Australian Rare Books 1788-1900

Australian Rare Books 1788-1900

Author: Jonathan Wantrup

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 496

ISBN-13: 1040289371

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This book is a demonstration of the richness, worth and vitality of Australian documentary record. At the same time, it is an introduction to collecting Australiana for those who, if not already bitten by the book bug, have been dangerously exposed to it. Readers who are immune to the attractions of collecting but who value our past and its books will also find something to interest them in the following pages.


The Southern Tree of Liberty

The Southern Tree of Liberty

Author: Terry Irving

Publisher: Federation Press

Published: 2006

Total Pages: 312

ISBN-13: 9781862876170

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Who would imagine that democracy in NSW was won through fierce political battles and street rallies? The Southern Tree of Liberty sheds light on this turbulent and violent period in Australian history. For twenty years, the advocates of democracy mobilised the working class and fought hard to bring popular rule to the colony. The elites, on the other hand, used their legislative powers to halt this march towards liberty, most notably in the Constitution of 1853. There were many colourful characters involved in the push for self-government: Charles Harpur, the native-born poet who wrote ‘The Tree of Liberty (A Song for the Future)’; Johann Lhotsky, the revolutionary who spent five years in an Austrian prison; Ben Sutherland, the English upholsterer who formed the first working-class political organisation and edited its newspaper; William A Duncan, the Scots Catholic who created a network of radical intellectuals; · Henry Macdermott, the Irish-born ‘friend of the people’; and Edward J Hawksley, the radical journalist who was part of every democratic campaign from 1840. These characters and more are covered in Irving’s engagingly written and thoroughly researched book. The Southern Tree of Liberty highlights the contribution of the democrats to public life and shows how their struggles made possible the democratic advances that followed after 1856.I ask no more than “the birthright of a British subject”, namely the privilege of voting on the same grounds as would entitle me to vote in my native land … Henry Macdermott, 1842They had to decide whether they would have the rights of Britons or that vile and bastard democracy which had led to so many evil results in different parts of the world. ... James Macarthur, 1842… it is a grievance for the working man to be totally unrepresented; to have the nominal form of elective privileges whilst he is legislated for by a class entirely antagonistic to his interests and his claims. ... Guardian newspaper, 20 July 1844 A NSW Sesquicentenary of Responsible Government publication.


The First Fleet Piano: Volume One

The First Fleet Piano: Volume One

Author: Geoffrey Lancaster

Publisher: ANU Press

Published: 2015-11-03

Total Pages: 919

ISBN-13: 1922144657

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During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.


Empire, Early Photography and Spectacle

Empire, Early Photography and Spectacle

Author: Elisa deCourcy

Publisher: Routledge

Published: 2020-11-23

Total Pages: 174

ISBN-13: 1000209873

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James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.