When a Western star is gunned down at a rodeo, Ellery Queen saddles up Buck Horne has roped thousands of cattle, slugged his way out of dozens of saloons, and shot plenty of men dead in the street—but always on the backlot. He is a celluloid cowboy, and his career is nearly kaput. The real box office draw is his daughter, Kit, a brawling beauty who can outshoot any rascal the studio has to offer. Desperate for a comeback, Buck joins Wild Bill Grant’s traveling rodeo for a show in New York, hoping to impress Hollywood and land one last movie contract. But he has scarcely mounted his horse when he falls to the dirt. It wasn’t age that made him slip—it was the bullet in his heart. Watching from the stands are Ellery Queen, debonair sleuth, and his police detective father. They are New Yorkers through and through, but to solve the rodeo killing, the Queens must learn to talk cowboy.
Ellery Queen investigates a murder at the circus rodeo When a washed up Hollywood cowboy-turned-circus rodeo actor is shot dead in the midst of his performance at a New York sports-palace, in front of thousands of onlookers, it seems obvious that someone would have seen the perpetrator of the crime—or at the very least, recovered the gun. But when the ensuing investigation fails to turn up any evidence, even after the newsreels made in the moment are reviewed, the net of suspicion widens across the troupe of performers and the circus staff. Who among them is cunning enough to have constructed such a baffling murder scene? Unluckily for the murderer, genius sleuth Ellery Queen is among the thousands that witnessed the crime, and he won’t be satisfied until he cuts through the confusion to discover the truth of the execution. By the time he uncovers all the necessary clues and delivers his patented “Challenge to the Reader,” Queen (and his most careful readers) will be able to expose both the killer and the hiding place of the weapon—the titular American Gun that fired the fatal bullet. Reissued for the first time in over thirty years, The American Gun Mystery is among the most beloved of the early Ellery Queen novels, renowned to this day as exemplary works of the American Golden Age mystery. The central puzzle is a “fair play” story in which the reader has all the necessary clues needed to solve the crime.
When a Western movie star is gunned down at a rodeo, the legendary detective Ellery Queen saddles up to catch the killer. Buck Horne has roped thousands of cattle, slugged his way out of dozens of saloons, and shot plenty of men dead in the street—but always on the backlot. He is a celluloid cowboy, and his career is nearly kaput. The real box office draw is his daughter, Kit, a brawling beauty who can outshoot any rascal the studio has to offer. Desperate for a comeback, Buck joins Wild Bill Grant’s traveling rodeo for a show in New York, hoping to impress Hollywood and land one last movie contract. But he has scarcely mounted his horse when he falls to the dirt. It wasn’t age that made him slip—it was the bullet in his heart. Watching from the stands are Ellery Queen, debonair sleuth, and his police detective father. They are New Yorkers through and through, but to solve the rodeo killing, the Queens must learn to talk cowboy.
White provides the most comprehensive scholarly compilation of fictional work of legal suspense in existence. Primarily a bibliography of novels, it also annotates plays, scripts for film and television, novelizations, and short-story collections about lawyers and the law. The idea behind the principal of selection is to disdain labels that reduce the variety of the legal thriller to a subgenre of mystery fiction. Novels that range from suspense thrillers through science fiction to the philosophical novel are included if justice is thematically important. It is therefore an eclectic reference source beyond a compilation of books about lawyers as protagonists. Its biographical and scholarly information about authors, major and minor, and their novels or works is traditionally encyclopedic and objective regardless of whether the work has been genre-defined, or worse—deified as a classic or denigrated as a bestseller. Many novels included are long out of print, but historically interesting for their contribution to the lineage of the courtroom drama, showing that the history of the legal thriller is one of the major branches of modern literature since the Age of Reason. The criterion of justice denoted moves beyond the fact of lawyers and courtrooms to select seminal novels like Robert Travers' Anatomy of a Murder as well as the romantic potboiler. Among the more than 2,000 works are the Perry Mason novels of Erle Stanley Gardner, John Mortimer's Rumpole series, along with a staple of fiction by major authors of the genre like John Lescroart, Lisa Scottoline, Margaret Maron, Scott Turow, and John Grisham. There are also individual works by Shakespeare, Goethe, Kafka, Camus, and Twain delineating humanity's obsession with the law as its shining prop of civilization and, alternative, béte-noire of the common individual caught up in its maw. The appendices include comments by lawyer-novelist Michael A. Kahn, a historical introduction to the legal thriller, craft notes by writers and prominent trial lawyers responding to author and lawyer questionnaires, bibliography of critical sources and articles, series characters, and the legal terminology found in courtroom dramas and novels. An essential reference tool for scholars, researchers as well as the occasional reader of legal thrillers.
