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Author: Hazel Cobb
Publisher: Alfred Music Publishing
Published: 1985-03
Total Pages: 0
ISBN-13: 9780769243542
DOWNLOAD EBOOKThe ultimate objective is to train the student through repeated patterns and precise exercises, to acquire a conscious control in these techniques: the use of the whole arm for lateral freedom and arm weight, the forearm for rotation (Alberti bass and similar patterns) the wrist for flexibility in phrasing and the fingers for dexterity in passage work.
Author: Seymour Fink
Publisher: Hal Leonard Corporation
Published: 1992
Total Pages: 196
ISBN-13: 9780931340468
DOWNLOAD EBOOK(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
Author: Hazel Cobb
Publisher: Alfred Music
Published: 1999-12-13
Total Pages: 56
ISBN-13: 9781457406867
DOWNLOAD EBOOKThe ultimate objective is to train the student through repeated patterns and precise exercises, to acquire a conscious control in these techniques: the use of the whole arm for lateral freedom and arm weight, the forearm for rotation (Alberti bass and similar patterns) the wrist for flexibility in phrasing and the fingers for dexterity in passage work.
Author: Valerie Cisler
Publisher: Alfred Music
Published: 2005-05-03
Total Pages: 99
ISBN-13: 1457420872
DOWNLOAD EBOOKThis practical resource provides foundational tools for scale, chord and arpeggio playing; exercises for developing precision, speed, agility and clarity of tone; and exercises and etudes that focus on a variety of technical challenges.
Author: György Sándor
Publisher: Cengage Learning
Published: 1981
Total Pages: 264
ISBN-13:
DOWNLOAD EBOOKON PIANO PLAYING begins with a revealing introduction to the fundamental relationships among motions and emotions, the keyboard itself and the human performing mechanism - the physical equipment that is used to make music. Here Sandor explains the role each plays in performance, pointing out typical mistakes and misconceptions that get in the way of virtually every pianist. He then discusses the basic technical patterns: free fall, scales and arpeggios, rotation, staccato, and thrust. Aided by carefully designed exercises, he shows how to execute physical movements to build muscle tone, sharpen coordination, and increase strength and flexibility. The exercises are based on common-sense principles of anatomy and physiology. Sandor next applies these patterns to the classic repertoire, showing how to play the exposition of Beethoven's WALDSTEIN sonata, for example. The emphasis in this section is on simplicity of motion and movement, and on ways to integrate motions to optimal effect - how to identify the technical patterns of a score and put them in the service of musical interpretation. No pianist, Sandor demonstrates, need suffer fatigue or exhaustion from playing a difficult piece. He shows that strength alone is not enough; the ability to use different muscles of the upper arm - is essential if practice is to be something more than a mechanical warming-up exercise. Special attention is given to problems of interpretation and performance as well: pedalling, variants, the development of precise musical diction and a singing piano tone, and much more. And he explores the common psychological challenges of public performance as well. Complete with line drawings, photographs, and many musical examples, ON PIANO PLAYING provides the means for mastering the complexities and intricacies of good musicianship. It offers an accessible, intriguing, and effective program for developing the fundamental skills that are the building blocks of good music-making.
Author: Charles Louis Hanon
Publisher:
Published: 1900
Total Pages: 144
ISBN-13:
DOWNLOAD EBOOKAuthor: Johannes Brahms
Publisher: Alfred Music
Published:
Total Pages: 68
ISBN-13: 9781457424632
DOWNLOAD EBOOKBrahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.
Author: Penelope Roskell
Publisher: Alfred Music
Published: 2020
Total Pages: 558
ISBN-13:
DOWNLOAD EBOOK"Roskell's new and unique approach to piano playing is based on the use of natural, ergonomic movement, which helps both health and technique. Includes music examples, exercises, and access to more than 300 online video demonstrations.With an introduction and appendices"--Publisher's description
Author: Barry Michael Wehrli
Publisher:
Published: 2009-12
Total Pages: 0
ISBN-13: 9780967382630
DOWNLOAD EBOOKEssential Piano and Keyboard Technique is a thorough and comprehensive study of keyboard technique, taking early-intermediate students well into advanced levels. This book fulfills not only the current technical requirements established by the Music Teachers National Association (MTNA) and the Music Teachers' Association of California (MTAC), but exceeds them by providing important technique not found in either program. Four sections present technical exercises by category for easy reference. Click the "LOOK INSIDE " feature to find the Table of Contents, How to use this Book and other pages helpful to the consumer in understanding this valuable resource.
Author: Isabel Bowen
Publisher:
Published: 2020-06-13
Total Pages: 32
ISBN-13:
DOWNLOAD EBOOK*This publication is perfect bound and has a glued spine. BOOK 1: LATE ELEMENTARY TO EARLY INTERMEDIATE. Introducing Etudes is a three-book series of studies specially designed to help students learn technique as effectively as possible. Students face a number of common technical challenges during their development as pianists. Usually, young pianists have to learn pieces from several books of etudes just to cover the basics. The pieces in this series have been carefully selected to include the best of those traditional studies, and every piece is conveniently and strategically matched to the technical challenge it was meant to teach. These pieces are arranged in order of difficulty for students from the late elementary level to the late intermediate level. In addition, the three-book series features eight original compositions by Ward Bowen written specifically to add new artistic repertoire to this genre. For convenience, a listing of technical challenges on page 3 provides a helpful resource for teachers to find the studies that are most appropriate to meet the unique needs of each student. As studies can be useful for many different purposes, they are listed by their most prominent functions. Teachers can use the studies for their primary purpose or use them creatively for added practice on a variety of techniques. This collection can be used by teachers and students to help lay a strong technical foundation for the study of repertoire. By covering the common technical challenges and introducing students to important etudes, the books are also a useful complement to any method. Contents: F. Beyer: Etude Op. 101, No. 18, C. Czerny: Etude Op. 823, No. 7, H. Berens: Etude Op. 70, No. 8, H. Berens: Etude Op. 70, No. 12, B. Bartók:Etude, from The First Term at the Piano, H. Schwing: Etude No. 4, from Easy Lessons in Piano Playing, F. Beyer: Etude Op. 101, No. 22, H. Berens: Etude Op. 70, No. 24, C. Czerny: Etude Op. 139, No. 2, H. Berens: Etude Op. 70, No. 17, C. Czerny: Etude Op. 453, No. 5, B. Bartók: Dialogue, from The First Term at the Piano, F. Beyer: Etude Op. 101, No. 48, W. Bowen: El Cisne (The Swan), W. Bowen: Once Upon a Waltz, H. Berens: Etude Op. 70, No. 13, J. L. Streabbog: A Pleasant Morning, Op. 63, J. L. Streabbog: On the Green, Op. 63, J. B. Duvernoy: Etude Op. 176, No. 3, C. Czerny: Etudes Op. 261, No. 1 and No. 2, W. Bowen: Galloping Horses, J. L. Streabbog: In a Hurry, Op. 63, B. Bartók: Etude in F, from The First Term at the Piano, H. Schwing: Etude No. 19, from Easy Lessons in Piano Playing, C. Gurlitt: The Fair, Op. 101
