Literary Aesthetics of Trauma

Literary Aesthetics of Trauma

Author: Reina Van der Wiel

Publisher: Springer

Published: 2014-04-08

Total Pages: 231

ISBN-13: 1137311010

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Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism's emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.


Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma

Author: P. Moran

Publisher: Springer

Published: 2007-01-08

Total Pages: 223

ISBN-13: 0230601855

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This is a study of modernism, sexuality, and subjectivity in the work of two leading women modernists. Each confronted the aspects of her culture and personal history that resulted in a degraded sense of female sexuality and explored how traumatic childhood sexual experiences informed their relationship to female corporeality and fiction-writing.


Let Them Haunt Us

Let Them Haunt Us

Author: Anna-Lena Werner

Publisher: transcript Verlag

Published: 2020-05-31

Total Pages: 261

ISBN-13: 3839450462

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Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics.


An Aesthetics of Injury

An Aesthetics of Injury

Author: Ian Fleishman

Publisher: Northwestern University Press

Published: 2018-03-15

Total Pages: 450

ISBN-13: 0810136813

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An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.


Empathic Vision

Empathic Vision

Author: Jill Bennett

Publisher: Stanford University Press

Published: 2005

Total Pages: 212

ISBN-13: 9780804751711

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This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics.


Concerning Consequences

Concerning Consequences

Author: Kristine Stiles

Publisher: University of Chicago Press

Published: 2016-03-21

Total Pages: 491

ISBN-13: 022630440X

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Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.


Art for Children Experiencing Psychological Trauma

Art for Children Experiencing Psychological Trauma

Author: Adrienne D. Hunter

Publisher: Routledge

Published: 2018-04-17

Total Pages: 518

ISBN-13: 1315301334

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Art for Children Experiencing Psychological Trauma aims to increase understanding of art’s potential to enhance learning for children living in crisis. In this ground-breaking resource, the first of its kind to focus specifically on the connection between art education and psychological trauma in youth populations, readers can find resources and practical strategies for both teachers and other school-based professionals. Also included are successful models of art education for diverse populations, with specific attention to youth who face emotional, mental, behavioral, and physical challenges, as well a framework for meaningful visual arts education for at-risk/in-crisis populations.


The Edges of Trauma

The Edges of Trauma

Author: Tamás Bényei

Publisher: Cambridge Scholars Publishing

Published: 2014-06-30

Total Pages: 235

ISBN-13: 144386322X

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A collection of essays by an international group of scholars, The Edges of Trauma: Explorations in Visual Art and Literature addresses the vast cultural and discursive construction that trauma has become in recent decades. Unravelling aspects of representing, narrating, testifying to trauma and of sharing or conveying traumatic non-experience, many of the essays offer new perspectives on traditionally central topics of trauma studies, including shellshock, sexual abuse, the Holocaust, AIDS and 9/11, or on canonical trauma texts, such as Art Spiegelman’s Maus, W. G. Sebald’s Austerlitz and Virginia Woolf’s autobiographical writings. Some authors take issue with the at least partly commercially-motivated canonisation of trauma fiction, and with the automatic linking of certain textual features with traumatic experiences. In other essays, trauma works as an interpretative device that allows us to see otherwise familiar texts like Paul Scott’s Raj Quartet and the fiction of Beckett and Agota Kristof in a new light. Other contributors interrogate less obvious cultural and artistic representations – including First World War British painting, Jean-Richard Bloch’s wartime writings, Félix González-Torres’s candy-spills, the photography of Peter Piller and Ori Gersht, and recent American television comedy – in the context of trauma, while one author explores her own artistic practice as part of the working through of traumatic experiences. The Edges of Trauma differs from other volumes concerned with trauma and art in that it gathers together essays on both literature and visual art. These essays are concerned with the relationship between trauma and art, traumatic non-experience and aesthetic experience; exploring how the non-experience of trauma finds its way into artistic representations.


The Future of Trauma Theory

The Future of Trauma Theory

Author: Gert Buelens

Publisher: Routledge

Published: 2013-10-30

Total Pages: 201

ISBN-13: 1135053103

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This collection analyses the future of ‘trauma theory’, a major theoretical discourse in contemporary criticism and theory. The chapters advance the current state of the field by exploring new areas, asking new questions and making new connections. Part one, History and Culture, begins by developing trauma theory in its more familiar post-deconstructive mode and explores how these insights might still be productive. It goes on, via a critique of existing positions, to relocate trauma theory in a postcolonial and globalized world, theoretically, aesthetically and materially, and focuses on non-Western accounts and understandings of trauma, memory and suffering. Part two, Politics and Subjectivity, turns explicitly to politics and subjectivity, focussing on the state and the various forms of subjection to which it gives rise, and on human rights, biopolitics and community. Each chapter, in different ways, advocates a movement beyond the sort of texts and concepts that are the usual focus for trauma criticism and moves this dynamic network of ideas forward. With contributions from an international selection of leading critics and thinkers from the US and Europe, this volume will be a key critical intervention in one of the most important areas in contemporary literary criticism and theory.