(Applause Books). SWORD FIGHTING; A MANUAL FOR ACTORS AND DIRECTORS is a comprehensive new work on the art of creating realistic and exciting fight sequences for theatre, film and TV. This book is the product of thirty years research and experimentation into traditional European martial arts by acclaimed fight director John Waller and his associates, and possibly the most wide-ranging and practical book on stage combat ever published.
Featuring period drawings and prints of swordplay, this book examines and compares the only three existing Elizabethan fencing manuals written in English before 1600. In addition, it explores the influence of a new form of violence introduced into Elizabethan culture by the invention of the rapier.
The single sword is the most-used weapon on both stage and screen. The techniques used in single sword stage combat are derived from real combative methods used historically, and modified for acting. Basics of Stage Combat: Single Sword instructs the reader about the foundations of safe, skillful single sword use in theater, film, and television. Actors both wishing to refresh their old skills and those new to stage combat will learn how to parry with a sword, move with a sword, and perfect the various movements required of them to perform a safe and realistic stage combat scene. Basics of Stage Combat: Single Sword will also help drama students who are taking stage combat classes or stage combat exams gain the confidence to embrace the complexities of working with a sword. Among the swords discussed are the single rapier, sabre, and the eighteenth-century small sword; this book does not discuss broadsword techniques. Chapters provide illustration and instruction about thrusts, lunges, hand positions, advancing and retreating, passing steps, binds, beats, and cutting with the sword, as well as basic fighting positions. A brief fight choreography sequence is included at the conclusion of the book.
This book is an introduction to the basics of stage combat in the area of unarmed combat. It holds enough information to give students an understanding of the subject, as well as how to perform some of the more simple "tricks of the trade." The importance of the safety involved in performing stage combat is also discussed.
The Elaborate Entrance of Chad Deity follows the life of wrestler Macedonio Guerra. As a lifelong fan, he has followed wrestling only to become a "jobber," one who is paid to lose to bigger-name stars in the ring. Macedonio meets Vigneshwar Paduar, a young Indian man from Brooklyn, who he wants to team up with. The wrestling execs go for it, but pitch them as "terrorists" in the ring. Macedonio and Vigneshwar find a way to push the personas to the limits and say what needs to be said. Unspoken racism, politics, and courage are all woven into this play that leaves it all on the mat.
Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This thoroughly updated and substantially revised second edition includes: two new essays by Boal on major recent projects in Brazil Boal's description of his work with the Royal Shakespeare Company a revised introduction and translator's preface a collection of photographs taken during Boal's workshops, commissioned for this edition new reflections on Forum Theatre.
Unlike most makers of modern or futuristic films, George Lucas turned away from the standard special operatives or secret agents when he created the heroes for his epic Star Wars saga. Part knight, part monk, the Jedi Knights were an order of swordsmen that helped rule the universe in accordance with law and lofty principles of justice and honor. Without the Jedi, there could be no Star Wars, and without the lightsaber sword, there could be no Jedi. This examination of the Jedi Knights, their adversaries the Sith and their lightsaber swordplay throughout all six episodes of the franchise evaluates the ways in which Lucas blended science fiction with the most ancient and epic tales of traditional samurai and Western swordsmen. It presents swordsmanship as a way to better understand the Jedi Knights, focusing on the human movement and activity surrounding the weapon and the ways in which traditional Japanese martial arts were adapted for use in the films. Topics of discussion include the powerful effects of the master-apprentice relationship; the technical choreography used in the lightsaber scenes of the Star Wars films; and the historical precedents for the Jedi order, including the Sohei fighting monks of Japan, the Janissaries and Mamelukes of Islam, and the knights of the Templar, Hospitaller and Teutonic orders.
