The sound of nails scratching against glass came from outside the window at midnight. A faint sigh came from under the bed, the bath water suddenly turned blood-red a little boy with a blue face squatted in the corner of the corridor, next door came a woman's nervous shriek, and one bloody footprint after another appeared on the floor, slowly approaching ... Jia Zheng Jing who was driving the taxi had changed everything around him ever since he pulled a weird woman ...
One of a series of readers for African students which aims to help them to develop an awareness and a love of language, and consists of stories from all over Africa. In this story taxi driver Baba Oko hopes to make a lot of money on graduation night, and has a few drinks to help him drive faster.
The New York Times bestselling author of Half-Resurrection Blues returns in a new Bone Street Rumba Novel—a knife-edge, noir-shaded urban fantasy of crime after death. The streets of New York are hungry tonight... Carlos Delacruz straddles the line between the living and the not-so alive. As an agent for the Council of the Dead, he eliminates New York’s ghostlier problems. This time it’s a string of gruesome paranormal accidents in Brooklyn’s Von King Park that has already taken the lives of several locals—and is bound to take more. The incidents in the park have put Kia on edge. When she first met Carlos, he was the weird guy who came to Baba Eddie's botánica, where she worked. But the closer they’ve gotten, the more she’s seeing the world from Carlos’s point of view. In fact, she’s starting to see ghosts. And the situation is far more sinister than that—because whatever is bringing out the dead, it’s only just getting started.
Breast Ghosts is a collection of ghost stories. Malaysian and Indonesian traditions and superstitions pertaining to ghosts are skilfully revealed to the reader as the narrator author relates personal experiences and second hand accounts. A fascinating aspect is that these are contemporary stories set in real places in Singapore and Indonesia. We visit both the Singaporean metropolis and the remote jungles of Java. This collection will be enjoyed by readers who like ghost stories, but also by those who are simply interested in the culture of Indonesia, Malaysia or Singapore. What is particularly engaging and unique about this collection is the strong feeling of authenticity owing to the first-person narration and the modern setting; even though the ghosts themselves come from centuries-old Indonesian folklore.
"Troubled souls haunt these thirteen interrelated stories of loss and rebirth. From a cramped passenger van in Ghana to a cash-only roadside motel in Utah to a cursed forest in Japan, Donald Quist's narratives draw connections between the common and inexplicable. The diverse characters that people these stories are foreign and flawed but intimately familiar."--
Named one of the best books of 2017 by The Guardian, NPR, GQ, The Economist, Bookforum, and Lit Hub The definitive account of what happened, why, and above all how it felt, when catastrophe hit Japan—by the Japan correspondent of The Times (London) and author of People Who Eat Darkness On March 11, 2011, a powerful earthquake sent a 120-foot-high tsunami smashing into the coast of northeast Japan. By the time the sea retreated, more than eighteen thousand people had been crushed, burned to death, or drowned. It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways. Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings, and met a priest who exorcised the spirits of the dead. And he found himself drawn back again and again to a village that had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own. What really happened to the local children as they waited in the schoolyard in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up? Ghosts of the Tsunami is a soon-to-be classic intimate account of an epic tragedy, told through the accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the struggle to find consolation in the ruins.
"I lived in a haunted apartment." Zack Davisson opens this definitive work on Japan's ghosts, or yurei, with a personal tale about the spirit world. Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here." Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West. Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.
A child petrified by the shadows in his bedroom. A boy shrinking from the anger of his father. A wandering adolescent who sees the Twin Towers as the legs of an interplanetary god. A new adult battered by the absence of that god. Burdened by the weight of the past and the uncertainty of the future, Jeremiah sets out in search of the answers to his own mysteries, embarking on a journey that will carry him from the raves of New York to the Latin tropics to Israel's Independence Hall, and back to an autumn evening in The Sheep Meadow when the world was still whole. A story of fathers and sons, self and shadows, Jeremiah's Ghost traces the path of a young man through a landscape where memory is just another kind of fiction.
"Prepare for a sampling of Japanese ghosts and spirits, from sources that include the worlds oldest novel, the urban legends of contemporary Japanese schoolchildren, movies both classic and modern, anime, manga, and more." For hundreds of years Japan has lived in a reality consisting of the real world and the spirit world; sometimes the wall between the two worlds gets thin enough for spirits to cross over. In such a reality, ghost stories have been popular for centuries. Patrick Drazen, author of "Anime Explosion", looks at these stories: old and new, scary or funny or sad, looking at common themes and the reasons for their popularity. This book uses one Japanese ghost story tradition: the "hyaku monogatari" (hundred stories). In the old tradition, people tell each other one hundred ghost stories in one sitting. These hundred tales run from folklore to cartoons, but all are designed to send chills up the spine ...
Arthur Goldstuck made the world of South African urban legends his own with four best-sellers during the 1990s. Now he returns to this landscape, but from a very different angle: looking at the extent to which ghost stories are really urban legends - stories spread by word of mouth (and the media) as absolute truth, but falling short on evidence and reality. In exploring ghost stories as urban legends, Goldstuck makes a fascinating discovery: the ghostly beliefs of each culture across South Africa have had a profound impact on the supernatural beliefs of every other cultural group in the country over the past four centuries. The result is the story of the South African ghost: a unique and complex character that reflects a turbulent history and a harsh existence and sheds a fascinating light on the nature of supernatural experience throughout the world. For instance, what do the Flying Dutchman and the Uniondale Ghost have in common? Why do the ghosts of so many of the country's fallen soldiers wander the earth seeking their forbidden lovers? How do our religious beliefs affect the way we see ghosts? How many ghosts of Daisy de Melker are really out there? Arthur Goldstuck has some of the answers in a book that challenges much conventional thinking about the supernatural.
