Art and Auctions
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Publisher:
Published: 1968
Total Pages: 606
ISBN-13:
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1960
Total Pages: 1060
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DOWNLOAD EBOOKAuthor: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
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Published: 1987
Total Pages: 656
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Publisher: Macmillan Reference USA
Published: 1987
Total Pages: 632
ISBN-13:
DOWNLOAD EBOOKAuthor: Janine A. Mileaf
Publisher: UPNE
Published: 2010
Total Pages: 313
ISBN-13: 1584659343
DOWNLOAD EBOOKExploring the notion of tactility in dada and surrealism
Author: Elizabeth Emery
Publisher: Routledge
Published: 2018-12-07
Total Pages: 400
ISBN-13: 0429840640
DOWNLOAD EBOOKFirst published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
Published: 1994
Total Pages: 504
ISBN-13: 0870997173
DOWNLOAD EBOOK"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Jenny Anger
Publisher: Cambridge University Press
Published: 2004-02-12
Total Pages: 342
ISBN-13: 9780521822503
DOWNLOAD EBOOKOne of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, modern artists found pure form in ornament which, though promising, was sullied by connotations of materiality, domesticity, and femininity. Jenny Anger demonstrates that the decorative significantly informed Paul Klee's art. She compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. Anger also explores the relevance of the decorative for contemporary and, especially, women artists.