Terence: The woman of Andros. The self-tormentor. The Eunuch

Terence: The woman of Andros. The self-tormentor. The Eunuch

Author: Terence

Publisher:

Published: 2001

Total Pages: 470

ISBN-13:

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The six plays by Terence (d. 159 BC), all extant, imaginatively reformulate Greek New Comedy in realistic scenes and refined Latin. They include Phormio, a comedy of intrigue and trickery; The Brothers, which explores parental education of sons; and The Eunuch, which presents the most sympathetically drawn courtesan in Roman comedy.


Women Writing Antiquity

Women Writing Antiquity

Author: Helena Taylor

Publisher: Oxford University Press

Published: 2024-04-30

Total Pages: 305

ISBN-13: 0192697730

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Women Writing Antiquity argues that the struggle to define the female intellectual in seventeenth-century France lay at the centre of a broader struggle over the definition of literature and literary knowledge during a time of significant cultural change. As the female intellectual became a figure of debate, France was also undergoing a shift away from the dominance of classical cultural models, the transition towards a standardized modern language, the development of a national literature and literary canon, and the emergence of the literary field. This book explores the intersection of these phenomena, analyzing how a range of women constructed the female intellectual through their reception of Greco-Roman culture. Women Writing Antiquity offers readings of known and less familiar works from a diverse corpus of translators, novelists, poets, linguists, playwrights, essayists, and fairy tale writers, including Marie de Gournay, Madeleine de Scud?ry, Madame de Villedieu, Antoinette Deshouli?res, Marie-Jeanne L'H?ritier, and Anne Dacier. Challenging traditionally formalist and source-text orientated approaches, the study reframes classical reception in terms of authorial self-fashioning and professional strategy, and explores the symbolic value of Latin literacy to an author's projected identity. These writers used reception of Greco-Roman culture to negotiate the value attributed to different genres, the nature of poetics, the legitimacy of varied modes of authorship, the qualities and properties of French, and even how and by whom these topics might be debated. Women Writing Antiquity combines a new take on the literary history of the period with a retelling of the history of the figure of the 'learned woman'.


The Eunuch

The Eunuch

Author: Terence

Publisher:

Published: 2000

Total Pages: 213

ISBN-13: 9780856685132

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When first performed, The Eunuch was a great success. Today, with its larger-than-life characters (particularly the boastful soldier Thraso and the toady Gnatho), its farcical and exaggerated humour and its vigorous action, it strikes the modern reader as the funniest and most Plautine of Terence's six comedies. It is also a play of effective and entertaining contrasts, particularly that between the two brothers Phaedria and Chaerea. Their very different attitudes to love and romance provide one of the play's chief points of interest, while Thais presents yet another picture of love, that of the professional courtesan. The fact that Thais, Thraso and the slave Parmeno are not quite the stereotypes we might expect to find in this type of play adds yet more to an amusing and thought provoking comedy.


The Plays and Poems of Nicholas Rowe

The Plays and Poems of Nicholas Rowe

Author: Stephen Bernard

Publisher: Routledge

Published: 2020-06-14

Total Pages: 1484

ISBN-13: 1134980728

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Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. The first three volumes arrange his plays chronologically with the first volume presenting the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent; the second volume the middle plays, The Biter, Ulysses, and The Royal Convert; and the third volume his late period plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey. The subsequent volumes cover his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, and his own original poetry — which was often composed for specific occasions. Each volume contains a newly written explanatory introduction which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.


Tastes and Temptations

Tastes and Temptations

Author: John L. Varriano

Publisher: Univ of California Press

Published: 2009

Total Pages: 274

ISBN-13: 0520259041

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"John Varriano's book is not only a delightful read but draws fascinating parallels between two hitherto disparate fields: art history and the history of food in the Renaissance. Outstanding scholarship that opens whole new venues of inquiry."--Ken Albala, author of Eating Right in the Renaissance and Beans: A History "Art history and food history have traditionally been separate disciplines, parallel universes. In this book John Varriano makes a cosmic leap and lures the two into a stimulating, provocative, and always entertaining study--a tasting menu of gastronomic and visual delights."--Gillian Riley, author of The Oxford Companion to Italian Food "With wit and erudition, John Varriano shows us how broad cultural relationships can be drawn between the developments of Italian Renaissance art and the period's growing and changing interest in food. Enlightening and fascinating details greatly enhance our understanding of the roles that taste and temptation played in creating the early modern world."--David G. Wilkins, co-editor of History of Italian Renaissance Art "Appetites for palate and palette are both whetted in Varriano's urbane and thoroughly magisterial study. What could be more satisfying than to feast on food and art together at the same historic table?"--Patrick Hunt, author of Renaissance Visions