Inexpensive treasury includes all 5 violin concerti and the celebrated double concerto for violin and viola, reproduced directly from the authoritative Breitkopf & Härtel Complete Works edition. Essential to the repertoire of any serious violinist, all 6 compositions are now available in this convenient attractive volume.
For sixty-four years, Isaac Stern has been a great--and greatly loved--performing artist, famous for his profound music-making, his gusto for life, his passionate dedication to sharing his knowledge and wisdom with younger musicians, and his determination in a good cause (Stern is, after all, The Man Who Saved Carnegie Hall). Indeed, there is no more revered musician in the world than Isaac Stern, revered not only as a great violinist but as a warm and generous personality and as a crucial figure and spokesperson in the world of the arts. Brought to America from Russia when he was ten months old, Stern grew up in San Francisco and was quickly recognized as an extraordinary talent. He began performing publicly while still very young, and was soon touring across the country and around the world. His fame escalated when he led the fight to save Carnegie Hall, and again when he was the subject of the Academy Award-winning documentary film "From Mao to Mozart. In this book he shares with us both his personal and his artistic experiences: the story of his rise to eminence; his feelings about music and the violin; his rich emotional life; his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals; his background as an ardent supporter of Israel; his ideas and beliefs about art, life, love, and the world we live in. At seventy-nine, Stern's mind, his wit, and his spirit are as strong as ever, and they are conveyed to us in the most sympathetic and articulate way by Chaim Potok. The two men spent a year talking and sharing their perceptions, and the result is a book in which Stern's voice comes through with complete conviction andpersuasiveness. The man on the page is the musician and humanitarian we have loved and admired for so long. Here is the most readable and revealing musical autobiography of the decade.
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From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Banat, a concert violinist and teacher, describes the life of this virtuoso violinist, who is thought to be the earliest black European composer, born on his father's plantation on Guadeloupe.
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
In addition to Riggs's extensive interviews with the composer, the biography is documented with Kirchner's colorful correspondence from a roster of luminaries: Saul Bellow, Leonard Bernstein, Edward Cone, Aaron Copland, Darius Milhaud, Isaac Stern, Roger Sessions, and many others. Excerpts from Kirchner's own elegantly written essays and speeches complete the portrait and reveal his highly personal, romantic view of music as powerful art capable of endowing humanity with an "aesthetic sensibility and protective wisdom, without which we cannot survive." --Book Jacket.
