How to Be Creative in Textile Art

How to Be Creative in Textile Art

Author: Julia Triston

Publisher: Batsford Books

Published: 2013-10-18

Total Pages: 370

ISBN-13: 1849941459

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It's a question asked by many budding textile artists: how can I be more creative? You've got a few ideas and know some techniques, but you're not sure how to get started or make your work hang together. This book shows you how. It explains the creative process from the very beginning: where to find inspiration and how to harness those ideas; how to gather source material; how to pull together what you have. The authors then take you on a journey to develop a design. Learn how to put elements together to make a cohesive whole and develop a theme, learning established design rules along the way. Part Three, Moving into Stitch, gives you a range of techniques and easy experiments with which to turn your design into stitched-textile work. From choosing what fabrics to use, to layering, creating texture and adding embellishment, it covers the key techniques to try. This is a terrific book for those starting out in textiles who really do want to be as creative as they can possibly be.


Patterned Splendour

Patterned Splendour

Author: Lesley Pullen

Publisher: ISEAS-Yusof Ishak Institute

Published: 2021-03-02

Total Pages: 328

ISBN-13: 9814881856

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There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.


Fray

Fray

Author: Julia Bryan-Wilson

Publisher: University of Chicago Press

Published: 2021-02

Total Pages: 335

ISBN-13: 0226077829

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In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.


Vitamin T: Threads and Textiles in Contemporary Art

Vitamin T: Threads and Textiles in Contemporary Art

Author: Phaidon Editors

Publisher: Phaidon Press

Published: 2019-04-03

Total Pages: 0

ISBN-13: 9780714876610

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A global survey of more than 100 artists, chosen by art-world professionals for their work with threads, stitching, and textiles Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, Vitamin T is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.


Textile Art of the Bakuba

Textile Art of the Bakuba

Author: Sam Hilu

Publisher: Schiffer Craft

Published: 2003

Total Pages: 202

ISBN-13:

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Coveted by museum curators and private collectors alike, these striking velvety embroidered raffia cloths and ceremonial appliqu skirts were created deep in the heart of the Congo by the Kuba people. The intricate, eye-dazzling abstract designs, executed in an appealing palette of vegetal dyes, have inspired innumerable artists and designers including Paul Klee, Henry Matisse, Eduardo Chillida, Georges Braque, and Tristan Tzara. A value guide makes it an invaluable reference for collectors.


Poetic Cloth

Poetic Cloth

Author: Hannah Lamb

Publisher: Rizzoli Publications

Published: 2019-08-22

Total Pages: 0

ISBN-13: 1849945365

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A guide to creating beautiful and meaningful textiles. Poetic cloth is about how cloth, stitch and surface create personal meaning in textile art. It shows how a more thoughtful use of material and process can create textiles of depth and meaning. Grounded in the key elements of the well-established author's work, the book begins with an introduction to materials, their properties and personal meanings. Subsequent chapters help the reader to explore the connection between process and material, focusing on stitch, print, surface manipulation and construction to create seductive textile surfaces. The emphasis throughout is on a sensitivity to material, a quiet attention to detail and thoughtful application of textile technique. The chapters are: Touch (cloth and swatch); Stitch (mark, surface and space); Trace (layer and shadow play); Fragment (worn, threadbare, cobweb); Mend (patch, seam, and darn); Lustre (alchemy and radiance). Techniques include hand stitch, shadow work, patching, darning, devoré and cyanotype printing. Written by member of the prestigious 62 Group Hannah Lamb, this is an invaluable book for textile artists who want to give more meaning to their work.