Ten Indian Classics showcases translations from a vast array of India’s literary traditions, Hindi, Kannada, Pali, Panjabi, Persian, Sanskrit, Telugu, and Urdu, with a foreword by the award-winning poet and translator Ranjit Hoskote. It is an invitation to explore classic literature that continues to shape modern South Asian culture and aesthetics.
Illustrations: B/w Illustrations Description: This book is a step-by-step practical guide to North Indian music. With the help of this book, the reader can understand the basic aspects of North Indian music and learn to appreciate it better. It describes the ten basic ra.gs of North Indian classical music. It also gives instructions on how to sing and how to play the musical instruments. This book describes the tonal patterns and the tonal embellishments. By following the practical exercises given in this book, you can train your voice, sing notes correctly, develop your own ability to improvise, and make your own tonal patterns. This book is your guide to creating and singing you own ra.g.
"Gopal, a naive Indian exchange student, goes to America to study chemical engineering. With his absurd notions of the country, Gopal encounters the travails of shopping in departmental stores, the hazards of bar-hopping and of learning the difference between friendship and love the hard way"--Back cover.
Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.
An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.
Los Angeles Times Book Prize Finalist: A “stellar collection” of stories about navigating life off the reservation, filled with laughter and heartbreak (People). In these lyrical, affectionate tales from the author of The Absolutely True Diary of a Part-Time Indian and The Lone Ranger and Tonto Fistfight in Heaven, characters navigate the crossroads of culture, battle stereotypes, and find themselves through everything from politics to basketball. Richard, the narrator of “Lawyer’s League,” grows up in Seattle, the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” A woman is caught in a restaurant when a suicide bomb goes off in “Can I Get a Witness.” And Estelle Walks Above (née Estelle Miller), studies her way off the Spokane Indian Reservation and goes on to both enjoy and resent the company of the white women of Seattle—who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality. These and the other “warm, revealing, invitingly roundabout stories” in Ten Little Indians run the gamut from earthy wit to sobering emotional truth, mapping the outer reaches of the human heart (The New York Times Book Review). From a New York Times–bestselling and National Book Award–winning author, these tales, “rambunctious and exuberant, bristle with an edgy and mordant humor” (Chicago Tribune). This ebook features an illustrated biography including rare photos from the author’s personal collection.
Check out this in depth history and guide to one of Americas oldest and most popular motorcycle manufactuer! As the dominant manufacturer for the first two decades of this century, the Indian Motorcycle Company is a staple in the history of American motorcycling. Because of this, Springfield, Massachusetts was at the hub of the international motorcycle scene. Between 1900 and 1917, when the United States entered World War I, about 150 domestic motorcycle companies came and went. Little more than a dozen remained in business following the war, and after the great depression of the 1930s only two American manufacturers had survived Indian and Harley-Davidson. This definitive chronicle of America's first motorcycle is an essential for any cycle aficionado. It features concise hardware histories of every model produced by the Indian Motorcycle Company from 1901 to the mid-1950s, when the company ceased production. Also included, is a unique color directory of the great motorcycles built by the celebrated Indian Motorcycle Company. Arranged chronologically, this superb reference work features special commissioned color photographs of all the landmark models that you won't want to miss!
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
