"Avoiding the lure of a psychological conceptualisation of fear, all chapters in this volume substantiate the criticism towards specific postmodern trends in anthropology that would rather focus on the individual dimension of fear, thus missing its social aspects. Fear cannot and must not be reduced to an emotional phenomenon, but must rather be regarded by anthropologists as the prime mover of rational management in dangerous or risky situations. The various forms of fear appear to be shaped by societies." -- Christian Giordano, U. of Fribourg (Series: Fribourg Studies in Social Anthropology / Freiburger Sozialanthropologische Studien / Etudes d'Anthropologie Sociale de l'Universite de Fribourg - Vol. 41)
Between the late 1970s and the mid-1980s, the people of Guatemala were subjected to a state-sponsored campaign of political violence and repression designed to not only defeat a left-wing, revolutionary insurgency but also destroy Mayan communities and culture. The Mayan Indians in the western highlands were labeled by the government as revolutionary sympathizers, and many Mayan women lost husbands, sons, and other family members who were brutally murdered or who simply "disappeared." Based on years of field research conducted in the rural highlands, Fear as a Way of Life traces the intricate links between the recent political violence and repression and the long-term systemic violence connected with class inequalities and gender and ethnic oppression––the violence of everyday life.
In the current world disorder, security is on everyone’s lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people’s potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts – from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize social relations in post-conflict Yugoslavia and ways of imagining threat in left-radical protest movements in Northern Europe. Interrogating recent debates about the role of "securitization" in contemporary politics, the book paves the way for novel forms of security analysis at the crossroads between anthropology and political science, focusing on the comparative study of the temporalities of securitization in a multi-polar world. Offering a pioneering synthesis, the book will be of interest not only to anthropologists, but also to students and scholars in political science and the growing field of Security Studies in International Relations.
In Cultures of Fear, a truly world-class line up of scholars explore how governments use fear in order to control their citizens. The "social contract" gives modern states responsibility for the security of their citizens, but this collection argues that governments often nurture a culture of fear within their contries. When people are scared of "terrorist" threats, or "alarming rises" in violent crime they are more likely to accept oppressive laws from their rulers. Cultures of Fear is and interdisciplinary reader for students of anthropology and politics. Contributors include Noam Chomsky, Slavoj Zizek, Jean Baudrillard, Catharine MacKinnon, Neil Smith, Cynthia Enloe, David L. Altheide, Cynthia Cockburn and Carolyn Nordstrum.
To be human is to experience fear, but what is it exactly that makes us fearful? Landscapes of Fear—written immediately after his classic Space and Place—is renowned geographer Yi-Fu Tuan’s influential exploration of the spaces of fear and of how these landscapes shift during our lives and vary throughout history. In a series of linked essays that journey broadly across place, time, and cultures, Tuan examines the diverse manifestations and causes of fear in individuals and societies: he describes the horror created by epidemic disease and supernatural visions of witches and ghosts; violence and fear in the country and the city; fears of drought, flood, famine, and disease; and the ways in which authorities devise landscapes of terror to instill fear and subservience in their own populations. In this groundbreaking work—now with a new preface by the author—Yi-Fu Tuan reaches back into our prehistory to discover what is universal and what is particular in our inheritance of fear. Tuan emphasizes that human fear is a constant; it causes us to draw what he calls our “circles of safety” and at the same time acts as a foundational impetus behind curiosity, growth, and adventure.
Widely admired by cultural critics and the avant garde when it was first published, Fear and Conventionality broke new ground for American anthropology. In it, Elsie Clews Parsons turns a cool and ironic eye on the mores and customs of her own upper-class New York society. A modern mind at the turn of the century, Parsons challenged social conventions about gender and family as part of the new feminist movement. Witty, graceful, and impassioned, this book will be of interest to social and cultural historians and anyone interested in early twentieth-century America.
During the last decades of the nineteenth century, Charles Darwin, Thomas Henry Huxley, Walter Pater and others changed the nature of thought concerning the human body and the physical environment that had shaped it. In response, the 1890s saw the publication of a series of remarkable literary works that had their genesis in the intense scientific and aesthetic activity of those preceding decades -- texts that emphasized themes of degeneration and were themselves stylistically decompositive, with language both a surrogate for physical deformity and a source of anxiety. Susan J. Navarette examines the ways in which scientific and cultural concerns of late nineteenth-century England are coded in the horror literature of the period. By contextualizing the structural, stylistic, and thematic systems developed by writers seeking to reenact textually the entropic forces they perceived in the natural world, Navarette reconstructs the late Victorian mentalité. She analyzes aesthetic responses to trends in contemporary science and explores horror writers' use of scientific methodologies to support their perception that a long-awaited period of cultural decline had begun. In her analysis of the classics Turn of the Screw and Heart of Darkness, Navarette shows how James and Conrad made artistic use of earlier "scientific" readings of the body. She also considers works by lesser-known authors Walter de la Mare, Vernon Lee, and Arthur Machen, who produced fin de siècle stories that took the form of "hybrid literary monstrosities." To underscore the fascination with bodily decay and deformation that these writers explored, The Shape of Fear is enhanced with prints and line drawings by Victor Hugo, James Ensor, and other artists of the day. This elegantly written book formulates a new canon of late Victorian fiction that will intrigue scholars of literature and cultural history.
An antidote to the culture of fear that dominates modern life From moral panics about immigration and gun control to anxiety about terrorism and natural disasters, Americans live in a culture of fear. While fear is typically discussed in emotional or poetic terms—as the opposite of courage, or as an obstacle to be overcome—it nevertheless has very real consequences in everyday life. Persistent fear negatively effects individuals’ decision-making abilities and causes anxiety, depression, and poor physical health. Further, fear harms communities and society by corroding social trust and civic engagement. Yet politicians often effectively leverage fears to garner votes and companies routinely market unnecessary products that promise protection from imagined or exaggerated harms. Drawing on five years of data from the Chapman Survey of American Fears—which canvasses a random, national sample of adults about a broad range of fears—Fear Itself offers new insights into what people are afraid of and how fear affects their lives. The authors also draw on participant observation with Doomsday preppers and conspiracy theorists to provide fascinating narratives about subcultures of fear. Fear Itself is a novel, wide-ranging study of the social consequences of fear, ultimately suggesting that there is good reason to be afraid of fear itself.
Photography had played a central role in the emergence of anthropology as a discipline in the late colonial period. Despite this, why is it that photography is not taken seriously in contemporary mainstream social anthropology and sociology in South asia and, to a great extent, in the rest of the worlds a possible way of conducting research or as an object of research? The fear of the visual? Explores this Question through a study of the histories of anthropology/ sociology and photography. The author studies past and present practices of photography including contemporary practices such as the 'selfish', and the framing of social/ familial events such as wedding photography and possibilities with regard to theorising the visual. He also tries to understand the intellectual rupture that led to the visual being removed from mainstream sociology/ social anthropology to the separate fields of visual sociology and visual anthropology. This book is as personal as it is academic. The author opens each br>Chapter with personal recollections, choosing to not separate the two domains that have impacted each other in important ways. Central to these personal narratives and the academic discussions that follow are photographs, which form a core part of the argument.
