In the luxurious Middle Eastern kingdom of Kassina, Takeyuki, "The Desert Hawk," kidnapped by bandits for his beauty, in turn kidnaps Said, the young man with the blue eyes. With eyes that no one's heart can escape from and a voice that sends chills down spines, it must have been him Said spoke so rudely to on the plane to Kassina. Has Takeyuki been chasing him ever since?
In his young life, Takeyuki has never really known hardship. The youngest son of a wealthy family, he has never had any difficulty getting anything he desired. Now, though, Takeyuki is enjoying his last month of freedom before he begins working at his father’s import company in Tokyo, and he has decided to spend that time with his brother and his sister-in-law in Cassina, a small country in the Middle East. Little does Takeyuki know that his prideful manner will soon land him in hot water! In Cassina, some dangers are very real and some people are not who they seem. For example, who exactly is the charming, majestic man who won’t stop staring at Takeyuki during their flight to Cassina, and why do his blue eyes make Takeyuki feel like his chest will burst?
After landing a job at a major cosmetics company through a connection of his, Kaitani has finally gotten the chance to experience real work. But while his eagerness for the new product is admirable, he's utterly discouraged by Fujiwara, his rotten boss from hell! Kaitani plots to find Fujiwara's weakness, but though a colleague's misunderstanding, matter's take an unexpected turn! What's in store for Kaitani now that he's discovered Fujiwara's secret... and his sex appeal?
Between 1750 and 1857, westward-bound Central and South Asian travelers connected imperial Britain to Persian Indo-Eurasia by performing queer masculinities.
"The Red and the Black" is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. the influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author's talent as the surprising twists that occur in the arduous love life.
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.
Celia, an environmental designer, is requested for a job in the Sultanate of Oman. Shockingly, her client is Sheikh Salim, her ex-lover who unexpectedly left her four years ago. Celia balks, but before long, Salim’s passionate zeal for his work?the redevelopment of a lost city that has slept under the sands for centuries into a resort?wins her over and she accepts the job. Work goes smoothly, but just as she did four years ago, Celia finds herself unable to resist Salim’s charms. And there’s something she’s never told him: she has a daughter…his daughter!
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.
