Een Afrikaans land wordt bedreigd door een invasieleger onder leiding van CIA-agenten en oud-Nazi's. Een Russische agent tracht roet in het eten te gooien.
An essential dimension of the Cold War took place in the realm of ideas and culture. While much work exists on cinema, relatively little research has been conducted on this subject in relation to television, despite the latter being a technology and popular cultural form that emerged during this period. This book rectifies that absence by examining the impact of the Cold War on entertainment television, and underlines the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television. Although most of the focus is on the two main protagonists, the US and the USSR, chapters also consider programming from the UK, Czechoslovakia, Romania, and both East and West Germany. This book represents a contribution to the debate about the cultural Cold War through a rigorously comparative analysis of the two blocs. For this reason, the approach used is thematic. The study begins by considering the subject of censorship, and then goes on to look at the very particular case of the two Germanys. A series of comparative genre studies follow, including police and war, variety shows, and documentaries and docudramas. Perhaps surprisingly, the similarities are often greater than the differences between television in the two blocs.
Despite increasing scholarship on the cultural Cold War, focus has been persistently been fixed on superpowers and their actions, missing the important role played by individuals and organizations all over Europe during the Cold War years. This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945. It aims at providing an essentially European point of view on the cultural Cold War, providing fresh insight into little known connections and cooperation in different artistic fields. Chapters of the volume address photography and architecture, popular as well as classical music, theatre and film, and fine arts. By examining different actors ranging from individuals to organizations such as universities, the volume brings new perspective on the mechanisms and workings of the cultural Cold War. Finally, the volume estimates the pertinence of the Cold War and its influence in post-1991 world. The volume offers an overview on the role culture played in international politics, as well as its role in the Cold War more generally, through interesting examples and case studies.
Russian TV Series in the Era of Transition examines contemporary Russian television genres in the age of transition from broadcast to post-broadcast television. Focusing on critical debates and the most significant TV series of the past two decades, the volume’s contributors—the leading US and European scholars studying Russian television, as well as the leading Russian TV producers and directors—focus on three major issues: Russian television’s transition to digital post-broadcast economy, which redefined the media environment; Russian television’s integration into global television markets and their genre systems; and major changes in the representation of gender and sexuality on Russian television.
The astonishing true story of how the CIA, MI6 and a Soviet defector saved the world in 1962, as told in the new film, The Courier, starring Benedict Cumberbatch. In August 1960, a Soviet colonel called Oleg Penkovsky tried to make contact with the West. His first attempt was to approach two young American students in Moscow. He handed them a bulky envelope and pleaded with them to deliver it to the American embassy. MI6 and the CIA came to believe Penkovsky was genuine and so the two agencies decided to run the operation jointly. It ran right through the Berlin crisis - in an astonishing near-miss, Penkovsky learned that the Wall was going to be built four days before it happened but was unable to contact his handlers - and the Cuban Missile Crisis, in which rocket manuals Penkovsky had handed over were crucial in determining what President Khrushchev was doing, and helped President John F. Kennedy and his team end the crisis and avert a nuclear war. Penkovsky, codenamed HERO, is widely seen as the most important spy of the Cold War, and the CIA-MI6 joint operation to run him has never been bettered. But had the KGB already 'turned' Penkovsky and were the Russians making sure he saw the information they wanted him to see? If so, it may even have been possible that the whole Cuban Missile Crisis might have been a Russian deception operation. Thrilling, evocative and hugely controversial, Dead Drop blows apart some of the myths about one of the Cold War's most well-known operations as the world stood on the brink of nuclear destruction.
This original book explores the development of post-Soviet media and communications in Russia--a newly globalized environment following radical social change. Unique empirical research on new communications technologies, news agencies, television, and advertising in Russia shows how the experience and effects of globalization, which initially played a liberating role in the downfall of communism, are being transformed by the reassertion of the national. The Global and the National challenges conventional assumptions about globalization and contributes to a better understanding of its theoretical base, as well as its effects on non-Western countries.
The Americanist community played a vital role in the Cold War, as well as in large part directing the cultural consumption of Soviet society and shaping perceptions of the US. To shed light onto this important, yet under-studied, academic community, Sergei Zhuk here explores the personal histories of prominent Soviet Americanists, considering the myriad cultural influences - from John Wayne's bravado in the film Stagecoach to Miles Davis - that shaped their identities, careers and academic interests. Zhuk's compelling account draws on a wide range of understudied archival documents, periodicals, letters and diaries as well as more than 100 exclusive interviews with prominent Americanists to take the reader from the post-war origins of American studies, via the extremes of the Cold War, thaw and perestroika, to Putin's Russia. Soviet Americana is a comprehensive insight into shifting attitudes towards the US throughout the twentieth century and an essential resource for all Soviet and Cold War historians.