The Ancient Critic at Work

The Ancient Critic at Work

Author: René Nünlist

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 459

ISBN-13: 1139476262

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The large but underrated corpus of Greek scholia, the marginal and interlinear notes found in manuscripts, is a very important source for ancient literary criticism. The evidence of the scholia significantly adds to and enhances the picture that can be gained from studying the relevant treatises (such as Aristotle's Poetics): scholia also contain concepts that are not found in the treatises, and they are indicative of how the concepts are actually put to use in the progressive interpretation of texts. This book also demonstrates that it is vital to study both ancient terminology and the cases where a particular phenomenon is simply paraphrased. Nineteen thematic chapters provide a repertoire of the various terms and concepts of ancient literary criticism. The relevant witnesses are extensively quoted in Greek and English translation. A glossary of Greek terms (with translation) and several indices enable the book also to be used for reference.


This Thing We Call Literature

This Thing We Call Literature

Author: Arthur Krystal

Publisher: Oxford University Press

Published: 2016

Total Pages: 153

ISBN-13: 0190272376

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This Thing We Call Literature collects ten essays from the combative, cantankerous cultural critic Arthur Krystal. The essays in this compact volume, mostly coming from The New Yorker, Harper's, and The Chronicle of Higher Education--all share Krystal's conviction that literature and the humanities more broadly are going down the tubes"


A History of Literary Criticism

A History of Literary Criticism

Author: M. A. R. Habib

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 848

ISBN-13: 1405148845

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This comprehensive guide to the history of literary criticism from antiquity to the present day provides an authoritative overview of the major movements, figures, and texts of literary criticism, as well as surveying their cultural, historical, and philosophical contexts. Supplies the cultural, historical and philosophical background to the literary criticism of each era Enables students to see the development of literary criticism in context Organised chronologically, from classical literary criticism through to deconstruction Considers a wide range of thinkers and events from the French Revolution to Freud’s views on civilization Can be used alongside any anthology of literary criticism or as a coherent stand-alone introduction


Better Living Through Criticism

Better Living Through Criticism

Author: A. O. Scott

Publisher: Penguin

Published: 2017-02-07

Total Pages: 306

ISBN-13: 0143109979

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The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."


Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics

Author: Averroës

Publisher:

Published: 2000

Total Pages: 192

ISBN-13:

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Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.


Distant Reading

Distant Reading

Author: Franco Moretti

Publisher: Verso Books

Published: 2013-06-04

Total Pages: 234

ISBN-13: 1781684812

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How does a literary historian end up thinking in terms of z-scores, principal component analysis, and clustering coefficients? The essays in Distant Reading led to a new and often contested paradigm of literary analysis. In presenting them here Franco Moretti reconstructs his intellectual trajectory, the theoretical influences over his work, and explores the polemics that have often developed around his positions. From the evolutionary model of "Modern European Literature," through the geo-cultural insights of "Conjectures of World Literature" and "Planet Hollywood," to the quantitative findings of "Style, inc." and the abstract patterns of "Network Theory, Plot Analysis," the book follows two decades of conceptual development, organizing them around the metaphor of "distant reading," that has come to define-well beyond the wildest expectations of its author-a growing field of unorthodox literary studies.


English Literary Criticism

English Literary Criticism

Author: J. W. H. Atkins

Publisher: Routledge

Published: 2021-05-18

Total Pages: 341

ISBN-13: 1000378810

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Originally published in 1947, this volume reviews the critical achievement at the Renaissance. It discusses the ideas of literature then current in England, as revealed in contemporary theorizing and judgments. The period has sometimes been dismissed as lacking great critics, and the critical works themselves have been described as elementary and remote, but, as this work shows, viewed in the light of what came before and after, those texts will be found to be of considerable interest and possess intrinsic and historical value. This book charts the course of the movement and the main findings and their significance in critical history. There is an emphasis to show the part payed by the medieval tradition, with its inheritance of post-classical and patristic doctrine; the lead given by 15th Century Italian and other Humanists and the no less important attempts of independent native writers to work out new artistic and dramatic theory of their own.


The Concepts of Criticism

The Concepts of Criticism

Author: L. Aschenbrenner

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 549

ISBN-13: 9401022542

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Tbis inquiry may be thought of as a sequel to The Concepts of Value and as an extension of the brief core-vocabulary of aesthetic concepts found in one of the appendices to it. In terms of sheer numbers, most of the value concepts of our language are to be found in the area of human relations and of the aesthetic. There are also other value vocabularies, shorter but equally important, for example, the cognitive and logical. These and other objects of pbilosopbical study (for example, the question of "other minds") deserve the kind of empirical survey that has been made of moral and aesthetic notions, if only to test a priori approaches to them. In the present studyan even more determined empirical approach than that adopted for the first has been found necessary. Once the moral or human value vocabulary has been identified, sentential contexts for the use of the terms readily come to mind. In a study of the language of criticism, however, the vocabulary has first to be sought in the utterances of critics themselves and quoted in sufficient context to make their critical intentions clear. The outcome is that the present study is of great length, about half of it being quotations from critics. The rule adopted for arriving at tbis length go on collecting quotations as long as new types of appraisal came was to to light.