At nine o'clock one morning Bobby Orde, following an agreement with his father, walked sedately to the Proper Place, where he kept his cap and coat and other belongings. The Proper Place was a small, dark closet under the angle of the stairs. He called it the Proper Place just as he called his friend Clifford Fuller, or the saw-mill town in which he lived Monrovia-because he had always heard it called so. At the door a beautiful black and white setter solemnly joined him. "Hullo, Duke!" greeted Bobby. The dog swept back and forth his magnificent feather tail, and fell in behind his young master. Bobby knew the way perfectly. You went to the fire-engine house; and then to the left after the court-house was Mr. Proctor's; and then, all at once, the town. Father's office was in the nearest square brick block. Bobby paused, as he always did, to look in the first store window. In it was a weapon which he knew to be a Flobert Rifle. It was something to be dreamed of, with its beautiful blued-steel octagon barrel, its gleaming gold-plated locks and its polished stock. Bobby was just under ten years old; but he could have told you all about that Flobert Rifle-its weight, the length of its barrel, the number of grains of both powder and lead loaded in its various cartridges. Among his books he possessed a catalogue that described Flobert Rifles, and also Shotguns and Revolvers. Bobby intoxicated himself with them. Twice he had even seen his father's revolver; and he knew where it was kept-on the top shelf of the closet. The very closet door gave him a thrill.
Michigan in Literature is a guide to more than one thousand literary and dramatic works set in Michigan from its pre-territorial days to the present. Imaginative, narrative, dramatic, and lyrical creations that have Michigan settings, characters, subjects, and themes are organized into sixteen chapters on topics such as Indians in Michigan, settlers who came to Michigan, diversity in the state, the timber industry, the Great Lakes, crime in Michigan literature, Detroit, and Michigan poetry. In this most complete work to date, Clarence Andrews has assembled the literary reputation of a state. He illustrates, with a wide variety of literary works, that Michigan is more than just a builder of automobiles, a producer of apples and cherries, a supplier of copper and lumber, and the home of great athletes. It is also a state that has played—and continues to play—an important role in the production of American literature. To qualify for inclusion, a work or a significant part of it has to be set in Michigan. Andrews shows how novelists, dramatists, poets, and short story writers have created their particular images of Michigan by using and interpreting the history of the state—its land and waters, people, events, ideas, philosophies, and policies—sometimes factually, sometimes modified or distorted, and sometimes fancied or imagined. Biographical information is featured about authors, editors, and compilers, who range in fame from Ernest Hemingway and Elmore Leonard to persons long forgotten. The published opinions and judgments of reputable critics and scholars are also presented.