Oliver Dickinson has written a scholarly, accessible, and up-to-date introduction to the prehistoric civilizations of Greece. The Aegean Bronze Age, the long period from roughly 3000 to 1000 BC, saw the rise and fall of the Minoan and Mycenaean civilizations. The cultural history of the region emerges through a series of thematic chapters that treat settlement, economy, crafts, exchange and foreign contact (particularly with the civilizations of the Near East), and religion and burial customs. Students and teachers will welcome this book, but it will also provide the ideal companion for amateur archaeologists visiting the Aegean.
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.
Following Oliver Dickinson’s successful The Aegean Bronze Age, this textbook is a synthesis of the period between the collapse of the Bronze Age civilization in the thirteenth and twelfth centuries BC, and the rise of the Greek civilization in the eighth century BC. With chapter bibliographies, distribution maps and illustrations, Dickinson’s detailed examination of material and archaeological evidence argues that many characteristics of Ancient Greece developed in the Dark Ages. He also includes up-to-date coverage of the 'Homeric question'. This highly informative text focuses on: the reasons for the Bronze Age collapse which brought about the Dark Ages the processes that enabled Greece to emerge from the Dark Ages the degree of continuity from the Dark Ages to later times. Dickinson has provided an invaluable survey of this period that will not only be useful to specialists and undergraduates in the field, but that will also prove highly popular with the interested general reader.
The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.
This volume brings together an international group of researchers to address how Mycenaean and Minoan states controlled the economy. The contributions, originally delivered at the 2007 Langford Conference at the Florida State University, examine the political economies of state (and pre-state) entities within the Aegean Bronze Age, including the issues of centralization and multiple scales of production, distribution, and consumption within a polity; importance of extraregional trade; craft specialization; the role of non-elite institutions, and the political economy before the emergence of the palaces. The contributors address these issues from an explicitly comparative perspective, both within and across Minoan and Mycenaean contexts. The conclusions reached in this volume shed new light on the essential differences between and among "Minoan" and "Mycenaean" states through their political economies.
The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis' own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle, and Late Bronze Ages (Betancourt, Ferrence, and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights.
Aegean Painting in the Bronze Age is intended as a handbook for the art historian and archaeologist, with a full catalogue of examples (arranged according to site), critical discussion of the problems of chronology, a comprehensive bibliography, maps, drawings of details, and more than 100 photographic plates, 23 in color. This is the only book to give a synthesis of painting and pictorial art from its beginnings in Prepalatial Crete to the collapse of Bronze Age civilization in the Aegean. Immerwahr traces the development of Aegean painting from its origins in Crete through its spread to the Cycladic islands and to the Greek mainland, where it gave rise to the specific Mycenaean style. She studies primarily wall painting but refers also to painting on pottery and the pictorial art of seal engraving. The question of foreign influence from Egypt and Mesopotamia is discussed in connection with the origins of Minoan painting, and the new frescoes from Akrotiri on Thera are used to supplement the much more fragmentary paintings from Sir Arthur Evan's excavations at Knossos. Immerwahr also explores the interrelationship of the Minoan Cretans, the Cycladic islanders with their Minoanized enclaves on Thera and Melos, and the early Greek Mycenean mainlanders.
The years c. 1250 to 1150 BC in Greece and the Aegean are often characterised as a time of crisis and collapse. A critical period in the long history of the region and its people and culture, they witnessed the end of the Mycenaean kingdoms, with their palaces and Linear B records, and, through the Postpalatial period, the transition into the Early Iron Age. But, on closer examination, it has become increasingly clear that the period as a whole, across the region, defies simple characterisation – there was success and splendour, resilience and continuity, and novelty and innovation, actively driven by the people of these lands through this transformative century. The story of the Aegean at this time has frequently been incorporated into narratives focused on the wider eastern Mediterranean, and most infamously the ‘Sea Peoples’ of the Egyptian texts. In twenty-five chapters written by 25 specialists, Collapse and Transformation instead offers a tight focus on the Aegean itself, providing an up-to date picture of the archaeology ‘before’ and ‘after’ ‘the collapse’ of c. 1200 BC. It will be essential reading for students and scholars of the Aegean and eastern Mediterranean regions, as well as providing data and a range of interpretations to those studying collapse and resilience more widely and engaging in comparative studies. Introductory chapters discuss notions of collapse, and provide overviews of the Minoan and Mycenaean collapses. These are followed by twelve chapters, which review the evidence from the major regions of the Aegean, including the Argolid, Messenia, and Boeotia, Crete, and the Aegean islands. Six chapters then address key themes: the economy, funerary practices, the Mycenaean pottery of the mainland and the wider Aegean and eastern Mediterranean region, religion, and the extent to which later Greek myth can be drawn upon as evidence or taken to reflect any historical reality. The final four chapters provide a wider context for the Aegean story, surveying the eastern Mediterranean, including Cyprus and the Levant, and the themes of subsistence and warfare.
