This revealing book offers readers a realistic look at the process of tattoo removal, giving those thinking about getting a tattoo an understanding of what's involved. It also offers practical, safe guidance for those who want their tattoo removed. Topics covered include tattoo mistakes, the financial cost of removal, aftercare, and side effects. The book also addresses methods of removal, such as intense pulsed light therapy, excision, dermabrasion, and more, including warnings about unproven methods. Finally, there's advice on alternatives to tattoos, such as temporary ones, henna, and body painting.
Adorn your skin with these beautiful tattoos inspired by the botanical world. With over 100 designs, from peonies, poppies and ferns to wild roses and daisy chains, Tatouage: Blossom also includes 21 art-print keepsakes. A mix of colorful and black-and-white designs, in a variety of sizes and shapes, makes these tattoos suitable for different parts of the body. There is also a book of quality art prints to use for flower and plant identification, as art-print keepsakes, or as a flash sheet to inspire further tattoos. Each tattoo is non-toxic and transfers easily, leaving a vibrant design that will last a few days. When it begins to fade, it can be removed easily with baby oil.
For millennia, tattoos have documented the history of humanity one painful mark at a time. They form a visual language on the skin, expressing an individual’s desires and fears as well as cultural values, family ties, and spiritual beliefs on the surfaces of the body. The Indigenous peoples of Asia have created some of the world’s oldest and most distinctive tattoos, but their many contributions to body art and practice have been largely overlooked. Tattoo Traditions of Asia is the first single volume dedicated to the anthropological study of an ancient cultural practice and artform that spans many countries and societies, ancestral lands, and contemporary communities across the continent and its islands. This richly illustrated survey combines the author's twenty years of fieldwork, interviewing hundreds of Indigenous tattoo bearers and contemporary tattoo practitioners, with painstaking research conducted in obscure archives throughout the region and elsewhere to break new ground on one of the least-understood mediums of Indigenous Asian expressive culture—a vital tradition to be celebrated, an inspirational story told in skin and ink.
The Beast has taken just about everything it can from Sylvester Logan James, and for twenty years he has waged his war with silver bullets and a perfect willingness to die. But fighting monsters poses danger beyond death. He contends with not just the ancient werewolf Peter Stubbe, the cannibalistic demon Windigo, and secret cartels, but with his own newfound fear of damnation.
Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient Egypt There has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the latest cutting-edge research on women and gender in ancient Egypt. Covering the entirety of Egyptian history, from earliest times to Late Antiquity, this volume commences with a thorough study of the earliest written evidence of Egyptian women, both royal and non-royal, before moving on to chapters that deal with various aspects of Egyptian queens, followed by studies on the legal status and economic roles of non-royal women and, finally, on women’s health and body adornment. Within this sweeping chronological range, each study is intensely focused on the evidence recovered from a particular site or a specific time-period. Rather than following a strictly chronological arrangement, the thematic organization of chapters enables readers to discern diachronic patterns of continuity and change within each group of women. · Clémentine Audouit, Paul Valery University, Montpellier, France · Anne Austin, University of Missouri, St. Louis, Missouri, USA · Mariam F. Ayad, The American University in Cairo, Cairo, Egypt · Romane Betbeze, Université de Genève, Switzerland, and Ecole Pratique des Hautes Etudes, PSL, France · Anke Ilona Blöbaum, Saxon Academy of Sciences and Humanities in Leipzig, Leipzig, Germany · Eva-Maria Engel, Humboldt-Universität zu Berlin, Berlin, Germany · Renate Fellinger, University of Cambridge, Cambridge, UK · Kathrin Gabler, University of Basel, Basel, Switzerland · Rahel Glanzmann, independent scholar, Basel, Switzerland. · Izold Guegan, Swansea University, UK, and Sorbonne University, Paris, France · Fayza Haikal, The American University in Cairo, Cairo, Egypt · Janet H. Johnson, Oriental Institute, University of Chicago, Chicago, Il, USA · Katarzyna Kapiec, Institute of the Mediterranean and Oriental Cultures of the Polish Academy of Sciences, Warsaw, Poland · Susan Anne Kelly, Macquarie University Sydney, Sydney, Australia · AnneMarie Luijendijk, Princeton University, Princeton, New Jersey, USA · Suzanne Onstine, University of Memphis, Memphis, Tennessee, USA · José Ramón Pérez-Accino Picatoste, Facultad de Geografía e Historia, Universidad Complutense de Madrid, Madrid, Spain · Tara Sewell-Lasater, University of Houston, Houston, Texas, USA · Yasmin El Shazly, American Research Center in Egypt, Cairo, Egypt · Reinert Skumsnes, Centre for Gender Research, University of Oslo, Oslo, Norway · Isabel Stünkel, The Metropolitan Museum of Art, New York, New York, USA · Inmaculada Vivas Sainz, National Distance Education University), Madrid, Spain · Hana Vymazalová, Czech Institute of Egyptology, Faculty of Arts, Charles University, Prague, Czeck Republic · Jacquelyn Williamson, George Mason University, Fairfax, Viriginia, USA · Annik Wüthrich, Austrian Academy of Sciences, Austrian Archaeological Institute, Vienna, Austria
It takes more than silver bullets to kill a werewolf. This is an an omnibus edition of the three books in the Autobiography of a Werewolf Hunter trilogy. Sylvester James knows what it is to be haunted. His mother died giving birth to him and his father never let him forget it—until the night he was butchered by a werewolf. Alone in the world, Sylvester is taken in by Michael Winterfox, a Cheyenne mystic. Winterfox, once a werewolf hunter, trains the boy to be a warrior—teaching him how to block out pain, stalk, fight, and kill. Bit by bit all that makes Sylvester human is sacrificed to the hunt. Now, Sylvester’s hatred has become a monster all its own, robbing him of conscience and conviction as surely as the Beast’s bite. As he follows his vendetta into the outlands of the occult, options become scarce. And he learns it takes more than silver bullets to kill a werewolf—to kill a werewolf, it takes a hunter with a perfect willingness to die. This edition features the previously published Autobiography of a Werewolf Hunter, Heart of Scars, and The Lineage in Brian P. Easton's Autobiography of a Werewolf Hunter trilogy.
'- What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland.' Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes for the first time, without interference, the original 1922 text. Jeri Johnson's commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
