An outlaw falls for his beautiful prisoner--but soon it's unclear who is being held captive by whom. . . He was heir-apparent to a ranching fortune, but Rick Peralta craved freedom. He found it in his disguise as El Cazador, a notorious gunman with a fast flight, a fleet horse--and the company of a woman whenever he pleased. But when he sets eyes on Jennie McCaine among his compadres, there's only one woman he wants. The rancher's daughter may be sheltered, but he can see that Jennie has a free spirit to match his own. . . No fantasy of romance had yet rivaled Jennie's love for the wildness of the land. And when she's kidnapped by a gang of desperados, she swears she'll die before giving herself to any man. But there is something about the rugged El Cazador that captures her attention in way that thrills, frightens, and awakens her. Now she will have to decide whether to trust him, and herself. . .
A handsome earl and a beautiful seamstress are looking for answers. Both are willing to do what it takes to get them-even if it requires a little seduction. After the Earl of Lindley's search for the double agent who killed his family leads him to Miss Darshaw, he decides bedding her is the best way to get some answers...
An actress by trade, Julia St. Clement is playing her most dangerous role yet. She dresses as a man to warn Lord Anthony Rastmoor of a cruel plot against him. She still loves him, despite his betrayal years ago. Rastmoor believes that Julia is dead. But when Julia's actress "wife" disappears, Rastmoor and Julia must form an uneasy alliance. It's only a matter of time before he unmasks her-and there's no telling what will happen when he does.
Karen Abbott, the New York Times bestselling author of Sin in the Second City and “pioneer of sizzle history” (USA Today), tells the spellbinding true story of four women who risked everything to become spies during the Civil War. Karen Abbott illuminates one of the most fascinating yet little known aspects of the Civil War: the stories of four courageous women—a socialite, a farmgirl, an abolitionist, and a widow—who were spies. After shooting a Union soldier in her front hall with a pocket pistol, Belle Boyd became a courier and spy for the Confederate army, using her charms to seduce men on both sides. Emma Edmonds cut off her hair and assumed the identity of a man to enlist as a Union private, witnessing the bloodiest battles of the Civil War. The beautiful widow, Rose O’Neale Greenhow, engaged in affairs with powerful Northern politicians to gather intelligence for the Confederacy, and used her young daughter to send information to Southern generals. Elizabeth Van Lew, a wealthy Richmond abolitionist, hid behind her proper Southern manners as she orchestrated a far-reaching espionage ring, right under the noses of suspicious rebel detectives. Using a wealth of primary source material and interviews with the spies’ descendants, Abbott seamlessly weaves the adventures of these four heroines throughout the tumultuous years of the war. With a cast of real-life characters including Walt Whitman, Nathaniel Hawthorne, General Stonewall Jackson, detective Allan Pinkerton, Abraham and Mary Todd Lincoln, and Emperor Napoleon III, Liar, Temptress, Soldier, Spy draws you into the war as these daring women lived it. Liar, Temptress, Soldier, Spy contains 39 black & photos and 3 maps.
An exploration of popular culture and its influence on how we perceive the endless varieties of the sexualized human presentation of sex in everyday life. Holmberg presents a short history of the notion of popular culture and communication giving clear definitions and generous examples that illustrate the evolving portrayal of human sexuality.
An irreverent take on fairies for fans of Savvy and Ella Enchanted! Mellie has been trying, unsuccessfully, to live down the day she told her kindergarten class she had a fairy living in her bedroom. Years later, she is still teased. So when her parents inherit her grandfather's inn and their family moves to a new town, Mellie believes she'll leave all that fairy nonsense behind - only to discover that her family members have been fairy guardians for generations and the inn is overrun with small persons with wings (they hate to be called fairies). Before she knows it, the family and fairies are all facing an evil temptress in disguise who wants the fairy magic all for her own. Can Mellie set things right and save the day?
This groundbreaking study examines the vexed and unstable relations between the eighteenth-century novel and the material world. Rather than exploring dress's transformative potential, it charts the novel's vibrant engagement with ordinary clothes in its bid to establish new ways of articulating identity and market itself as a durable genre. In a world in which print culture and textile manufacturing traded technologies, and paper was made of rags, the novel, by contrast, resisted the rhetorical and aesthetic links between dress and expression, style and sentiment. Chloe Wigston Smith shows how fiction exploited women's work with clothing - through stealing, sex work, service, stitching, and the stage - in order to revise and reshape material culture within its pages. Her book explores a diverse group of authors, including Jane Barker, Jonathan Swift, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Charlotte Lennox, John Cleland, Frances Burney and Mary Robinson.