RAKUGOKA- each one brings his or her own experiences, eccentricities, and authenticity to the unique world of rakugo. Sometimes the stories behind the storytellers entice the public as much as the ones they tell on stage.
Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, this volume grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history.
A NEW ERA Time, which had stopped for Kikuhiko and Sukeroku, begins to move again at last. Sukeroku retakes his place on stage, and the warmth of the audience's love reminds him of what it means to be a storyteller. The stage is set for his triumphant return to Tokyo with Kikuhiko, and there, together, they can build the future of rakugo they've been dreaming of. But before they can, a ghost from both Kikuhiko and Sukeroku's past returns, threatening to drag them both under...The story of Kikuhiko, Sukeroku, and Miyokichi reaches its final act!
PAST PROMISES After proving himself on stage, Yotaro has been fully accepted as Yakumo's apprentice and a member of his household. But taking in this brash young man forces Yakumo to confront his own past, and the promises left unfulfilled to his late best friend and rival, Sukeroku. Yakumo decides to share a tale that begins not when he was a dignified artist, but an orphan named Bon. Bon's history is also the history of fellow orphan Shin, a changing Japan in the face of war, and a woman named Miyokichi, who would hold the future in her elusive hands... A multi-generational human drama set in the world of rakugo, a traditional form of Japanese comedic storytelling, Descending Stories follows an ex-convict whose life is changed by his apprenticeship to a famed storyteller, and Konatsu, who yearns to perform rakugo but cannot because women are not permitted in the craft.
An introduction to the theatrical art of comic storytelling that originated in the Edo period, Rakugo sheds light on Japanese culture as a whole: its aesthetics, social relations, and learning styles. Enriched with personal anecdotes, Rakugo explicates the art's contemporary performance culture: the image, training and techniques of the storytellers, the venues where they perform, and the role of the audience in sustaining the art. Laurie Brau inquires into how this comic art form participates in the discourse of heritage, serving as a symbol of the Edo culture, while continuing to appeal to Japanese today. Written in an accessible manner, this book is appropriate for all levels of student or researcher.
A new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.
Rakugo is the traditional Japanese art of storytelling. The stories are also called rakugo, or hanashi, and they are performed by professional narrators called rakugoka or hanashika. The customary place where rakugo stories are told is the vaudeville-type variety called the yose. This book is divided into three parts, including nine chapters and an epilogue, and also includes notes, three appendices, a bibliography, glossary, and index.
After his mother's death triggers his Revival ability, Satoru finds himself 18 years in the past! While he's relieved to see his mother and his old friends again, his thoughts are focused on future kidnapping and murder victim Hinazuki Kayo. Putting his plan to save her in motion, he starts a conversation with her. However, he finds himself at a loss for words when Kayo asks him a shocking question... "Would you kill for me?"
Tikki tikki tembo-no sa rembo- chari bari ruchi-pip peri pembo! Three decades and more than one million copies later children still love hearing about the boy with the long name who fell down the well. Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo. Tikki Tikki Tembo is the winner of the 1968 Boston Globe - Horn Book Award for Picture Books.