Library Journal declared her first collection of poems, The Unicorns, "clear and crisp and filled with the vibrations of love, death and everyday existence." This new publication promises to continue that tradition of openness and depth of meaning. Sandburg quotes her father's review (1916) of Ezra Pound to explain her philosophy toward poetry: "People write poetry because they want to.... It is the dark stuff of life that comes and goes.".
Have You Ever Seen a Flower? is an enchanting picture book exploring the relationship between childhood and nature. In this simple yet profound story, one child experiences a flower with all five senses—from its color to its fragrance to the entire universe it evokes—revealing how a single flower can expand one's perspective in incredible ways. • Authorial debut of award-winning illustrator Shawn Harris • Reminds readers to appreciate the beauty of the world • Full of bright, stunning illustrations Have You Ever Seen a Flower? is a beautiful exploration of perception, the environment, and humanity. • Perfect read-aloud with thought-provoking questions • Ideal for nature lovers • For fans of The Little Prince, The Giving Tree, Not a Box, and The Very Hungry Caterpillar
The sacred Flower of Life pattern, the primary geometric generator of all physical form, is explored in even more depth in this volume, the second half of the famed Flower of Life workshop. The proportions of the human body, the nuances of human consciousness, the sizes and distances of the stars, planets and moons, even the creations of humankind, are all shown to reflect their origins in this beautiful and divine image. Through an intricate and detailed geometrical mapping, Drunvalo Melchizedek shows how the seemingly simple design of the Flower of Life contains the genesis of our entire third-dimensional existence. From the pyramids and mysteries of Egypt to the new race of Indigo children, Drunvalo presents the sacred geometries of the Reality and the subtle energies that shape our world. We are led through a divinely inspired labyrinth of science and stories, logic and coincidence, on a path of remembering where we come from and the wonder and magic of who we are. Finally, for the first time in print, Drunvalo shares the instructions for the Mer-Ka-Ba meditation, step-by-step techniques for the re-creation of the energy field of the evolved human, which is the key to ascension and the next dimensional world.if done from love, this ancient process of breathing prana opens up for us a world of tantalizing possibility in this dimension, from protective powers to the healing of oneself, of others and even of the planet. Embrace the expanded vision and understanding that Drunvalo offers to the world. Coincidences abound, miracles flourish and the amazing stories of mysteries unveiled arise as the author probes the Ancient Secrets of the Flower of Life.
In 1837, while charting the Amazonian country of Guiana for Great Britain, German naturalist Robert Schomburgk discovered an astounding "vegetable wonder"--a huge water lily whose leaves were five or six feet across and whose flowers were dazzlingly white. In England, a horticultural nation with a mania for gardens and flowers, news of the discovery sparked a race to bring a live specimen back, and to bring it to bloom. In this extraordinary plant, named Victoria regia for the newly crowned queen, the flower-obsessed British had found their beau ideal. In The Flower of Empire, Tatiana Holway tells the story of this magnificent lily, revealing how it touched nearly every aspect of Victorian life, art, and culture. Holway's colorful narrative captures the sensation stirred by Victoria regia in England, particularly the intense race among prominent Britons to be the first to coax the flower to bloom. We meet the great botanists of the age, from the legendary Sir Joseph Banks, to Sir William Jackson Hooker, director of the Royal Botanic Gardens at Kew, to the extravagant flower collector the Duke of Devonshire. Perhaps most important was the Duke's remarkable gardener, Joseph Paxton, who rose from garden boy to knight, and whose design of a series of ever-more astonishing glass-houses--one, the Big Stove, had a footprint the size of Grand Central Station--culminated in his design of the architectural wonder of the age, the Crystal Palace. Fittingly, Paxton based his design on a glass-house he had recently built to house Victoria regia. Indeed, the natural ribbing of the lily's leaf inspired the pattern of girders supporting the massive iron-and-glass building. From alligator-laden jungle ponds to the heights of Victorian society, The Flower of Empire unfolds the marvelous odyssey of this wonder of nature in a revealing work of cultural history.
In our modern world, the spiny-stemmed flowers, intertwined leaves, and delicate pink blossoms of the rubus fruticosus, or common blackberry bramble, might catch the eye of the casual observer or weekend gardener. Pleasant, prolific, and decorative, plants like the blackberry are looked upon as sources for harvest, landscape, and visual pleasure. To the medieval and Renaissance artist, however, these botanicals were far more. Part of a richly symbolic visual language culled from the classical era, their exquisite depiction in illuminated manuscripts of the age evoked fertility, conjured bad dreams, and even aligned itself with ancient wisdom. The popular and enduring appeal of flowers in medieval art and literature extended beyond simple botanical illustration; instead, flowers helped to tell countless stories without words through potent symbolic imagery. The Medieval Flower Book artfully presents an alphabetical collection of over one hundred of the major flowers that appear in medieval manuscripts--gathered with fascinating explanatory texts on their history, significance, and usage. The sumptuous reproductions that accompany each entry offer a visual reference to the symbolism of botanicals in medieval manuscripts that's beyond breathtaking in its appeal. An introductory section explaining the ancient roots of practical horticulture's expansion into cultural and spiritual realms not only places the volume in the context of gardening history, but gives the general reader insight into our enduring interest in these remarkable herbals. Widely appealing to all of those interested in flowers and gardening, the horticultural historian, and the student of visual culture and medieval history, The Medieval Flower Book is a fascinating and important primer on the beauty and language of florals. Extensively ranging through the canon of medieval botanicals--from acanthus and anemones to violets and wallflowers--this volume is the perfect gift for anyone interested in blossoms and blooms, and should thrill the everyday gardener and art collector alike.
The Flower Who Bloomed is a book of poetry, containing four chapters. Each chapter describes my personal growth in four stages. Inside, you will find the recipe for a broken heart, self-love, moving on, facing difficult times, and overcoming obstacles. Here is the secret to my growing pains. Here is the outcome of growing, painfully. We are all flowers trying to bloom.
Tami has traveled long and far from his home in the south, forbidden to return until he has become a man, in this coming-of-age story. Defeating monsters and saving princesses has not been enough, and now he must find the fabled flower of the witch, but in his quest Tami inadvertently sparks a feud between the villagers who shelter him and the demon Yabra! And when the conflict comes to a head, Tami will have to choose between proving himself as a man, and protecting the villagers he's come to love. Available for the first time in English, Enrico Orlandi's exciting tale of adventure and compassion is a timely reflection on identity, responsibility, and the true meaning of maturity. "My intention when I created Tami and the world of Il fiore della strega, was to tell a fantastic story that would capture the reader's imagination and inspire them to lose themselves in the cold forests of the far north, to feel the icy gaze of the spirits and the warmth of the hearths in each tent. Tami's journey, his difficulties and mistakes, are in essence what every child must face as they grow into adulthood. To those who read this book, I would like to say that a girl can go on adventures, that a boy can cry if he needs to, that there is no right way to grow up. You just have to take the time to understand who you want to be." -- Enrico Orlandi
