Presents excerpts from the official reports of investigations into the abuse of prisoners at Abu Ghraib, examining the failures in leadership that led to the abuse, the extent of the crimes, and the consequences for the U.S. military.
Includes the torture photographs in color and the full texts of the secret administration memos on torture and the investigative reports on the abuses at Abu Ghraib. In the spring of 2004, graphic photographs of Iraqi prisoners being tortured by American soldiers in Baghdad's Abu Ghraib prison flashed around the world, provoking outraged debate. Did they depict the rogue behavior of "a few bad apples"? Or did they in fact reveal that the US government had decided to use brutal tactics in the "war on terror"? The images are shocking, but they do not tell the whole story. The abuses at Abu Ghraib were not isolated incidents but the result of a chain of deliberate decisions and failures of command. To understand how "Hooded Man" and "Leashed Man" could have happened, Mark Danner turns to the documents that are collected for the first time in this book. These documents include secret government memos, some never before published, that portray a fierce argument within the Bush administration over whether al-Qaeda and Taliban prisoners were protected by the Geneva Conventions and how far the US could go in interrogating them. There are also official reports on abuses at Abu Ghraib by the International Committee of the Red Cross, by US Army investigators, and by an independent panel chaired by former defense secretary James R. Schlesinger. In sifting this evidence, Danner traces the path by which harsh methods of interrogation approved for suspected terrorists in Afghanistan and Guant‡namo "migrated" to Iraq as resistance to the US occupation grew and US casualties mounted. Yet as Mark Danner writes, the real scandal here is political: it "is not about revelation or disclosure but about the failure, once wrongdoing is disclosed, of politicians, officials, the press, and, ultimately, citizens to act." For once we know the story the photos and documents tell, we are left with the questions they pose for our democratic society: Does fighting a "new kind of war" on terror justify torture? Who will we hold responsible for deciding to pursue such a policy, and what will be the moral and political costs to the country?
Standard Operating Procedure is an utterly original collaboration by the writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed With Our Families) and the film-maker Errol Morris (The Thin Blue Line, The Fog of War). They have produced the first full reckoning of what actually happened at Abu Ghraib. Standard Operating Procedure reveals the stories of the American soldiers who took and appeared in the haunting digital snapshots from Abu Ghraib prison that shocked the world – and simultaneously illuminates and alters forever our understanding of those images and the events they depict. Drawing on more than two hundred hours of Errol Morris’s startlingly frank and intimate interviews with Americans who served at Abu Ghraib and with some of their Iraqi prisoners, as well as on his own research, Philip Gourevitch has written a relentlessly surprising account of Iraq’s occupation from the inside-out – rendering vivid portraits of guards and prisoners ensnared in an appalling breakdown of command authority and moral order. Gourevitch and Morris have crafted a nonfiction morality play that stands to endure as essential reading long after the current war in Iraq passes from the headlines. By taking us deep into the voices and characters of the men and women who lived the horror of Abu Ghraib, the authors force us, whatever our politics, to re-examine the pat explanations in which we have been offered – or sought – refuge, and to see afresh this watershed episode. Instead of a ‘few bad apples’, we are confronted with disturbingly ordinary young American men and women who have been dropped into something out of Dante’s Inferno. This is a book that makes you think, and makes you see – an essential contribution from two of our finest nonfiction artists working at the peak of their powers.
Since September 11, 2001, Seymour M. Hersh has riveted readers -- and outraged the Bush Administration -- with his stories in The New Yorker, including his breakthrough pieces on the Abu Ghraib prison scandal. Now, in Chain of Command, he brings together this reporting, along with new revelations, to answer the critical question of the last three years: how did America get from the clear morning when hijackers crashed airplanes into the World Trade Center and the Pentagon to a divisive and dirty war in Iraq? Hersh established himself at the forefront of investigative journalism thirty-five years ago when he broke the news of the massacre at My Lai, Vietnam, for which he won a Pulitzer Prize. Ever since, he's challenged America's power elite by publishing the stories that others can't, or won't, tell. In exposés on subjects ranging from Saudi corruption to nuclear black marketeers and -- months ahead of other journalists -- the White House's false claims about weapons of mass destruction, Hersh has cemented his reputation as the indispensable reporter of our time. In Chain of Command, Hersh takes an unflinching look behind the public story of President Bush's "war on terror" and into the lies and obsessions that led America into Iraq. He reveals the connections between early missteps in the hunt for Al Qaeda and disasters on the ground in Iraq. The book includes a new account of Hersh's pursuit of the Abu Ghraib story and of where, he believes, responsibility for the scandal ultimately lies. Hersh draws on sources at the highest levels of the American government and intelligence community, in foreign capitals, and on the battlefield for an unparalleled view of a crucial chapter in America's recent history. With an introduction by The New Yorker's editor, David Remnick, Chain of Command is a devastating portrait of an Administration blinded by ideology and of a President whose decisions have made the world a more dangerous place for America.
On April 28, 2004, 60 Minutes II broadcast the now-infamous photos of prisoner abuse by American soldiers at Abu Ghraib. The news quickly spread worldwide, undermining the U.S. presence in Iraq. Despite several Department of Defense investigations and eleven courts-martial convictions, important questions remain about the events at Abu Ghraib. Who are these soldiers? How involved were top administration officials and army generals in the abuses? Were the soldiers simply following orders? Do these photographs depict a new American interrogation policy? Christopher Graveline and Michael Clemens provide the answers. No one has investigated the true story behind the events at Abu Ghraib as thoroughly as the authors. Only six people had complete knowledge of the Abu Ghraib investigation and prosecutions; Graveline and Clemens are two of them. They give readers unprecedented access to the inner workings of the investigation leading to the trials of PFC Lynndie England, Cpl. Charles Graner, and others. Complete with actual arguments of counsel, testimony, and evidence, this groundbreaking book puts the reader in the middle of the investigation and the subsequent trials, revealing one of the darker episodes in American military history.
In 2003, Iraqi prisoners were beaten, stripped naked, confined in small spaces, tortured, sexually humiliated, & abused by U.S. personnel at Abu Ghraib (AG), a prison near Baghdad. The abuse was kept hidden until photos of the victims & their tormentors were released. Several invest. into the scandal described what they found at AG as brutality & purposeless sadism.Ó This book reveals the truth about what happened at AG, who is responsible, & what can be done about it. Includes: Excerpts from the official AG Report, analyzing the events leading up to the abuses & their consequences; excerpts from the Jones/Fay Invest., detailing specific abuses in graphic detail; photos that led to the invest.; & key documents, incl. official mil. interrogation policies. Photos.
A man questions everything--his faith, his morality, his country--as he recounts his experience as an interrogator in Iraq; an unprecedented memoir and "an act of incredible bravery" (Phil Klay) "Remarkable... Both an agonized confession and a chilling expose of one of the darkest interludes of the War on Terror. Only this kind of courage and honesty can bring America back to the democratic values that we are so rightfully proud of." --Sebastian Junger Consequence is the story of Eric Fair, a kid who grew up in the shadows of crumbling Bethlehem Steel plants nurturing a strong faith and a belief that he was called to serve his country. It is a story of a man who chases his own demons from Egypt, where he served as an Army translator, to a detention center in Iraq, to seminary at Princeton, and eventually, to a heart transplant ward at the University of Pennsylvania. In 2004, after several months as an interrogator with a private contractor in Iraq, Eric Fair's nightmares take new forms: first, there had been the shrinking dreams; now the liquid dreams begin. By the time he leaves Iraq after that first deployment (he will return), Fair will have participated in or witnessed a variety of aggressive interrogation techniques including sleep deprivation, stress positions, diet manipulation, exposure, and isolation. Years later, his health and marriage crumbling, haunted by the role he played in what we now know as "enhanced interrogation," it is Fair's desire to speak out that becomes a key to his survival. Spare and haunting, Eric Fair's memoir is both a brave, unrelenting confession and a book that questions the very depths of who he, and we as a country, have become.
The Crisis That Rocked a Country and a Company... In April 2004, an illegally leaked U.S. Army report thrust CACI, an information technology company, into the international spotlight by casting suspicion on a CACI employee for being "either directly or indirectly responsible" for the mistreatment of detainees at Abu Ghraib prison in Iraq. At the same time, pictures from the abuses were shown on national television and tarnished anyone associated with Abu Ghraib--including CACI. What ensued was a media frenzy rarely seen by any company in recent decades. The media twisted the unsupported allegations into a guilty verdict without regard for the facts or the truth, creating a damning public perception of CACI. Our Good Name recounts how CACI battled to defend itself against erroneous and malicious reports by a rampaging media, how it responded to the wide-ranging government investigations, and how it overcame misplaced anger and criticism that put the company's dedicated employees and excellent reputation--even it's future--at risk. Our Good Name is CACI's story of facing one of the biggest scandals in recent history...and coming out honorably with its head high.
The line between punishment and torture can be razor-thin—yet the entire world agreed that it was definitively crossed at Abu Ghraib. Or perhaps not. George W. Bush won a second term in office only months after the Abu Ghraib scandal was uncovered, and only the lowest-ranking U.S. soldiers involved in the scandal have been prosecuted. Where was the public outcry? Stephen Eisenman offers here an unsettling explanation that exposes our darkest inclinations in the face of all-too-human brutality. Eisenman characterizes Americans’ willful dismissal of the images as “the Abu Ghraib effect,” rooted in the ways that the images of tortured Abu Ghraib prisoners tapped into a reactionary sentiment of imperialist self-justification and power. The complex elements in the images fit the “pathos formula,” he argues, an enduring artistic motif in which victims are depicted as taking pleasure in their own extreme pain. Meanwhile, the explicitly sexual nature of the Abu Ghraib tortures allowed Americans to rationalize the deeds away as voluntary pleasure acts by the prisoners—a delusional reaction, but, The Abu Ghraib Effect reveals, one with historical precedence. From Greek sculptures to Goya paintings, Eisenman deftly connects such works and their disturbing pathos motif to the Abu Ghraib images. Skillfully weaving together visual theory, history, philosophy, and current events, Eisenman peels back the political obfuscation to probe the Abu Ghraib images themselves, contending that Americans can only begin to grapple with the ramifications of torture when the moral detachment of the “Abu Ghraib effect” breaks down and the familiar is revealed to be horribly unfamiliar.