Television in the Streaming Era

Television in the Streaming Era

Author: Jean Chalaby

Publisher: Cambridge University Press

Published: 2023-04-06

Total Pages: 255

ISBN-13: 1009199315

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This book explores the value chain that underpins the TV industry and reveals how digital technologies are accelerating the global shift.


Must-stream TV

Must-stream TV

Author: Bri Mattia

Publisher:

Published: 2019

Total Pages: 96

ISBN-13:

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This thesis argues that two current and prevalent television industry shifts--the plethora of reboots and revivals on network television, and forthcoming studio-owned streaming services--are the result of the popularity of past series with audiences on streaming services. I first argue for a focus on the specifics of the series themselves, over the greater trend as a whole in order to determine the validity of these shifts. Approaching each series with the questions "Why then?" and "Why now?" this thesis examines two series from NBC's famous Must-See TV programming block, Friends (1994-2004) and ER (1994-2009), that have reemerged in popularity with the target 18-49-year-old audience due to their availability on streaming platforms Netflix and Hulu respectively. Through the analysis of data from two audience surveys, one of viewers of Friends on Netflix and one of viewers of ER on Hulu, I argue that while nostalgia plays a significant role in their appeal, understanding how each series is engaged with by its viewers is critical in answering to the validity of the industry response to their popularity.


TV Writing On Demand

TV Writing On Demand

Author: Neil Landau

Publisher: Taylor & Francis

Published: 2018-01-19

Total Pages: 314

ISBN-13: 135178420X

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TV Writing On Demand: Creating Great Content in the Digital Era takes a deep dive into writing for today’s audiences, against the backdrop of a rapidly evolving TV ecosystem. Amazon, Hulu and Netflix were just the beginning. The proliferation of everything digital has led to an ever-expanding array of the most authentic and engaging programming that we’ve ever seen. No longer is there a distinction between broadcast, cable and streaming. It’s all content. Regardless of what new platforms and channels will emerge in the coming years, for creators and writers, the future of entertainment has never looked brighter. This book goes beyond an analysis of what makes great programming work. It is a master course in the creation of entertainment that does more than meet the standards of modern audiences—it challenges their expectations. Among other essentials, readers will discover how to: Satisfy the binge viewer: analysis of the new genres, trends and how to make smart initial decisions for strong, sustainable story. Plus, learn from the rebel who reinvented an entire format. Develop iconic characters: how to foster audience alignment and allegiance, from empathy and dialogue to throwing characters off their game, all through the lens of authenticity and relatability. Create a lasting, meaningful career in the evolving TV marketplace: how to overcome trips, traps and tropes, the pros and cons of I.P.; use the Show Bible as a sales tool and make the most of the plethora of new opportunities out there. A companion website offers additional content including script excerpts, show bible samples, interviews with television content creators, and more.


Television Studies After TV

Television Studies After TV

Author: Graeme Turner

Publisher: Routledge

Published: 2009-03-27

Total Pages: 404

ISBN-13: 1134021666

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Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly. Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed. Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets – such as Asia and Latin America — in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.


Netflicks

Netflicks

Author: Tony Hughes-d'Aeth

Publisher:

Published: 2024-02

Total Pages: 0

ISBN-13: 9781760802721

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It seemed to happen overnight. Not long ago, we were all watching television, and now we are watching something else. Television stations have been replaced by streaming services. Well, not quite replaced, since we still have televisions, but somehow our television screens are not quite what they were. In Netflicks: Conceptual Television in the Streaming Era Tony Hughes-d'Aeth critically considers how our viewing habits, and television shows themselves, have changed over time. This book is about television in the streaming age and it considers some of the continuities that contemporary streamed shows have to other narrative forms such as classic television and classic Hollywood. Long gone are the days when we had to wait a week for the next episode of a tv show to be aired -- now we can binge-watch whole series in one sitting! ABOUT VIGNETTES Series Editors: Sarah Collins and Tony Hughes-d'Aeth The Vignettes Series from UWAP is aimed at sharing the knowledges that are emerging in the contemporary university and which that consider the complexities of modern life. Each book provides an image, or a vignette, of a particular phenomenon and how this is being thought through by intellectual practitioners in today's academy.


The Television Will Be Revolutionized, Second Edition

The Television Will Be Revolutionized, Second Edition

Author: Amanda D Lotz

Publisher: NYU Press

Published: 2014-09-19

Total Pages: 410

ISBN-13: 1479830070

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Go behind the TV screen to explore what is changing, why it is changing, and why the changes matters Many proclaimed the “end of television” in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised, second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise, but are redefining what we can do with television, what we expect from it, how we use it—in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the “post-network” era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television—exploring how “prized content,” live television sports and contests, and linear viewing may all be “television,” but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter.


Beyond Television

Beyond Television

Author: Andreas Halskov

Publisher: University of Southern Denmark

Published: 2021-02-20

Total Pages: 403

ISBN-13: 9788740833508

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Since the cable revolution of the 1990s and early 2000s, the TV landscape has changed dramatically. Beyond Television explores the modern mediascape and changes in television production through analyses of prominent TV series (e.g. True Detective, Transparent, Better Call Saul, Stranger Things, Twin Peaks: The Return and Euphoria) and interviews with more than 100 people from the industry, including David Chase, David Simon, Mary Harron, Nic Pizzolatto, Beau Willimon, Tricia Brock, Jesse Armstrong, Jay Duplass, Joel Fields, Tom Fontana, Angela Kang, Peter Gould, Derek Cianfrance, Tom Perrotta, Sabrina Sutherland and Sam Levinson.


Television by Stream

Television by Stream

Author: Christina Adamou

Publisher: McFarland

Published: 2023-05-22

Total Pages: 237

ISBN-13: 1476648336

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Online television streaming has radically changed the ways in which programs are produced, disseminated and watched. While the market is largely globalized with some platforms streaming in multiple countries, audiences are fragmented, due to a large number of choices and often solitary viewing. However, streaming gives new life to old series and innovates conventions in genre, narrative and characterization. This edited collection is dedicated to the study of the streaming platforms and the future of television. It includes a plethora of carefully organized and similarly structured chapters in order to provide in-depth yet easily accessible readings of major changes in television. Enriching a growing body of literature on the future of television, essays thoroughly assess the effects new television media have on institutions, audiences and content.


Television’s Streaming Wars

Television’s Streaming Wars

Author: Arienne Ferchaud

Publisher: Taylor & Francis

Published: 2023-11-03

Total Pages: 217

ISBN-13: 1000991318

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This volume addresses contemporary debates and trends regarding the production and distribution, content, and audience engagement with the television streaming industry. The book interrogates the economics and structure of the industry, questions the types and diversity of content perpetuated on streaming services, and addresses how audiences engage with content from US and global perspectives and within various research paradigms. Chapters address television streaming wars, including the debates and trends in terms of its production and competition, diversity and growth of programming, and audience consumption, focusing on multiple platforms, content, and users. This timely and creative volume will interest students and scholars working in television studies, media industry studies, popular culture studies, audience studies, media psychology, critical cultural studies and media economics.