Colourless, tasteless, odourless, ageless: water is both the simplest thing on earth and the most complex. We cannot live without it yet it kills six thousand children a day. It is the ultimate renewable resource but we pollute it without thinking twice. Why, if water is so valuable does nobody want to pay for it unless it comes in a designer bottle? Is it really the oil of the twenty-first century? Will we all soon be fighting over it, or can it lead countries into co-operation rather than conflict? In this enthralling voyage of discovery, Rupert Wright sets out to discover exactly what water is and why it plays such an important role in history, culture, art and literature. Part reportage and part personal journey, Take Me to the Source is the fascinating story of the substance that makes life on earth possible.
After the death of her parents, Claudia Belle is sent to live with her grandfather. The principal of the local high school, he also shares Claudia's unique, unnatural gift. But after tragedy hits once again, Claudia finds herself in a difficult position. When a new principal takes over at Milton High, sparks begin to fly between Claudia and the principal's son. He makes her feel safe, but out there - somewhere - is another connection she feels just as deeply. With her entire life changing more quickly than she ever would have imagined, Claudia doesn't know where to turn or who to trust. Can she navigate this new world she's been thrust into?
Shot through with life-altering rituals, rites and spells, The Source guides readers to the place in their lives where true magic can finally begin Ever since she was a little girl, Ursula James has heard a voice. For years she tried to ignore it, but a personal crisis at the age of forty forced her to finally listen. That, as well as the actual appearance of the speaker-also named Ursula-at her bedside one dark and cold night. The woman who revealed herself to James was Ursula Sontheil, known as Mother Shipton, a sixteenth-century prophetess, healer, and-some say- witch. Legend has it that Mother Shipton was burned by the king's men for her heresies, and her spirit became trapped in a cave in Yorkshire. This cave had an unusual characteristic: Anything taken there was turned to stone by the action of the lime-suffused waters from a nearby well. Mother Shipton used this water to create an image of herself on the wall, and then split the cave open to call the needy. Sick at heart or in body, people came to her in the cave to offer her objects in return for her healing powers. In The Source, Ursula James describes how Mother Shipton appeared before her with urgent new prophecies for our troubled times- prophecies that include spells for, as Kabbalah says, Tikkun Olam-the healing of the world. Mother Shipton asked James to put these messages into writing to share with others-and record them she did, verbatim, in this book.
A new satirical extravaganza from one of Britain’s best-loved political cartoonists Steve Bell’s If… cartoon strip in the Guardian attracted generations of loyal readers. If… Stands Up is his hilarious commentary on our current political madness. Unmissable highlights include a Jubilee fly-past over Buckingham Palace by Boris Johnson’s bottom. Liz Truss taking back control of her own eyeballs. A dead-horse race between zombie "Treeza" May and pink-rubber fiend David Cameron, towing his bijou shepherd’s hut. Rishi Sunak flogging the skeletal remains of Margaret Thatcher. Donald Trump with a golden toilet seat brain. And Keir Starmer, aka Keeves the butler, assuring the toffs that "the below-stairs movement is realigning its values with those of the British people." If… Stands Up also keeps a gimlet eye on Charles and the Royals. Bell draws an unforgettable picture of a nation that has left reality behind. Why did the chlorinated chicken cross the Atlantic? Who needs hell when you have the Conservative Party? Might the Labour leadership simply be robots in disguise? In a world of war and chauvinism, Bell picks himself up and goes in search of a new source of laughs. In this, if nothing else, Westminster politics rarely disappoints.
Aphra Behn’s spectacular farce, Emperor of the Moon (1687), so engaged audiences that it was restaged well into the eighteenth century. Her play was largely adapted from Anne Mauduit de Fatouville’s Arlequin, Empereur dans la lune (1684), a commedia dell’arte production by the Comédie-Italienne troupe, a performance which also proved immensely popular with Parisian audiences. Within its witty and amusing three acts, Behn’s play explores a number of contemporary concerns — from commedia dell’arte, to gender and politics, to science and astronomy, including a plurality of worlds, for example — all culminating in the third act’s operatic spectacle. This volume offers a transcription of Behn’s 1687 play with extensive annotations, a critical discussion of Behn’s text, and the first English translation of Fatouville’s eight French and Italian scenes.
Sarah Bartlett was an Academy Award-nominated film star, an Emmy-nominated television actress and a Tony-nominated stage performer. She was also awarded her very own Varsity Jacket by the former director of the US Department of Music’s Federal Hip Hop Administration. Appearing in over 20 films (including Hearts of Sorrow, Hearts of Celery; Perkwit’s Secret Bramboráky (the fourth installment of the Blurg movies); and Shadow of the Fish), she also starred on stage in such shows as Howling at the Moon: The Dog Musical; Billiard Balls of Death; and Dreadful About Those Shock Treatments, Eh? The woman was also an accomplished musician who performed guitar and baglama not only with her own group (Zooey’s Lampshade) but also with the Hattiesburg Symphony Orchestra and Industrial Pole Bean Outlet; with the Palm Frond and Banana Spider Symphony Orchestra; and with the ’56 Elvis Quintet at the Memphis in November: From Too Cool to Too Cold Music, Art and Law Practice Festival). There were other sides to Sarah, sides that she preferred people not know much about, sides involving Queen Victoria costumes, drinking way too many sodas at one sitting, and that whole ceramic curry serving bowl (from 2400 BCE) incident, which she knew would greatly upset anthropologists all over the world. Here, for the first time, is the entire story of Sarah Bartlett’s life, including her children, her husband, her boyfriend, her shoes, her Toyota Cadberry, and her dreams (some of them involving picture frames made of cheese; some of them involving the Poky Little Puppy; some of them involving Gloria Swanson wearing a miniskirt, a pair of orange flip-flops and a T-shirt with a picture of Andy Warhol and the phrase “Hey, look, I’m a can of soup” on it; some of them involving cats with lobster claws for legs; and some of them involving copious amounts of Ranch Dressing). The book also includes over 150 illustrations, and some of them actually make sense. If you’re looking for a book that offers the best ratio of cost per laugh, look no further. Further? Farther? Wait, let’s think this through. Uhh, farther has an a in it, and measure has an a in it, so farther relates to distance. So, yeah, further is the right adjective to use. The Seattle Drainpipe Gazette says, “Rigatoni is to books as cat hair is to dogs.” The Farmington Inquirer calls Rigatoni “unobtrusive,” “mildly trapezoidal,” and “looks great under some flowerpots.” And the Tucson Rock Trader says, “If we crowdfund, we can raise enough money to get this author the serious help he so obviously needs. This isn’t a cry for help, this is a sustained scream through a set of Peavey Dark Matter DM 118 Powered PA Subwoofer Speakers.”
The official book on the Rust programming language, written by the Rust development team at the Mozilla Foundation, fully updated for Rust 2018. The Rust Programming Language is the official book on Rust: an open source systems programming language that helps you write faster, more reliable software. Rust offers control over low-level details (such as memory usage) in combination with high-level ergonomics, eliminating the hassle traditionally associated with low-level languages. The authors of The Rust Programming Language, members of the Rust Core Team, share their knowledge and experience to show you how to take full advantage of Rust's features--from installation to creating robust and scalable programs. You'll begin with basics like creating functions, choosing data types, and binding variables and then move on to more advanced concepts, such as: Ownership and borrowing, lifetimes, and traits Using Rust's memory safety guarantees to build fast, safe programs Testing, error handling, and effective refactoring Generics, smart pointers, multithreading, trait objects, and advanced pattern matching Using Cargo, Rust's built-in package manager, to build, test, and document your code and manage dependencies How best to use Rust's advanced compiler with compiler-led programming techniques You'll find plenty of code examples throughout the book, as well as three chapters dedicated to building complete projects to test your learning: a number guessing game, a Rust implementation of a command line tool, and a multithreaded server. New to this edition: An extended section on Rust macros, an expanded chapter on modules, and appendixes on Rust development tools and editions.
The source of the Nile had long eluded and tormented explorers, and John Hanning Speke’s discovery of Lake Victoria in 1858 elevated him to the pantheon of heroes of African exploration, alongside Livingstone and Stanley. But the part played by the Welsh mining engineer John Petherick in the discovery was ignored after he was branded a slave trader by Speke, and the controversy that followed ended with Petherick ruined and Speke dead. This first biography of Petherick places him at the centre of one of the great discoveries in African exploration – and as the focus of a dispute that rocked the geographical establishment. Was Petherick a rogue, as portrayed by some, or the victim of a conspiracy that destroyed his reputation and denied him a share of the credit for his part in one of the greatest feats in African exploration?