Modernity and the Architecture of Mexico
Modernity and the Architecture of Mexico

Author: Edward R. Burian

Publisher: University of Texas Press

Published: 1997

Total Pages: 0

ISBN-13: 9780292708525

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Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s. Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City. Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.

Architecture as Revolution
Architecture as Revolution

Author: Luis E. Carranza

Publisher: University of Texas Press

Published: 2010-06-15

Total Pages: 257

ISBN-13: 0292721951

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The period following the Mexican Revolution was characterized by unprecedented artistic experimentation. Seeking to express the revolution's heterogeneous social and political aims, which were in a continuous state of redefinition, architects, artists, writers, and intellectuals created distinctive, sometimes idiosyncratic theories and works. Luis E. Carranza examines the interdependence of modern architecture in Mexico and the pressing sociopolitical and ideological issues of this period, as well as the interchanges between post-revolutionary architects and the literary, philosophical, and artistic avant-gardes. Organizing his book around chronological case studies that show how architectural theory and production reflected various understandings of the revolution's significance, Carranza focuses on architecture and its relationship to the philosophical and pedagogic requirements of the muralist movement, the development of the avant-garde in Mexico and its notions of the Mexican city, the use of pre-Hispanic architectural forms to address indigenous peoples, the development of a socially oriented architectural functionalism, and the monumentalization of the revolution itself. In addition, the book also covers important architects and artists who have been marginally discussed within architectural and art historiography. Richly illustrated, Architecture as Revolution is one of the first books in English to present a social and cultural history of early twentieth-century Mexican architecture.

Space and Place in the Mexican Landscape
Space and Place in the Mexican Landscape

Author: Fernando Núñez

Publisher: Texas A&M University Press

Published: 2007-04-19

Total Pages: 196

ISBN-13: 1585445835

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Metaphysical conceptions have always influenced how human societies create the built environment. Mexico—with its rich culture, full of symbol and myth, its beautiful cities, and its evocative ruins—is an excellent place to study the interplay of influences on space and place. In this volume, the authors consider the ideas and views that give the constructed spaces and buildings of Mexico—especially, of Querétaro—their particular ambience. They explore the ways the built world helps people find meaning and establish order for their earthly existence by mirroring their metaphysical assumptions, and they guide readers through time to see how the transformation of worldviews affects the urban evolution of a Mexican city. The authors, then, construct a “metaphysical archeology” of space and place in the built landscape of Mexico. In the process, they identify the intangible, spiritual aspects of this land. Not only scholars of architecture, but also archeologists and anthropologists—particularly those interested in Mexican backgrounds and culture—will appreciate the authors’ approach and conclusions.

Modern Architecture in Mexico City
Modern Architecture in Mexico City

Author: Kathryn E. O'Rourke

Publisher: University of Pittsburgh Press

Published: 2017-02-10

Total Pages: 461

ISBN-13: 0822981629

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Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico's unique cultural character. By midcentury these architects and their students had rewritten the country's architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted. Through an exploration of schools, a university campus, a government ministry, a workers' park, and houses for Diego Rivera and Luis Barragan, Kathryn O'Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.

Mesoamerican Architecture as a Cultural Symbol
Mesoamerican Architecture as a Cultural Symbol

Author: Jeff Karl Kowalski

Publisher:

Published: 1999

Total Pages: 442

ISBN-13:

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In this collection, prominent scholars provide new interpretations and useful syntheses of many of the most significant Mesoamerican architectural traditions from the Preclassic to the Postclassic periods. The essays examine the built environment as a carrier of cultural meanings. The many pyramid-temples, palaces, and ballcourts comprising Mesoamerican centers were constructed in the context of hierarchical societies, and provided monumental expressions of elite authority. The design of individual buildings, as well as the layout of site plans, often embodied Mesoamerican beliefs about the structure of the cosmos, natural forces, or the numinous power of landscape forms, thus providing sanction for the sociopolitical order.