American Synagogues is the first book to explore the exceptional architecture of modern American synagogues in the twentieth century, and this intriguing book relates the fascinating history of the Jewish people in America and how it is expressed in twentieth-century synagogue design. The book features all new photography of synagogues in many styles from a dozen states, many never before published in any form. The synagogues were designed by European masters, the best-known modern American architects, and by important contemporary architects including Frank Lloyd Wright, Philip Johnson, and Minoru Yamasaki.
This full colour publication explores the rich and diverse response to the quest to sustain the Hebrew heritage that has resulted in prominent designs.
In 1961, famed architect Louis I. Kahn (1901-1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia's Mikveh Israel. Due to the loss of financial backing, Kahn's plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn's most revered designs. Susan G. Solomon uses Kahn's designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design.
In America between 1946 and 1953, the German-Jewish architect Eric Mendelsohn planned seven synagogues, of which four were built, all in the Midwest. In this book, photographer Michael Palmer has recorded in exquisite detail Mendelsohn's four built synagogues in Saint Paul, Saint Louis, Cleveland, and Grand Rapids. These photographs are accompanied by an insightful contextual essay by Ita Heinze-Greenberg which reflects on Eric Mendelsohn and his Jewish identity. Mendelsohn's post-war commitment to sacred architecture was a major challenge to him, but one on which he embarked with great enthusiasm. He sought and found radically new architectural solutions for these "temples" that met functional, social, and spiritual demands. In the post-war and post-Holocaust climate, the old references had become obsolete, while the founding of the State of Israel in 1948 posed a claim for the redefinition of the Jewish diaspora in general. The duality of Jewish and American identity became more crucial than ever and the congregations were keen to express their integration into a modern America through these buildings. Hardly anyone could have been better suited for this task than Mendelsohn, as he sought to justify his decision to move from Israel and adopt the USA as his new homeland. The places he created to serve Jewish identity in America were a crowning conclusion of his career. They became the benchmark of modern American synagogue architecture, while the design of sacred space added a new dimension in Mendelsohn's work.
Superbly illustrated views from antiquity to modern times accompany concise profiles of synagogues across the continent, including Cracow's Old Synagogue, the Great Synagogue of Vilnius, and Vienna's Tempelgasse. 253 illustrations.
This book examines the design, construction, and reception of Beth Sholom Synagogue, and its place in relation to Frank Lloyd Wright's other religious architecture.
Eric Mendelsohn's modernist building, The Park Synagogue in Cleveland Heights, Ohio, is one of the most significant post-World War II buildings in the United States. Notable for its magnificent dome and its natural wooded setting, it also had an immense architectural influence on other religious structures in the Midwest. Erected during the late 1940s, the Synagogue was built in response to a large majority of the downtown Cleveland Jewish population moving to the eastern suburbs. In 1934, under the leadership of Rabbi Armond Cohen, the struggling Anshe Emeth Beth Tefilo congregation bought the twelve-acre property of the defunct Park School in Cleveland Heights and later purchased an additional twenty-one acres of land adjacent to the Park property owned by John D. Rockefeller. Plans were developed for a new synagogue to be designed and built by the famous European architect Eric Mendelsohn. Today The Park Synagogue, dedicated in 1950, is home to one of the nation's major Conservative congregations. Eric Mendelsohn's Park Synagogue tells the story of the construction of The Park Synagogue and examines how Mendelsohn consciously sought to express the ideals and traditions of the congregation and Judaism in its architectural forms. From one of the world's largest copper-clad domes weighing 680 tons to the shape of the sanctuary and spectacular bimah, Mendelsohn sought to incorporate the architecture into Jewish ritual and worship. He favored dramatic curves of glass walls, circular stairwells, and porthole windows, and he used the circle as a dominant form throughout his career. The Park Synagogue is one of the few Mendelsohn buildings that remains virtually as it was built. Author Walter C. Leedy Jr. discusses how the construction of The Park Synagogue solidified the congregation, attracted new members, and set the stage for expansion into the next century. Eric Mendelsohn's Park Synagogue brings unique insight into the development of the American Jewish community during the post-World War II period and into the evolution of Mendelsohn's architecture.
New York City’s magnificent Eldridge Street Synagogue was built in 1887 in response to the great wave of Jewish immigrants who fled persecution in eastern Europe. Finding their way to the Lower East Side, the new arrivals formed a vibrant Jewish community that flourished from the 1850s until the 1940s. Their synagogue served not only as a place of worship but also as a singularly important center in the development of American Judaism. A near ruin in the 1980s that was recently reopened after a massive twenty-year restoration, the Eldridge Street Synagogue has been named a National Historic Landmark. But as Bill Moyers tells us in his foreword, the synagogue is also “a landmark of the spirit, . . . the spirit of a new nation committed to the old idea of liberty.” Annie Polland uses elements of the building’s architecture—the façade, the benches, the grooves worn into the sanctuary floor—as points of departure to discuss themes, people, and trends at various moments in the synagogue’s history, particularly during its heyday from 1887 until the 1930s. Exploring the synagogue’s rich archives, the author shines new light on the religious life of immigrant Jews, introduces various rabbis, cantors and congregants, and analyzes the significance of this special building in the context of the larger American-Jewish experience. For more information, go to: www.EldridgeStreet.org
The Jewish community has lost some of the most sensitive spiritual souls of this generation. They are Jews who were looking for God and found spiritual homes outside of Judaism. Their journeys traversed the Jewish community, but nothing there beckoned them. The creation of synagogue-communities in which the voices of seekers can be heard and their questions can be asked will challenge many loyalist Jews. It will upset and enrage them. But it would also enrich them. —from Chapter 18 In this fresh look at the spiritual possibilities of American Jewish life, Rabbi Sidney Schwarz presents the framework for a new synagogue model—the synagogue community—and its promise to transform our understanding of the synagogue and its potential for modern Judaism. Schwarz profiles four innovative synagogues—one from each of the major movements of Judaism—that have had extraordinary success with their approach to congregational life and presents practical ways to replicate their success. Includes a discussion guide for study groups and book clubs as well as a new afterword by the author describing developments in synagogue change projects since the book was first published.
Chronicles the history of the Jewish synagogue in America over the course of three centuries, discussing its changing role in the American Jewish community.