiteread stakes out new spaces between positive and negative, public and private, and manufactured and handmade with concision, intelligence and beauty. This book, which documents the first comprehensive survey of Whiteread's work, presents the breadth of her practice, from sculpture to drawing and photography, bringing together her earliest objects with new works that have not been seen before ... This volume features new scholarship on Whiteread, tracing the development of her works from the late 1980s to 2017. It enriches our understanding of an artist who has marked the past and moved it forward, detailing the way the everyday continues to change in our own time.

The Art of Rachel Whiteread

Author: Chris Townsend

Publisher:

Published: 2004

Total Pages: 224

ISBN-13: 9780500285046

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In little more than a decade Rachel Whiteread has emerged as one of the most significant British artists of the past fifty years, with a substantial international reputation. Based upon a practice of inverted casting - making space tangible - Whiteread's work offers both intimate and public meditations on vital questions of history, memory and social change. But these are also artworks with profound and carefully weighed formal concerns and an affiliation to the critical issues of sculpture raised throughout the twentieth century. Often surrounded by controversy, Whiteread's work is, perhaps, so provoking because it so successfully melds artistic and historical issues. Out of the solidification of space Whiteread creates an archive that compacts and makes legible those intangibles that comprise so much of ordinary life: lost memories and stilled voices. Whiteread's work is appraised both in terms of its relationship to art history and its social and political impact, and examined for possible theoretical approaches through which we may better understand this most complex and challenging of contemporary artists.

Rachel Whiteread

Author: Rachel Whiteread

Publisher:

Published: 1995-10-19

Total Pages: 148

ISBN-13:

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In 1993, Rachel Whiteread created a work of art which was hailed as one of the greatest public sculptures made by an English artist in the twentieth century. Whiteread's concrete and plaster cast of an entire house in the East End of London provoked equal measures of praise, wonder and controversy. Her monumental sculpture, on view when she won the Turner Prize, attracted some 3,000 visitors a day before it was demolished in January 1994. This book, made in collaboration with the Artangel Trust, provides a unique chronicle of this remarkable work. Photographs and working drawings chart the house's life from construction to demolition. Six key figures in art journalism contribute their thought-provokingly diverse responses: in turn, the book surveys the whole spectrum of critical reaction to the work.

Design [does Not Equal] Art

Author: Barbara J. Bloemink

Publisher:

Published: 2004

Total Pages: 224

ISBN-13:

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"Design [does not equal] Art presents distinctive functional designs that share the limited palette, materials, and elegant, geometric abstract forms characteristic of Minimalist and post-Minimalist art, including pine desks and porcelain tableware by Judd, stone and steel tables and chairs by Burton, lamps by Tuttle, folding screens by LeWitt, rugs by Rosemarie Trockel and Barbara Bloom, daybeds by Whiteread, and much more." "Filled with hundreds of photographs and drawing on candid conversations with many of the artists, Design [does not equal] Art is an authoritative, essential resource for designers, scholars of Minimalist and post-Minimalist art, collectors, and anyone interested in furniture and design of the late twentieth and early twenty-first centuries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Looking Up

Author: Louise Neri

Publisher:

Published: 1999

Total Pages: 204

ISBN-13:

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Rachel Whiteread

Author: Rachel Whiteread

Publisher:

Published: 1996

Total Pages: 124

ISBN-13:

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Rachel Whiteread's work is based on taking casts from the most commonplace objects. They evoke a combination of familiarity and strangeness, partly because they are not actually casts of the objects but of the spaces around or inside them. House, a casting of the interior spaces of an entire building, stimulated debate among the art world and general public alike.

Resonating Spaces

Author: Theodora Vischer

Publisher: Hatje Cantz

Published: 2020-02-18

Total Pages: 136

ISBN-13: 9783775746526

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The Fondation Beyeler begins its fall exhibition season in 2019 with five women artists. Instead of a comprehensive group show with numerous works, the art of Leonor Antunes, Silvia Bächli, Toba Khedoori, Susan Philipsz, and Rachel Whiteread provide insight into various approaches to the space. The works of these artists create a specific sense of space-acoustically, as sculpture, or in drawings. In their appearance and presence, the works seem restrained and unobtrusive, but their effect is nevertheless strong and powerful. These works of art evoke spaces that lie somewhere in between the recognizable and the ephemeral. They create places and respites in which the faculty of memory is triggered, and images come to life.The Fondation Beyeler begins its fall exhibition season in 2019 with five women artists. Instead of a comprehensive group show with numerous works, the art of Leonor Antunes, Silvia Bächli, Toba Khedoori, Susan Philipsz, and Rachel Whiteread provide insight into various approaches to the space. The works of these artists create a specific sense of space-acoustically, as sculpture, or in drawings. In their appearance and presence, the works seem restrained and unobtrusive, but their effect is nevertheless strong and powerful. These works of art evoke spaces that lie somewhere in between the recognizable and the ephemeral. They create places and respites in which the faculty of memory is triggered, and images come to life.