This book will appeal to at least three groups of readers: prospective high school teachers, liberal arts students, and parents whose children are studying high school or college math. It is modern in its selection of topics, and in the learning models used by the authors. The book covers some exciting but non-traditional topics from the subject area of geometry. It is also intended for undergraduates and tries to engage their interest in mathematics. Many innovative pedagogical modes are used throughout.
Explains structure of nine regular solids and many semiregular solids and demonstrates how they can be used to explain mathematics. Instructions for cardboard models. Over 300 illustrations. 1971 edition.
Through a careful treatment of number theory and geometry, Number, Shape, & Symmetry: An Introduction to Number Theory, Geometry, and Group Theory helps readers understand serious mathematical ideas and proofs. Classroom-tested, the book draws on the authors’ successful work with undergraduate students at the University of Chicago, seventh to tenth grade mathematically talented students in the University of Chicago’s Young Scholars Program, and elementary public school teachers in the Seminars for Endorsement in Science and Mathematics Education (SESAME). The first half of the book focuses on number theory, beginning with the rules of arithmetic (axioms for the integers). The authors then present all the basic ideas and applications of divisibility, primes, and modular arithmetic. They also introduce the abstract notion of a group and include numerous examples. The final topics on number theory consist of rational numbers, real numbers, and ideas about infinity. Moving on to geometry, the text covers polygons and polyhedra, including the construction of regular polygons and regular polyhedra. It studies tessellation by looking at patterns in the plane, especially those made by regular polygons or sets of regular polygons. The text also determines the symmetry groups of these figures and patterns, demonstrating how groups arise in both geometry and number theory. The book is suitable for pre-service or in-service training for elementary school teachers, general education mathematics or math for liberal arts undergraduate-level courses, and enrichment activities for high school students or math clubs.
In the 1800s mathematicians introduced a formal theory of symmetry: group theory. Now a branch of abstract algebra, this subject first arose in the theory of equations. Symmetry is an immensely important concept in mathematics and throughout the sciences, and its applications range across the entire subject. Symmetry governs the structure of crystals, innumerable types of pattern formation, how systems change their state as parameters vary; and fundamental physics is governed by symmetries in the laws of nature. It is highly visual, with applications that include animal markings, locomotion, evolutionary biology, elastic buckling, waves, the shape of the Earth, and the form of galaxies. In this Very Short Introduction, Ian Stewart demonstrates its deep implications, and shows how it plays a major role in the current search to unify relativity and quantum theory. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Fuses design fundamentals and software training into one cohesive book! The only book to teach Bauhaus design principles alongside basic digital tools of Adobe's Creative Suite, including the recently released Adobe CS4 Addresses the growing trend of compressing design fundamentals and design software into the same course in universities and design trade schools. Lessons are timed to be used in 50-minute class sessions. Digital Foundations uses formal exercises of the Bauhaus to teach the Adobe Creative Suite. All students of digital design and production—whether learning in a classroom or on their own—need to understand the basic principles of design in order to implement them using current software. Far too often design is left out of books that teach software. Consequently, the design software training exercise is often a lost opportunity for visual learning. Digital Foundations reinvigorates software training by integrating Bauhaus design exercises into tutorials fusing design fundamentals and core Adobe Creative Suite methodologies. The result is a cohesive learning experience. Design topics and principles include: Composition; Symmetry and Asymmetry; Gestalt; Appropriation; The Bauhaus Basic Course Approach; Color Theory; The Grid; Scale, Hierarchy and Collage; Tonal Range; Elements of Motion. Digital Foundations is an AIGA Design Press book, published under Peachpit's New Riders imprint in partnership with AIGA, the professional association for design.
“A great read… Goldberg is an excellent guide.”—Mario Livio, bestselling author of The Golden Ratio Physicist Dave Goldberg speeds across space, time and everything in between showing that our elegant universe—from the Higgs boson to antimatter to the most massive group of galaxies—is shaped by hidden symmetries that have driven all our recent discoveries about the universe and all the ones to come. Why is the sky dark at night? If there is anti-matter, can there be anti-people? Why are past, present, and future our only options? Saluting the brilliant but unsung female mathematician Emmy Noether as well as other giants of physics, Goldberg answers these questions and more, exuberantly demonstrating that symmetry is the big idea—and the key to what lies ahead.
Start with a single shape. Repeat it in some way—translation, reflection over a line, rotation around a point—and you have created symmetry. Symmetry is a fundamental phenomenon in art, science, and nature that has been captured, described, and analyzed using mathematical concepts for a long time. Inspired by the geometric intuition of Bill Thurston and empowered by his own analytical skills, John Conway, with his coauthors, has developed a comprehensive mathematical theory of symmetry that allows the description and classification of symmetries in numerous geometric environments. This richly and compellingly illustrated book addresses the phenomenological, analytical, and mathematical aspects of symmetry on three levels that build on one another and will speak to interested lay people, artists, working mathematicians, and researchers.
In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies--in perception, linguistics, art, and even political subjugation--that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation.
Maintaining the standard of excellence set by the previous edition, this textbook covers the basic geometry of two- and three-dimensional spaces Written by a master expositor, leading researcher in the field, and MacArthur Fellow, it includes experiments to determine the true shape of the universe and contains illustrated examples and engaging exercises that teach mind-expanding ideas in an intuitive and informal way. Bridging the gap from geometry to the latest work in observational cosmology, the book illustrates the connection between geometry and the behavior of the physical universe and explains how radiation remaining from the big bang may reveal the actual shape of the universe.
