Artist/writer Michael Golden is one of the most respected creators in the comic-book industry, the influence behind generations of artists. He visualizes the finished page completely in his head before he begins--as if those images had been there always, waiting to be freed. For Golden, "excess" defines a mind that can form every fold and nuance of a character without being overwhelmed by the frenzy. Like Michaelangelo creating a sculpture, Michael Golden chips away the excess to reveal the artwork within.
Published by Skira Rizzoli in association with Peter Freeman, Inc. Catherine Murphy has been celebrated as a representational painter of exceptional precision, and this, her first monograph, Catherine Murphy, surveys her complete work, which unites American Minimalism and American naturalist painting. Murphy has evolved a style that combines obsessive authenticity with Minimalist rigor. From the shaded lawns of the New Jersey suburbs to the Massachusetts woods, from childhood interiors to self-portraits and detailed images of buttons and dust, carpeted stairs, or a stuccoed ceiling, Murphy always paints and draws from life, often the domestic and quotidian. John Yau notes in his introduction that, “her attachment to the commonplace is not just amatter of convenience, of painting and drawing what she can see from her window or inside herapartment. In her choice of subjects—and I am speaking here of Murphy’s entire career, which stretches across five decades—the artist has made a conscious decision to stay true to both what she could observe and to her own working-class background, and the aesthetic choices that people of that milieuare constantly making, from illustrated calendars and inexpensive objets d’art to wallpaper andrefrigerator magnets.”
This beautifully illustrated book looks at printmaking from 1550 to the last days before mechanization in the 1860s, explaining the process and technique involved and the fantastic results achieved by early printers.
Philosopher, literary critic, translator (of Nietzsche and Benjamin), Philippe Lacoue-Labarthe is one of the leading intellectual figures in France. This volume of six essays deals with the relation between philosophy and aesthetics, particularly the role of mimesis in a metaphysics of representation. Comment [1997] "Typography is a book whose importance has not diminished since its first publication in French in 1979. On the contrary, I would say, it is only now that one can truly begin to appreciate the groundbreaking status of these essays. The points it makes, the way it approaches the questions of mimesis, fictionality, and figurality, is unique. There are no comparable books, or books that could supersede it." Rudolphe Gasché, State University of New York, Buffalo "Lacoue-Labarthe's essays still set the standards for thinking through the problem of subjectivity without simply retreating behind insights already gained. But this book is much more than a collection of essays: it constitutes a philosophical project in its own right. Anybody interested in the problem of mimesiswhether from a psychoanalytic, platonic, or any other philosophical anglecannot avoid an encounter with this book. Lacoue-Labarthe is a philosopher and a comparatist in the highest sense of the word, and the breadth of his knowledge and the rigor of his thought are exemplary." Eva Geulen, New York University Review "In demonstrating how mimesis has determined philosophical thought, Lacoue-Labarthe provokes us into reconsidering our understanding of history and politics. . . . Together with the introduction, these essays are essential reading for anyone interested in Heidegger, postmodernism, and the history of mimesis in philosophy and literature." The Review of Metaphysics