A life worth living is worth recording, and what better place than this journal? These lined pages crave your scribbled notes, thoughts, ideas, experiences, and notions. Fill the lines, remember your life, don't lose your ideas, and keep reaching higher to live the best life you can. It all starts here, folks, but you'll need your own pen or pencil. Write on!
This Journal Features: Dimensions: 6" x 9" (15.24cm x 22.86cm) Pages: 120 Interior: Ruled Lined. High-quality white-color paper Finish: Matte It can be used as a journal, notebook, composition book, diary, taking notes, to-do list, drawing, thoughts, ideas, prayer, gratitude, meditation, brainstorming, projects. Makes a great birthday, Christmas, Secret Santa, holiday, graduation or beginning of the school year gift. It is a notebook for yourself or a gift for friends, coworkers, family or others.
Bridging Sydney commemorates the 75th anniversary of the opening of the Sydney Harbour Bridge, one of the world's iconic bridge structures. From the earliest concepts for a harbor crossing to the complexities of construction during the Depression, the bridge's story is rich and complex. A remarkable feat of engineering, it signified Australia's industrial and social maturity and had a dramatic impact on the city of Sydney. In its spectacular location on Sydney Harbour, in close proximity to the Opera House, the bridge has inspired generations of artists and writers, and has become an internationally recognized symbol of Australia. This publication is the result of extensive research and is illustrated with images from public and private collections, including plans, photographs and many works of art. These images have been brought together with original sketches of alternatives for the bridge and oral histories to provide a unique perspective on this much-loved Australian icon, placing it in the context of international bridge construction and 20th century engineering.
Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, and with regard to the histories, condition and status of Australia’s First Nations people. This volume interweaves varied topical themes, from formal debates about modernism, historical realism and melodrama, to questions about modernity’s time and space, about gender and cultural difference, and about the specifics of built and natural environments. Time, Tide and History intentionally loosens the conventions of literary scholarship by including other kinds of work alongside critical and scholarly readings: a written dialogue between two contemporary historians about Dark’s legacy, and a biographical piece on the life and role of Eleanor Dark’s husband, Eric Payten Dark. Bringing together the interwar fiction’s feminist and modernist dimensions with the historical turn of The Timeless Land trilogy, the essays in Time, Tide and History collectively pursue ethical and political questions while teasing out the distinctive thematic, formal and aesthetic features of Dark’s fiction.
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In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity. Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.
