The Aesthetics of Grammar

The Aesthetics of Grammar

Author: Jeffrey P. Williams

Publisher: Cambridge University Press

Published: 2014

Total Pages: 307

ISBN-13: 1107007127

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This book provides a detailed comparative overview of an array of elaborate grammatical resources used in Southeast Asian languages.


The Art of Grammar

The Art of Grammar

Author: Aleksandr Aĭkhenvalʹd

Publisher:

Published: 2015

Total Pages: 405

ISBN-13: 0199683212

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This book introduces the principles and practice of writing a comprehensive reference grammar. Several thousand distinct languages are currently spoken across the globe, each with its own grammatical system and its own selection of diverse grammatical structures. Comprehensive reference grammars offer a basis for understanding linguistic diversity and can provide a unique perspective into the structure and social and cognitive underpinnings of different languages. Alexandra Aikhenvald describes the means of collecting, analysing, and organizing data for use in this type of grammar, and discusses the typological parameters that can be used to explore relationships with other languages. She considers how a grammar can made to reflect and bring to life the society of its speakers through background explanation and the judicious choice of examples, as well as by showing how its language, history, and culture are intertwined. She ends with a full glossary of terms and guidance for those wanting to explore a particular linguistic phenomenon or language family. The Art of Grammar is the ideal resource for students and teachers of linguistics, language studies, and inductively-oriented linguistic, cultural, and social anthropology.


The Aesthetics of Grammar

The Aesthetics of Grammar

Author: Jeffrey Payne Williams

Publisher:

Published: 2014

Total Pages:

ISBN-13: 9781107501881

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The languages of mainland Southeast Asia evidence an impressive array of elaborate grammatical resources, such as echo words, phonaesthetic words, chameleon affixes, chiming derivatives, onomatopoeic forms, ideophones and expressives. Speakers of these languages fashion grammatical works of art in order to express and convey emotions, senses, conditions and perceptions that enrich discourse. This book provides a detailed comparative overview of the mechanisms by which aesthetic qualities of speech operate as part of speakers' grammatical knowledge. Each chapter focuses on a different language and explores the grammatical information of a number of well- and lesser-known languages from mainland Southeast Asia. It will be of great interest to syntacticians, morphologists, linguistic anthropologists, language typologists, cognitive scientists interested in language, and instructors of Southeast Asian languages.


The Grammar of Graphics

The Grammar of Graphics

Author: Leland Wilkinson

Publisher: Springer Science & Business Media

Published: 2013-03-09

Total Pages: 415

ISBN-13: 1475731000

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Written for statisticians, computer scientists, geographers, research and applied scientists, and others interested in visualizing data, this book presents a unique foundation for producing almost every quantitative graphic found in scientific journals, newspapers, statistical packages, and data visualization systems. It was designed for a distributed computing environment, with special attention given to conserving computer code and system resources. While the tangible result of this work is a Java production graphics library, the text focuses on the deep structures involved in producing quantitative graphics from data. It investigates the rules that underlie pie charts, bar charts, scatterplots, function plots, maps, mosaics, and radar charts. These rules are abstracted from the work of Bertin, Cleveland, Kosslyn, MacEachren, Pinker, Tufte, Tukey, Tobler, and other theorists of quantitative graphics.


The Language of Displayed Art

The Language of Displayed Art

Author: Michael O'Toole

Publisher: Fairleigh Dickinson Univ Press

Published: 1994

Total Pages: 328

ISBN-13: 9780838636046

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Drawing on his background as a linguist, O'Toole analyses in detail a number of major works of art to show how the semiotic approach relates a work's immediate impact to other aspects of our response to it: to the scene portrayed, to the social, intellectual and economic world within which the artist and his or her patrons worked, and to our own world. It further provides ways of talking about and interrelating aspects of composition, technique and the material qualities of the work.


The Beauty that Saves

The Beauty that Saves

Author: John M. Dunaway

Publisher: Mercer University Press

Published: 1996

Total Pages: 260

ISBN-13: 9780865545007

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The Beauty That Saves, a collection of essays by many of the most prominent American and European scholars on Weil, begins with a foreword by well-known writer Vladimir Volkoff who discusses, in a very moving manner, "What Simone Weil Means to Me". An introductory essay by Eric O. Springsted highlights the general character of Weil's thought and introduces the specific problematic of this collection. The first section addresses the subject of Weil on language. A key to understanding Weil's aesthetic is grasping how she understood language and its various usages. From within that understanding is contained a point d'appui of her philosophical thought as a whole. Her universe of meaning, its hierarchies, its subjection to necessity, its mystical intimacies, is not something she simply wrote about, it is contained in the way she wrote. With Weil's language established, the second section deals with Weil's explicit reflections on aesthetics, including essays on her sacramental imagery, morality and literature, music, and her classical reading of tragedy. As these essays point out, her aesthetic demands a moral and religious reading of the universe. The third section presents a number of specific Weilan readings of art, where what has been discussed in previous essays receives concrete application and illustration through essays on Weil and Wallace Stevens, music, and Georges Bernanos.


Curiosity and the Aesthetics of Travel-Writing, 1770-1840

Curiosity and the Aesthetics of Travel-Writing, 1770-1840

Author: Nigel Leask

Publisher: OUP Oxford

Published: 2002-01-10

Total Pages: 348

ISBN-13: 0191554391

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The decades between 1770 and 1840 are rich in exotic accounts of the ruin-strewn landscapes of Ethiopia, Egypt, India, and Mexico. Yet it is a field which has been neglected by scholars and which - unjustifiably - remains outside the literary canon. In this pioneering book, Nigel Leask studies the Romantic obsession with these 'antique lands', drawing generously on a wide range of eighteenth and nineteenth-century travel books, as well as on recent scholarship in literature, history, geography, and anthropology. Viewing the texts primarily as literary works rather than 'transparent' adventure stories or documentary sources, he sets out to challenge the tendency in modern academic work to overemphasize the authoritative character of colonial discourse. Instead, he addresses the relationship between narrative, aesthetics, and colonialism through the unstable discourse of antiquarianism, exploring the effects of problems of credit worthiness, and the nebulous epistemological claims of 'curiosity' (a leitmotif of the accounts studied here), on the contemporary status of travel writing. Attentive to the often divergent idioms of elite and popular exoticism, Curiosity and the Aesthetics of Travel Writing plots the transformation of the travelogue through the period, as the baroque particularism of curiosity was challenged by picturesque aesthetics, systematic 'geographical narrative', and the emergence of a 'transcendental self' axiomatic to Romantic culture. In so doing it offers an important reformulation of the relations between literature, aesthetics, and empire in the late Enlightenment and Romantic periods.