Fifty-five years after the end of the Second World War, the Hymers family moved into a 1940s house in Kent under the skies where the Battle of Britain was fought. The family experienced many different aspects of life on the home front. Juliet Gardiner draws on the letters and diaries of many home front veterans as well as the experiences of the Hymer family to create a unique insight into life in Britain during the Second World War.
The most popular 1940s clothing styles were available in patterns for the home seamstress. Companies like Advance, Butterick, McCall and others marketed their patterns to housewives with beautifully illustrated envelopes featuring everything from couture to everyday workclothes, ensembles, sportswear, lingerie, and more. Collectible in themselves, these illustrations also document an era of fashion design.
“ The 1940s House Activity Book” aims to be an engaging and inspiring approach to the history of the 1940s for children and about children, with a wide range of activities through which they can learn about life in Britain during World War II.
The 1940s marked a period of transition in interior design: the quarrel between ancient and modern was outdated, the combination of function and art was essential, and interior designers were more focused on new creations rather than on post-war reconstruction. The style of this period exhibits all the contradictions that arise from a society that was in a general state of shock, unsure of what the future would hold. Exemplary cabinet making marks the period, featuring famous names like T.H. Robsjohn-Gibbing and George Nelson from the United States. In France, Adnet, Arbus, Dominique, Kohlmann, Jallot, and Leleu produced sumptuous ensembles, with beautiful detailing. "Furniture and Interiors of the 1940s" features the work of numerous designers in 300 archival images and recent color photographs that shed new light on this transitional period in design, as it evolved both in Europe and in the United States.
In Home Front and Beyond, Susan Hartmann has combined research into popular media, government reports and private paper, to reconstruct the changing pattern of women's lives in this decade.
During the Second World War, American architecture was in a state of crisis. The rationing of building materials and restrictions on nonmilitary construction continued the privations that the profession had endured during the Great Depression. At the same time, the dramatic events of the 1930s and 1940s led many architects to believe that their profession--and society itself--would undergo a profound shift once the war ended, with private commissions giving way to centrally planned projects. The magazine Architectural Forum coined the term "194X" to encapsulate this wartime vision of postwar architecture and urbanism. In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture and consumer culture. Challenging the pervasive idea that corporate capitalism corrupted the idealism of modernist architecture in the postwar era, 194X shows instead that architecture's wartime partnership with corporate American was founded on shared anxieties and ideals. Business and architecture were brought together in innovative ways, as shown by Shanken's persuasive reading of magazine advertisements for Revere Copper and Brass, U.S. Gypsum, General Electric, and other companies that prominently featured the work of leading progressive architects, including Louis I. Kahn, Eero Saarinen, and Walter Gropius. Although the unexpected prosperity of the postwar era made the architecture of 194X obsolete before it could be built and led to its exclusion from the story of twentieth-century American architecture, Shanken makes clear that its anticipatory rhetoric and designs played a crucial role in the widespread acceptance
First published in 1945, this book is a compendium of advice across a myriad of subjects for the post-war woman, wife and mother. By times hilarious, by times disconcerting but always entertaining, it offers bite-sized ampoules of advice on the subjects of house, health, beauty and dress.Press for The Homecraft BookThe Examiner: "a handbook for saving the planet""you'll have the price of the book paid back in no time""a right good read"Woman's Way"Vintage advice"The Irish Times Online Book Reviews"Think life was easier in 1945? ... discover a world of congested scalps, swollen knuckles and furred kettles"Today with Sean O'Rourke, RTE Radio 1"Fascinating and Fun""I love this woman's approach""I was really impressed...the more I read, the more I enjoyed it.""Some of the ideas really did work.""She holds her own""simple but ingenious""entertaining and great fun to try them out"
This book analyses the expansion of Chicago's Black Belt during the period immediately following World War II. Even as the civil rights movement swept the country, Chicago dealt with its rapidly growing black population not by abolishing the ghetto, but by expanding and reinforcing it. The city used a variety of means, ranging from riots to redevelopment, to prevent desegregation. The result was not only the persistence of racial segregation, but the evolution of legal concepts and tools which provided the foundation for the nation's subsequent urban renewal effort and the emergence of a ghetto now distinguished by government support and sanction. This book not only extends our knowledge of the evolution of race relations in urban America, but adds a new dimension to our perspective on the civil rights era - an age marked by the rise of Martin Luther King, Jr. and the explosion of northern cities in the wake of his assassination.
