Textual Vision
Textual Vision

Author: Timothy Erwin

Publisher: Rowman & Littlefield

Published: 2015-03-06

Total Pages: 311

ISBN-13: 1611485703

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A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.

Visions in a Seer Stone
Visions in a Seer Stone

Author: William L. Davis

Publisher: UNC Press Books

Published: 2020-04-08

Total Pages: 265

ISBN-13: 1469655675

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In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.

Troubled Vision
Troubled Vision

Author: E. Campbell

Publisher: Springer

Published: 2016-04-30

Total Pages: 242

ISBN-13: 1137114517

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Troubled Vision is an interdisciplinary collection of essays that explores the interface between gender, sexuality and vision in medieval culture. The volume represents an exciting array of scholarship dealing with visual and textual cultures from the Eleventh to the Fifteenth centuries. Bringing together a range of theoretical approaches that address the troubling effects of vision on medieval texts and images, the book mediates between medieval and modern constructions of gender and sexuality. Troubled Vision focuses thematically on four central themes: Desire, looking, representation and reading. Topics include the gender of the gaze, the visibility of queer desires, troubled representations of gender and sexuality, spectacle and reader response, and the visual troubling of modern critical categories.

The Textual Condition
The Textual Condition

Author: Jerome J. McGann

Publisher: Princeton University Press

Published: 2020-09-01

Total Pages: 228

ISBN-13: 0691217750

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Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.

Vision and Textuality
Vision and Textuality

Author: Stephen W. Melville

Publisher: Duke University Press

Published: 1995

Total Pages: 418

ISBN-13: 9780822316442

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The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. Vision and Textuality brings together essays by many of the most influential scholars in the field--both young and more established writers from the United States, England, and France--to address the emergent terms and practices of contemporary art history. With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt's Danae to Jorge Immendorf's Café Deutschland, from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin's novel Caleb Williams. Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors' general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities. Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg

Textual Cacophony
Textual Cacophony

Author: Daniel Johnson

Publisher: Cornell University Press

Published: 2023-10-15

Total Pages: 221

ISBN-13: 1501772279

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Textual Cacophony explores the behaviors and routines of communication within anonymous internet culture in Japan. Focusing on the video sharing website Niconico, social media aggregation sites, and the notorious 2channel message board, Daniel Johnson uncovers these sites' complex cultures of writing that obscure meaning through playful and opaque forms of deviant script and overwhelming waves of text. Those practices conflate language with images, meaning with play, and confound individual representation with aggregate forms of social identity. Johnson argues that online media cultures in and around Japan are entwined with a cultural logic and visual syntax of cacophony that expresses ambivalence toward representation, media form, and distinct experiences of time. This aesthetic of cacophony provides an alternative way of expressing social identity and belonging, with an unmarked sense of anonymity providing a counter-form to the dissolving institutions and relationships of neoliberal Japan. Textual Cacophony investigates what it means and feels like to participate in this influential online culture.

Dante and the Dynamics of Textual Exchange
Dante and the Dynamics of Textual Exchange

Author: Jelena Todorović

Publisher: Fordham Univ Press

Published: 2016-03-01

Total Pages: 327

ISBN-13: 0823270246

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Dante and the Dynamics of Textual Exchange is the first book-length study to explore the question of poetry and genre in Dante’s Vita Nova (ca. 1292–1294). In paying particular attention to complex and multifaceted interactions between different cultures in Italy in the thirteenth century, this study illuminates the multicultural and plurilinguistic society transitioning from the feudal court to the modern city-state, advanced by the rising mercantile class. Working at the intersection of textual, material, and cultural elements, this study complements the current state of scholarship by providing information and answers informed by an in-depth analysis of the manuscript culture and its role in the birth and development of European vernacular traditions. Furthermore, Dante and the Dynamics of Textual Exchange expands the literature’s understanding of the dynamics between a text and its material support by looking at this relationship within a broader framework of intercultural exchange, which suggests an increased dynamics and fluidity between cultures.

Textual Rivalries
Textual Rivalries

Author: Gilad Elbom

Publisher: Fortress Press

Published: 2022-08-23

Total Pages: 221

ISBN-13: 1506481299

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One of the central claims thatTextual Rivalries makes is that the Kabbalah is often mislabeled as mysticism. Demystifying kabbalistic thought, Gilad Elbom treats it as a logical and consistent framework that promotes a new understanding of human-divine relations, social and psychological mechanisms, and the very idea of biblical interpretation. As such, the kabbalistic tradition becomes an early semiotic model that foreshadows modern modes of thinking, reading, and meaning-making. At its core, Textual Rivalries probes the ways in which assigning surprising roles to familiar signifiers is achieved through an intertextual reading of the Hebrew Bible, the New Testament, and midrash, including classical rabbinic literature and inventive kabbalistic texts. Divided into five major narratives, Textual Rivalries explores the various transformations and configurations of Adam and Eve, Cain and Abel, Moses and Jethro, Jesus and Paul, the male and female aspects of the divine system, and other key characters. Rather than a set of tried-and-true statements about an existing reality, the Bible, as Elbom shows, is a perpetually creative sign system that produces multiple meanings and generates new realities. In theological terms, the text is as continuously creative and just as imaginative as God. In many cases, the Kabbalah embodies innovative methods of biblical interpretation common to both Jewish and Christian theology. According to Kabbalistic thought, biblical interpretation itself contributes to the gradual repair of an imperfect world and functions as a major factor in the ongoing search for more profound definitions of God, language, history, and humanity.

Textual Patterns and Cosmic Designs in Early China
Textual Patterns and Cosmic Designs in Early China

Author: Benoît Vermander

Publisher: Taylor & Francis

Published: 2024-05-30

Total Pages: 217

ISBN-13: 1040010083

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Via a hermeneutics focused on Chinese numerology and concentric arrangements, this book offers a novel construal of the textual universe proper to early China writings. The author lays bare distinguishable patterns of textual composition while relating them to corresponding patterns of thinking. He differentiates rhetorical variants through detailed studies of the Zhuangzi’s Inner chapters, the Laozi, the Analects, and the Huainanzi. The philosophical depth and relevance of the Chinese ancient worldview appear in a fresh light when one unearths the patterns into which its content is embedded. The focus on textual patterns and rhetorical arrangements also facilitates the reading of Chinese classics alongside other traditions. The book will be a valuable reference for scholars and graduate students studying Chinese literary criticism, Chinese philosophy, and comparative philosophy.

Textual Layering
Textual Layering

Author: Maria Margaroni

Publisher: Lexington Books

Published: 2017-02-27

Total Pages: 322

ISBN-13: 1498501346

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Textual Layering: Contact, Historicity, Critique sets out to rethink our relation to textual tradition against the background of several contemporary developments, including the emergence of digital culture, the increasing spectacularization of psychic as well as social life, the renegotiation of historical thinking, and the precarious position of the theoretical humanities within academia. To this end, the volume re-invests the concept of “layering,” a concept currently used in a wide range of fields, including metaphor studies and linguistics, cybernetics, the social sciences, art, and architecture. Drawing on existing definitions of “layering,” the chapters in this book return to and re-appraise some of the most crucial concerns in the post-1960s theoretical scene: that is, concerns over the strained interplay between writing and the body; textuality and history; critique, différance and the feminine; memory, trace, and the immemorial. The aim of the diverse—often polemical—analyses carried out in this volume is to reactivate the critical force of textual tradition today through a renewed appreciation of its historical embeddedness, its libidinal sources, as well as its complex economy of separation and contact, diachronicity and synchronicity, (re)layering and de-layering. This collection will be of interest to scholars of continental philosophy, literary theory, gender studies, architecture, film and visual culture studies, psychoanalysis, postmodernism, post-colonial studies, and political and social theory.