A large segment of the population struggles with feelings of being detached from themselves and their loved ones. They feel flawed, and blame themselves. Running on Empty will help them realize that they're suffering not because of something that happened to them in childhood, but because of something that didn't happen. It's the white space in their family picture, the background rather than the foreground. This will be the first self-help book to bring this invisible force to light, educate people about it, and teach them how to overcome it.
An unexpected obituary takes Cliff Hardy on a trip down memory lane to a case he's been trying to forget for twenty years: oil, fraud, boxing, racing - and murder. 'The godfather of Australian crime fiction.' One case still haunts Hardy Legendary PI Cliff Hardy has reached an age when the obituaries have become part of his reading, and one triggers his memory of a case in the late 1980s. Back then Sydney was awash with colourful characters, and Cliff is reminded of a case involving 'Ten-Pound Pom' Barry Bartlett and racing identity and investor Sir Keith Mountjoy. Bartlett, a former rugby league player and boxing manager, then a prosperous property developer, had hired Hardy to check on the bona fides of young Ronny Saunders, newly arrived from England, and claiming to be Bartlett's son from an early failed marriage. The job brought Hardy into contact with Richard Keppler, head of the no-rules Botany Security Systems, Bronwen Marr, an undercover AFP operative, and sworn adversary Des O'Malley. At a time when corporate capitalism was running riot, an embattled Hardy searched for leads - was Ronny Saunders a pawn in a game involving big oil and fraud on an international scale? Two murders raise the stakes and with the sinister figure of Lady Betty Lee Mountjoy pulling the strings, it was odds against a happy outcome.
An eyewitness account of the last major operation the Americans fought in Vietnam, focusing on the soldiers as individuals and on the previously neglected aspects of the battles that were not reported by the press
An editor at This American Life reveals the searing story of the secret binge-eating that dominated her adolescence and shapes her still. “Her tale of compulsion and healing is candid and powerful.”—People NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE For almost thirty years, Susan Burton hid her obsession with food and the secret life of compulsive eating and starving that dominated her adolescence. This is the relentlessly honest, fiercely intelligent story of living with both anorexia and binge-eating disorder, moving past her shame, and learning to tell her secret. When Burton was thirteen, her stable life in suburban Michigan was turned upside down by her parents’ abrupt divorce, and she moved to Colorado with her mother and sister. She seized on this move west as an adventure and an opportunity to reinvent herself from middle-school nerd to popular teenage girl. But in the fallout from her parents’ breakup, an inherited fixation on thinness went from “peculiarity to pathology.” Susan entered into a painful cycle of anorexia and binge eating that formed a subterranean layer to her sunny life. She went from success to success—she went to Yale, scored a dream job at a magazine right out of college, and married her college boyfriend. But in college the compulsive eating got worse—she’d binge, swear it would be the last time, and then, hours later, do it again—and after she graduated she descended into anorexia, her attempt to “quit food.” Binge eating is more prevalent than anorexia or bulimia, but there is less research and little storytelling to help us understand it. In tart, soulful prose Susan Burton strikes a blow for the importance of this kind of narrative and tells an exhilarating story of longing, compulsion and hard-earned self-revelation.
It's amazing how heavy the weight of emptiness can feel, how much room it can take up in our souls, how much pain can be caused by something that isn't even there.But while we may see the emptiness of our lives as our greatest problem, that's not how God sees it. When God looks into the empty places of our lives, He sees His greatest opportunity. God does His best work in the emptiness of our . . . Insatiable craving for things that don't satisfy Relational disappointments and loneliness Frustrated search for purpose and meaning Relentless desire for comfort and security Ongoing struggle to live with loss and unfulfilled dreams Join Nancy Guthrie in discovering why emptiness has never been, and never will be, a problem to God. As Nancy pulls back the curtain on God's work to fill up emptiness as revealed throughout the Bible, you'll experience page after page of grace and hope that your emptiness can and will be filled. You'll begin to see that God really does do His best work with empty--as he fills it with Himself.
That Empty Feeling is the true story of a desperate rescue attempt launched into the Truong Son Mountain range in Laos, Southeast Asia. The year was 1967 and the mission to search for, return and recover an American led reconnaissance patrol (9 men) that had been secretly ordered to monitor any activity North Vietnam was conducting on or near the Ho Chi Minh Trail. The patrol had been compromised soon after their helicopter insertion into neutral Laos. The primary agency charged with the search and rescue mission (S.A.R.) was a little known cousin of the CIA and was in fact financed by that group. SOG, or studies and observation group, was a Special Forces Green Beret led and trained project. The Special Forces bolstered their patrols with trained mercenaries, in this case soldiers with Cambodian roots. During the course of the rescue mission the Special Forces were joined by U.S. Air Force assets, Vietnamese air assets (V.N.A.F.), U.S. Army helicopters and U.S.M.C. attack helicopters. This combined force was unique and made for a complex and complicated mission. Both American air and ground units were opposed by a well-trained and numerically superior North Vietnamese Army dedicated to eliminating all opposition on or near the Ho Chi Minh Trail. The two adversaries locked horns and neither could disengage. At one point the American rescue team needed to be rescued. Acts of heroism resulted in many awards being bestowed including the Congressional Medal of Honor, Purple Hearts, Air Force Crosses, Silver Stars and more. The American public was never made privy to the circumstances of U.S. deaths and injuries. Families of the American casualties in Laos and Cambodia were either lied to or misled. Much information regarding American activity in Laos and Cambodia was purposely destroyed prior to the conclusion of the war. SOG participants and those that supported SOG agreed to be interviewed by the author and provided many hours of anecdotes from their memories. These interviews provided the basis for That Empty Feeling. Green Beret officers, army sergeants, highly educated U.S.A.F. pilots and others shared their personal views and opinions concerning their participation in the mission. In addition, many indicated they had struggled with the effects the mission had on their psyche and the inability they had to come to grips with both their heroism and their failure to completely win the day.(Surprisingly several recalled humorous events and conversations that occurred under the most stressful situations.) Remains of those not recovered despite several opportunities by combatants and recent forensic attempts remain somewhere in Laos on the battlefield and unlikely to ever be returned. The book had no clear cut winner or loser, just the reflections of those that saw this as the source of emptiness.
What happens after we die? _x000D_ _x000D_ Author and award winning filmmaker Richard Martini explores startling new evidence for life after death, via the "life between lives," where we reportedly return to find our loved ones, soul mates and spiritual teachers. Based on the evidence of thousands of people who claim that under deep hypnosis, they saw and experienced the same basic things about the Afterlife, the book documents interviews with hypnotherapists around the world trained in the method pioneered by Dr. Michael Newton, as well as examining actual between life sessions. The author agrees to go on the same journey himself, with startling and candid results, learning we are fully conscious between our various incarnations, and return to connect with loved ones and spiritual soul mates, and together choose how and when and with whom we'll reincarnate. Martini examines how "Karmic law" is trumped by "Free will," with souls choosing difficult lives in order to learn from their spiritually; no matter how difficult, strange or complex a life choice appears to be, it was made in advance, consciously, with the help of loved ones, soul mates and wise elders. Extensively researched, breathtaking in scope, "Flipside" takes the reader into new territory, boldly going where no author has gone before to tie up the various disciplines of past life regression. near death experiences, and between life exploration. In the words of author Gary Schwartz, Phd, once you've read "Flipside" "you'll never see the world in the same way again."_x000D_ _x000D_ Praise for Flipside:_x000D_ _x000D_ "Richard has written a terrific book. Insightful, funny, provocative and deep; I highly recommend it!" - Robert Thurman, author of Why the Dalai Lama Matters_x000D_ _x000D_ “Inspiring, well written and entertaining. The kind of book where once you have read it, you will no longer be able to see the world in the same way again.” - Gary E. Schwartz, author of The Sacred Promise_x000D_ _x000D_ "Everyone should have a Richard Martini in their life." - Charles Grodin, author of If I Only Knew Then... What I Learned From Mistakes
How to Empty Your Stress Bucket is not like any other self-help book. It teaches you recognise where your negative thoughts and feelings originate. Master this technique and you'll be able to feel more empowered to eliminate stress forever.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.
