A gruesome murder with no clues or motives will shake a community to its core. Devon, 1319. Merchants from all over England and beyond are drawn to Tavistock’s famous fair. Wealthy visitors may be a tempting target for cut-purses, but no one expects a murder, let alone a headless corpse... Newly arrived in town, Sir Baldwin Furnshill, Keeper of the King’s Peace, and Simon Puttock, Bailiff of Lydford Castle, are asked by the Abbot to investigate. But where can they start when the corpse itself is unidentifiable? With the town awash with rumours, and no shortage of suspicious strangers, can Simon and Baldwin unravel this complex web of mystery? The continuation of the bestselling historical mystery series from master Michael Jecks, perfect for fans of Rory Clements, S. J. Parris and Susanna Gregory. Praise for Michael Jecks ‘Utterly enthralling’ Karen Maitland 'Marvellously portrayed' C. J. Sansom 'Michael Jecks is the master of the medieval whodunnit' Robert Low
The knights templar They were warrior monks, dedicated to the protection of pilgrims in the Holy Land -- until an avaricious king savagely destroyed the order. One knight, however, escaped the stake, vowing justice for his murdered brothers. A gathering of evil With scores of merchants streaming into Devon to participate in the Tavistock fair of 1319, a goodly amount of unlawful activity is expected. No one, however, anticipates a murder. The guests of Abbot Robert Champeaux, former Knight Templar Sir Baldwin Furnshill and Simon Puttock, bailiff of Lydford, have been asked by their host to investigate the grisly discovery of a headless corpse by a local butcher. Hunting a killer in the din and bustle of the fair could prove a daunting task, especially with the victim's identity a mystery. But Sir Baldwin and Simon are determined to unravel the complex weave of intrigue, rage, and violence that has brought death to Tavistock -- even if it means courting their own destruction.
In November 1382, the month of the dead, Abbess Hildegard rides out for York from the Abbey of Meaux. This is no ordinary journey—it is a time of rival popes, a boy king, and a shaky peace in the savage aftermath of Wat Tyler's murder—and Hildegard has embarked on a perilous mission to try to secure the future of her priory. Traveling alone, she discovers danger, encountering first a gibbet with five bloodied corpses and then the body of a youth, brutally butchered. Who was the boy, how was he connected to the men hanging from the gibbet, and what do these gruesome deaths mean? Hildegard is determined to uncover the truth, no matter how terrible it may be. When even her childhood home, Castle Hutton, turns out not to be a safe haven from murder, Hildegard realizes she will have to summon all of her courage and wisdom to counter the dark forces that threaten her friends and family as well as her country.
The first thrilling instalment in a legendary historical adventure series. Paris, 1307. The Knights Templar have been destroyed by Pope Clement, having been persuaded by a jealous king that they are corrupt devil worshippers. There is one survivor – a knight who swears vengeance. Devon, 1316. A charred body is discovered in a burned-out cottage, and newly appointed Bailiff, Simon Puttock, believes it to be accidental. Until the new master of the local manor, Sir Baldwin Furnshill, deduces that they were dead before the fire began. With the assistance of the astute yet strangely reticent knight, Simon begins to piece together the events of the man’s last days. Then word comes of another, far more sinister murder – for in this case, the victim was undoubtedly burned alive. Are the two incidents connected, and will the killer strike again? An absolutely sensational historical mystery by a true master of the genre, ideal for fans of S. J. A. Turney, K. M. Ashman and Bernard Cornwell. Praise for Michael Jecks 'Marvellously portrayed' C. J. Sansom 'Michael Jecks is the master of the medieval whodunnit' Robert Low 'The most wickedly plotted medieval mystery novels' The Times
Lupravia is a cursed land, haunted by the spirits of the restless dead. Peasants struggle daily with survival, living in constant fear of attacks from ravenous wild beasts. Only the foolhardy or insane would willingly pass beyond its borders and enter that benighted realm of predators.
A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.
Montague Rhodes James OM, MA, FBA (1 August 1862 – 12 June 1936), who used the publication name M. R. James, was an English author, medievalist scholar and provost of King's College, Cambridge (1905–1918), and of Eton College (1918–1936). He is best remembered for his ghost stories, which are regarded as among the best in the genre. James redefined the ghost story for the new century by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. However, James's protagonists and plots tend to reflect his own antiquarian interests. Accordingly, he is known as the originator of the "antiquarian ghost story".James was born in Goodnestone Parsonage, near Dover in Kent, England, although his parents had associations with Aldeburgh in Suffolk. From the age of three (1865) until 1909 his home, if not always his residence, was at the Rectory in Great Livermere, Suffolk. This had also been the childhood home of another eminent Suffolk antiquary, "Honest Tom" Martin (1696–1771) "of Palgrave." Several of his ghost stories are set in Suffolk, including "'Oh, Whistle, and I'll Come to You, My Lad'" (Felixstowe), "A Warning to the Curious" (Aldeburgh), "Rats" and "A Vignette" (Great Livermere). He lived for many years, first as an undergraduate, then as a don and provost, at King's College, Cambridge, where he was also a member of the Pitt Club. The university provides settings for several of his tales. Apart from medieval subjects, James studied the classics and appeared very successfully in a staging of Aristophanes' play The Birds, with music by Hubert Parry. His ability as an actor was also apparent when he read his new ghost stories to friends at Christmas time.In September 1873 he arrived as a boarder at Temple Grove School, one of the leading boys' preparatory schools of the day.James is best known for his ghost stories, but his work as a medievalist scholar was prodigious and remains highly respected in scholarly circles. Indeed, the success of his stories was founded on his antiquarian talents and knowledge. His discovery of a manuscript fragment led to excavations in the ruins of the abbey at Bury St Edmunds, West Suffolk, in 1902, in which the graves of several twelfth-century abbots described by Jocelyn de Brakelond (a contemporary chronicler) were rediscovered, having been lost since the Dissolution. His 1917 edition of the Latin Lives of Saint Aethelberht, king and martyr (English Historical Review 32), remains authoritative.He catalogued many of the manuscript libraries of the Cambridge colleges. Among his other scholarly works, he wrote The Apocalypse in Art, which placed illuminated Apocalypse manuscripts into families. He also translated the New Testament Apocrypha and contributed to the Encyclopaedia Biblica (1903). His ability to wear his learning lightly is apparent in his Suffolk and Norfolk (Dent, 1930), in which a great deal of knowledge is presented in a popular and accessible form, and in Abbeys (Great Western Railway, 1925).James also achieved a great deal during his directorship of the Fitzwilliam Museum in Cambridge (1893–1908). He managed to secure a large number of important paintings and manuscripts, including notable portraits by Titian.James was Provost of Eton College from 1918 to 1936. He died in 1936 and was buried in Eton town cemetery.
