Although there are many collections of Chinese folktales, few if any focus specifically on the tales of Taiwan, which have evolved in a tradition separate and distinct from that of mainland China. This wonderful sampling of more than 20 Taiwanese tales will appeal to all ages, illuminating Taiwanese culture and demonstrating Taiwanese values and ethics. In addition, readers will find a brief history of the island, discussion questions, and activity ideas to extend learning and enjoyment, as well as simple Taiwanese recipes, color photos, and traditional drawings. Stories can be read aloud to younger students, while older children will enjoy reading and performing them on their own. This delightful introduction to Taiwanese traditions is a superb educational tool, and a great addition to the storytelling shelf. Grades K-12.
When Joshua Samuel Brown first stepped out of the passenger terminal at Chiang Kai-shek International Airport in Taiwan, he was a stranger in a humid land with insufficient funds, zero job prospects and an over-packed suitcase. Like much else in his life up to that point, his decision to move to Taiwan was based largely on random occurrence and cosmic coincidence. He was twenty-four years old, thousands of miles away from home, and at that moment the happiest man alive. This anthology of short stories, travel essays, photographs, random meditations, and political meanderings grew out of his years on the island formerly known as Formosa.
"Taiwan's peaceful and democratic society is built upon on decades of authoritarian state violence that it is still coming to terms with. Following 50 years of Japanese colonization, Taiwan was occupied by the Chinese Nationalist Party (KMT) at the close of World War II in 1945. The party massacred thousands of Taiwanese while it established a military dictatorship on the island with the tacit support of the United States. Although early episodes of state violence (such as the 228 Incident in 1947) and post-1980s democratization in Taiwan have received a significant amount of literary and scholarly attention, relatively less has been written or translated about the White Terror and martial law period, which began in 1949. The White Terror was aimed at alleged proponents of Taiwanese independence as well as supposed communist collaborators wiped out an entire generation of intellectuals. Both native-born Taiwanese as well as mainland Chinese exiles were subject to imprisonment, torture, and execution. During this time, the KMT institutionally favored mainland Chinese over native-born Taiwanese and reserved most military, educational, and police positions for the former. Taiwanese were forcibly "re-educated" as Chinese subjects. China-centric national history curricula, forced Mandarin-language pedagogy and media, and the re-naming of streets and public spaces after places in China further enforced a representational regime of Chineseness to legitimize the authority of the KMT, which did not lift martial law until 1987. Taiwan's contemporary commitment to transitional justice and democracy hinges on this history of violence, for which this volume provides a literary treatment as essential as it is varied. This is among the first collection of stories to comprehensively address the social, political, and economic aspects of White Terror, and to do so with deep attention to their transnational character. Featuring contributions from many of Taiwan's most celebrated authors, and written in genres that range between realism, satire, and allegory, it examines the modes and mechanisms of the White Terror and party-state exploitation in prisons, farming villages, slums, military bases, and professional communities. Transitions in Taiwan: Stories of the White Terror is an important book for Taiwan studies, Asian Studies, literature, and social justice collections. This book is part of the Literature from Taiwan Series, in collaboration with the National Museum of Taiwan Literature and National Taiwan Normal University"--
The book that has captivated millions of Chinese readers, translated into English for the very first time. 'Hypnotic . . . A record of one person's fierce refusal to follow a path laid down for her by the rest of the world' Tash Aw, Paris Review Books of the Year Sanmao: author, adventurer, pioneer. Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara. Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless. At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures. 'Every story conveys Sanmao's infectious capacity for wonder' Sharlene Teo, author of Ponti 'Has endured for generations of young Taiwanese and Chinese women' New York Times 'Ground-breaking' Geographical 'A remarkable and brave book. Sanmao was a freewheeling feminist who broke all the rules and did so with a gleeful, mischievous smile' David Eimer, South China Morning Post
Victims all describe hearing a voice before they die gruesomely. Sometimes it's singing an old Taiwanese song, sometimes it's in Japanese, and sometimes it's an anguished call for help from a loved one. Can Wu Shih-Sheng, a degenerate taxi driver in Taipei, hunt down the source of the voice that killed his wife before he becomes the next victim? Whisper is a plot-driven, Taiwanese horror story. As well as being a chilling read, Chang Yu-Ko cleverly combines Taiwanese folklore, the Japanese occupation of Taiwan, and the long-term mistreatment of the country's aboriginal people into a story of how the past can still kill.
Though he lived mostly in rural South Taiwan, Zhong Lihe (1915–1960) spent several years in Manchuria and Peking, moving among an eclectic mix of ethnicities, classes, and cultures. His fictional portraits unfold on Japanese battlefields and in Peking slums, as well as in the remote, impoverished hill-country villages and farms of Zhong Lihe’s native Hakka districts. His scenic descriptions are deft and atmospheric, and his psychological explorations are acute. The first anthology to present his work in English, this volume features two novellas, ten short stories, and four short prose works.
This collection of Chinese stories begins with the great legends of how Earth and Heaven came into being. There are folk-tales too, about ghosts, rain-makers, students and magicians, and a man who is nearly made into fishpaste.
Few people beyond the shores of Taiwan are aware that it is home to a population of indigenous peoples who for more than fifteen thousand years have lived on the island. Over the years, through the Chinese imperial period, the Japanese occupation, and for most of the twentieth century, the indigenous peoples of Taiwan were marginalized and deprived of rights. However, with the lifting of martial law in 1987, new government policies regarding ethnic groups, and growing interest in Taiwan's aboriginal peoples, indigenous writing began to blossom. With its intense and lyrical explorations of a fading culture, indigenous writing has become an important topic of discussion in Taiwanese literary circles. This collection of indigenous literature is the first such anthology in English. In selecting the stories, essays, and poems for the anthology, the editors provide a representative sampling from each of Taiwan's nine indigenous tribes. The writers explore such themes as the decline of traditional ways of life in Taiwan's aboriginal communities, residual belief in ancestral spirits, assimilation into a society dominated by Han Chinese, and the psychological and economic encroachment of the outside world. Their writings offer previously unheard perspectives on the plight of aboriginal cultures and the experiences of Taiwanese minorities. John Balcom has included an introduction to provide the reader with background information on Taiwan's indigenous peoples. The introduction addresses the origins of Taiwan's Austronesian peoples and general information on their culture, languages, and history. A discussion of the growth and development of indigenous literature, its sociolinguistic and cultural significance, and the difficulties faced by such writers is also included.
What is it like living under an oppressive regime? How does an individual survive it? Should one rebel or compromise? What will be the consequences of resisting the power, and what will be the price of obeying it? Taiwan had been under the rule by Martial Law for 38 years(1949-1987), during this period of time, all publications were under strict censorship, public gatherings must apply for permits in advance, opinions against the ruler were silenced, demands for democracy were repressed. Worst of all, dissidents were persecuted. The 13 stories in this book are about the lives of ordinary people without freedom of expression or complete political rights, and what decisions they might make while faced with a dilemma. Additionally, these stories investigate the role of literary works in a society with all kinds of political taboos.
