A most fascinating and authoritative account of the Celtic Church, its beliefs and practices, and its remarkable theocracy based on Old Testament canon and the laws of the Pentateuch, including the keeping of the Seventh-day Sabbath. This book is illustrated with line drawings taken from the crosses which were a notable feature of Celtic church architecture, and with examples of documents of the period.
For most people in England today, the church is simply the empty building at the end of the road, visited for the first time, if at all, when dead. It offers its sacraments to a population that lives without rites of passage, and which regards the National Health Service rather than the National Church as its true spiritual guardian. Here, Scruton argues that the Anglican Church is the forlorn trustee of an architectural and artistic inheritance that remains one of the treasures of European civilization. He contends that it is a still point in the centre of English culture and that its defining texts, the King James Bible and the Book of Common Prayer are the sources from which much of our national identity derives. At once an elegy to a vanishing world and a clarion call to recognize Anglicanism's continuing relevance, Our Church is a graceful and persuasive book.
The unexpectedly entertaining story of how the Church of England lost its place at the centre of English public life - now updated with new material by the authors including comments on the book's controversial first publication. The Church of England still seemed an essential part of Englishness, and even of the British state, when Mrs Thatcher was elected in 1979. The decades which followed saw a seismic shift in the foundations of the C of E, leading to the loss of more than half its members and much of its influence. In England today 'religion' has become a toxic brand, and Anglicanism something done by other people. How did this happen? Is there any way back? This 'relentlessly honest' and surprisingly entertaining book tells the dramatic and contentious story of the disappearance of the Church of England from the centre of public life. The authors – religious correspondent Andrew Brown and academic Linda Woodhead – watched this closely, one from the inside and one from the outside. That Was the Church, That Was shows what happened and explains why.
"A study of the lives and legacy of Picts and Britons in the Irish Church, looking at their impact on early medieval Irish society and how this impact came to be perceived in later centuries. Between the fifth and ninth centuries AD, the peoples of Britain, Ireland, and their surrounding islands were constantly interacting, sharing cultures and ideas that shaped and reshaped their communities and the way they lived. The influence of religious figures from Ireland on the development of the Church in Britain was profound, and the fame of monasteries such as Iona, which they established, remains to this day. Yet with the exception of St Patrick, far less attention has been paid to the role of the Britons and Picts who travelled west into Ireland, despite their equally significant impact. This book aims to redress the balance by offering a detailed exploration of the evidence for British and Pictish men and women in the early medieval Irish Church, and asking what we can piece together of their lives from the often fragmentary sources. It also considers the ways in which writers of later ages viewed these migrants, and examines how the shaping of the migration narrative throughout the centuries had a major effect on the way that the earliest centuries of the church came to be viewed in later years in both Scotland and Ireland. In doing so, this volume offers important new insights into our understanding of the relationships between Britain and Ireland in this period.00Oisín Plumb is originally from Edinburgh. He completed his PhD in Scottish History at the University of Edinburgh in 2016. He now lives in Orkney, where he is a lecturer at the Institute for Northern Studies at the University of the Highlands and Islands."--Page 4 de la couverture
