Teaching and Learning in English Language and Composition: Advanced Placement and Beyond is a collection of chapters written by three veteran teachers, each of whom has taught for over 40 years at both the high school and the college level and all of whom have held leadership positions in the Advanced Placement English Language and Composition Program. The chapters dig deep into the intricacies of teaching close, critical reading; unpack insights into using traditional rhetorical forms and canons; and explore a miscellany of issues related to teaching research, fostering student inquiry, and developing effective practices of assessment. While the authors acknowledge and build on their backgrounds with Advanced Placement, the book is not solely focused on issues related to AP. Instead, the book speaks to all secondary and post-secondary English teachers who seek to enfranchise their students as well-informed, savvy consumers and producers of texts, both verbal and visual.
Cover all the essential content and prepare students for the AP English Language and Composition exam through a perfect blend of engaging nonfiction readings, written by both classic and contemporary writers, and practical writing instruction. Scaffolded activities develop student competence in close reading, rhetorical analysis, and critical composition and revision skills. Students learn to develop key rhetoric, argument, and synthesis skills and apply strategic stylistic choices at the college level. Track student progress with unit reviews, assessments, and a full-length AP practice exam modeled on the new course and exam description.
This book condenses thorough research, my experience as an AP Reader, and my own classroom practice, into a guide that provides practical and ready-to-use information, which is organized systematically and comprehensively, and is accompanied by a variety of student essay samples, as well as scored student essays - all to show, simply, how one teacher teaches his AP English Language and Composition class. This concise, instructional manual, can be used by either the instructor of the class or by those who have the time and interest in instructing themselves. The sections of this text are designed for students, who want condensed information, that can help clarify their classwork or pacify their concerns about the material covered in the course. The information herein can also be used by instructors, for all classroom purposes, such as handouts, worksheets, and curriculum advice and is especially ideal for instructors who want ideas on how to re-structure their class or want to freshen up their material and pedagogy for the upcoming year, or for those teaching this course for the first time, who may want some guidance. To both, the teacher and the student, this guide will save you time and effort. After publishing the first edition of the book, titled, "AP Lang. for Students and Their Teachers," I decided to use the it in my own class, as a way of pacing my own instruction and as a test of the book's efficacy. The result of the experiment was this second edition. While I had initially only intended to give this edition a facelift, the process of rewriting, rewording and revising resulted in the addition of new sections and fresher and altogether clearer material. The bulk of the information is otherwise unchanged, but the explanations and examples are sharper, the new scoring guidelines are simplified and meticulously illustrated, and the content, I can now proudly say, has stood the test of classroom instruction. My experience as an AP Reader for the English Language and Composition exam has helped me get a feel for the pulse of Lang. classes around the country and has furthered my understanding of what many teachers and students are doing in the classroom. With this new perspective, I believe that this new edition will better capture the expectations of the class and more effectively instruct students to become better writers and better thinkers.
REA ... Real review, Real practice, Real results. Get the college credits you deserve. AP ENGLISH LITERATURE & COMPOSITION with TESTware Includes CD with timed practice tests, instant scoring, and more. Completely aligned with today’s AP exam Are you prepared to excel on the AP exam? * Set up a study schedule by following our results-driven timeline * Take the first practice test to discover what you know and what you should know * Use REA's advice to ready yourself for proper study and success Practice for real * Create the closest experience to test-day conditions with 3 of the book’s 6 full-length practice tests on REA’s TESTware CD, featuring test-taking against the clock, instant scoring by topic, handy mark-and-return function, pause function, and more. * OR choose paper-and-pencil testing at your own pace * Chart your progress with full and detailed explanations of all answers * Boost your confidence with test-taking strategies and experienced advice Sharpen your knowledge and skills * The book's full subject review features coverage of all AP English Literature and Composition areas: prose, poetry, drama and theater, verse and meter, types of poetry, plot structure, writing essays, and more * Smart and friendly lessons reinforce necessary skills * Key tutorials enhance specific abilities needed on the test * Targeted drills increase comprehension and help organize study Ideal for Classroom or Solo Test Preparation! REA has provided advanced preparation for generations of advanced students who have excelled on important tests and in life. REA’s AP study guides are teacher-recommended and written by experts who have mastered the course and the test.
This book condenses thorough research, and my own classroom practice, into a guide that provides practical and ready-to-use information, which is organized systematically and comprehensively, and is accompanied by a variety of student essay samples, as well as scored student essays - all to show, simply, how one teacher teaches his AP English Language and Composition class. Although this guide is especially tailored for students of the course who want extra help in becoming the best writers they can be, this concise, instructional manual, can be used by either the instructor of the class or by those who have the time and interest in instructing themselves. The sections of this text are designed for students, who want condensed information, that can help clarify their classwork or pacify their concerns about the material covered in the course. The information herein can be used by instructors, for all classroom purposes, such as handouts, worksheets, and curriculum advice and is especially ideal for instructors who want ideas on how to re-structure their class or want to freshen up their material and pedagogy for the upcoming year, or for those teaching this course for the first time, who may want some guidance. To both, the teacher and the student, this guide will save you time and effort. To the teacher: As it often happens to teachers, we find something interesting we'd like to try, and in the process, discover that in order to implement it successfully, we must tweak it, change it, and frankly, turn it into a completely different activity in order to meet the needs of our students. But as it (also) often happens, teachers wear too many hats, and the one of "curious researcher who wants to continue learning and bring that knowledge into the classroom" is the hat we get to wear the least, because of classroom and teaching demands. I get it. To the student: The strains of the classroom make it difficult, for teachers as well as students, to invest in private reading of auxiliary texts. Most students who take this course are taking equally challenging courses (sometimes 3 or more), and the pressure of these courses' classwork and homework combined make it difficult for them to be fully invested in each one. It's been my experience that, while my students want to learn more about my course (outside of my class), wading through 500 (albeit useful) pages of information, exams, graphs and pictures of happy students, uncharacteristically smiling while studying is just too much for the average student. I get it. To both, the teacher and the student, this guide will save you time and effort.
Although most writing instructors know the benefits of collaborative learning and writing in college writing classes, many remain unsure how to implement collaborative techniques successfully in the classroom. This collection provides a diversity of voices that address the "how tos" of collaborative learning and writing by addressing key concerns about the process. Fresh essays consider the importance of collaborative work and peer review, the best ways to select groups in classes, integration of collaborative learning techniques into electronic environments, whether group learning and writing are appropriate for all writing classes, and ways special populations can benefit from collaborative activities. Despite its challenges, collaborative learning can prove remarkably effective and this study provides the advice to make it work smoothly and successfully.
Focused on the teaching and learning argumentative writing in grades 9-12, this important contribution to literacy education research and classroom practice offers a new perspective, a set of principled practices, and case studies of excellent teaching. The case studies illustrate teaching and learning argumentative writing as the construction of knowledge and new understandings about experiences, ideas, and texts. Six themes key to teaching argumentative writing as a thoughtful, multi‐leveled practice for deep learning and expression are presented: teaching and learning argumentative writing as social practice, teachers’ epistemological beliefs about argumentative writing, variations in instructional chains, instructional conversations in support of argumentative writing as deep learning and appreciation of multiple perspectives, contextualized analysis of argumentative writing, and the teaching and learning of argumentative writing and the construction of rationalities.
""You Got Into Where?"" is the first college admissions guide written by a student who is fresh out of the college admissions process. Learn how I was admitted to schools like the University of Southern California and New York University with full tuition scholarships. The guide features copies of my admissions essay, writing supplement, and activities resume that I used to apply to college the fall of my senior year. Get advice on all the secrets of the admissions process from start to finish. ""I can't believe that a 17 year-old has written a college admissions books that is so well-written, clear and accurate. No wonder USC jumped at the chance to have her become their student. My sense of things is that mostly parents read college admissions books; high school students just don't want to take the time. Given what she says and how she says it, I truly believe that teens will rush to read "You Got Into Where?" It is well worth their time."" -Marjorie Hansen Shaevitz Author, adMISSION POSSIBLE
′It is scarcely possible to imagine a truly educated person who cannot read well. Yet it is not clear how or even if courses in literature actually work. How can teachers of English help students in their developmental journey toward becoming skillful readers and educated persons? This is the complex question that Chambers and Gregory address in Teaching and Learning English Literature. The authors consider practical matters such as course design and student assessment but do not shirk larger historical and theoretical issues. In a lucid and non-polemical fashion - and occasionally with welcome humor - Chambers and Gregory describe the what, why, and how of "doing" literature, often demonstrating the techniques they advocate. Veteran teachers will find the book rejuvenating, a stimulus to examining purposes and methods; beginning teachers may well find it indispensable′ - Professor William Monroe, University of Houston ′The transatlantic cooperation of Ellie Chambers and Marshall Gregory has produced an outstanding book that ought to be on the shelves of anyone involved in the teaching of English Literature, as well as anyone engaged in the scholarship of teaching and learning in general or in any discipline. As they say, "the teaching of English Literature plays a central role in human beings′ search for meaning" although others in other disciplines may make this claim for theirs too. If so, they will still learn a great deal from this book; anyone looking for no more than a means of satisfying the demands of governments that look for simplistic quality measures and economic relevance, let them look elsewhere. This is a book for now and for all times′ - Professor Lewis Elton, Visiting Professor, University of Manchester, Honorary Professor, University College London This is the third in the series Teaching and Learning the Humanities in Higher Education. The book is for beginning and experienced teachers of literature in higher education. The authors present a comprehensive overview of teaching English literature, from setting teaching goals and syllabus-planning through to a range of student assessment strategies and methods of course or teacher evaluation and improvement. Particular attention is paid to different teaching methods, from the traditional classroom to newer collaborative work, distance education and uses of electronic technologies. All this is set in the context of present-day circumstances and agendas to help academics and those in training become more informed and better teachers of their subject. The book includes: - how literature as a discipline is currently understood and constituted - what it means to study and learn the subject - what ′good teaching′ is, with fewer resources for teaching, larger student numbers, an emphasis on ′user-pay′ principles and vocationalism. This is an essential text for teachers of English Literature in universities and colleges worldwide. The Teaching & Learning in the Humanities series, edited by Ellie Chambers and Jan Parker, is for beginning and experienced lecturers. It deals with all aspects of teaching individual arts and humanities subjects in higher education. Experienced teachers offer authoritative suggestions on how to become critically reflective about discipline-specific practices.
