Symbols of Power in Art

Symbols of Power in Art

Author: Paola Rapelli

Publisher: Getty Publications

Published: 2011

Total Pages: 386

ISBN-13: 160606066X

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This volume examines the ways that sovereign rulers have employed well-defined symbols, attributes, and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for subsequent generations to admire. Legendary rulers from antiquity such as Alexander the Great, Julius Caesar, and Constantine have been looked to as models for their display of imperial power by the rulers of later eras. From medieval sovereigns such as Charlemagne and France's Louis IX to the tsars of Russia and the great European royal dynasties of the Hapsburgs, the Bourbons, and the Tudors, the rulers of each period have appropriated and often embellished the emblems of power employed by their predecessors. Even the second-tier lords who ruled parts of France and Italy during the Renaissance, such as the dukes of Burgundy, the Gonzaga of Mantua, and the Medici of Florence became adept at manipulating this imagery. The final chapter is reserved for Napoleon I, perhaps the ultimate master of symbolic display, who assumed the attributes of Roman emperors to project an image of eternal and immutable authority. The author examines not only regal paraphernalia such as crowns, scepters, thrones, and orbs, but also the painted portraits, sculptures, tapestries, carved ivories, jewelry, coins, armor, and, eventually, photographs created to display their owner's sovereign power, a vast collection of works that now forms a significant portion of the cultural heritage of Western civilization.


Symbols and Allegories in Art

Symbols and Allegories in Art

Author: Matilde Battistini

Publisher: Getty Publications

Published: 2005

Total Pages: 384

ISBN-13: 9780892368181

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"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.


Symbols of Power

Symbols of Power

Author: Louise W. Mackie

Publisher: Cleveland Museum of Art Bookstore

Published: 2015-03-03

Total Pages: 352

ISBN-13: 9780300206098

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A lavishly illustrated, authoritative presentation of the history of Islamic luxury textiles


Introduction to Art: Design, Context, and Meaning

Introduction to Art: Design, Context, and Meaning

Author: Pamela Sachant

Publisher: Good Press

Published: 2023-11-27

Total Pages: 614

ISBN-13:

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Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics


The Book of Symbols

The Book of Symbols

Author: Archive for Research in Archetypal Symbolism

Publisher: Taschen America Llc

Published: 2010

Total Pages: 807

ISBN-13: 9783836514484

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Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.


Symbols of Japan

Symbols of Japan

Author: Merrily C. Baird

Publisher: Rizzoli International Publications

Published: 2001

Total Pages: 344

ISBN-13:

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The motifs are organized according to broad thematic categories such as "the cosmos, heaven and earth" and "animals of the land and sea," among others, allowing for broad reading on a number of topics of interest to a wide variety of readers, including collectors of Asian art and students of Japan.".


Symbols in Arts, Religion and Culture

Symbols in Arts, Religion and Culture

Author: Farrin Chwalkowski

Publisher: Cambridge Scholars Publishing

Published: 2016-12-14

Total Pages: 620

ISBN-13: 1443857289

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We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.


The Secret Language of the Renaissance

The Secret Language of the Renaissance

Author: Richard Stemp

Publisher: Sterling Publishing Company, Inc.

Published: 2006

Total Pages: 276

ISBN-13: 9781844833221

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Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.


Engaging Symbols

Engaging Symbols

Author: Adrian W. B. Randolph

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 404

ISBN-13: 9780300092127

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Randolph shows how "engaging" political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation."--BOOK JACKET.


Thoughts on Design

Thoughts on Design

Author: Paul Rand

Publisher: Chronicle Books

Published: 2014-08-19

Total Pages: 97

ISBN-13: 1452130655

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One of the seminal texts of graphic design, Paul Rand's Thoughts on Design is now available for the first time since the 1970s. Writing at the height of his career, Rand articulated in his slender volume the pioneering vision that all design should seamlessly integrate form and function. This facsimile edition preserves Rand's original 1947 essay with the adjustments he made to its text and imagery for a revised printing in 1970, and adds only an informative and inspiring new foreword by design luminary Michael Bierut. As relevant today as it was when first published, this classic treatise is an indispensable addition to the library of every designer.